Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "P of Wales"/1) | (@(roleclean,performerclean) "P of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2569 results for: Keyword - P: of Wales
We found 2157 matches on Event Comments, 477 matches on Performance Comments, 29 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
22 December 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Beggar's Wedding

Dance: new Grand Ballad D'Amour by Monsieur Denoyer Dancing-Master to his Royal Highness the Prince of Wales-Denoyer, Mrs Booth, others, being the first Time of his Dancing since his Arrival in England

102
31 December 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Cephalus and Procris

Music: By Desire of several Persons of Quality, the 5th of Vivaldi's Concertos and the 7th of Corelli's Solos on the Welsh Harp by Mr Petry, from Wales

Dance: A new Scotch Sword Dance by Baker in a Highland Character. Drunken Peasant by Le Brun

103
18 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Lovers Opera

Song: I: Italian Song-Miss Jones

Dance: II: By Desire of several Ladies of Quality, a new Ball Dance, Dedicated to the Princess of Wales, concluding with a Minuet-Vallois, Miss Oates; III: Clown-Vallois; IV: Two Pierrots-Vallois, Delagarde; V: French Peasant-Vallois, Miss Oates

104
04 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Honest Yorkshireman

Song: I: Since Times are so bad (by Purcell)-Stitchbury, Miss Jones; II: A Purcell Dialogue-Masters Hamilton

Music: Between Play and Entertainment: Handel Concerto on the Welsh Harp-Jones

Dance: III: The Princess of Wales (a new Ball Dance), concluding with a Minuet-Vallois, Miss Oates; IV: French Peasant-Mlle Roland

105
07 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Indian Emperor

Afterpiece Title: The Honest Yorkshireman

Dance: II: The Princess of Wales-Vallois, Miss Oates; V: Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

106
13 May 1737 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: I: The Lady's Lamentation, as17370414

Dance: In II: Hornpipe-Ferguson; IV: The Prince of Wales' Saraband (composed by L'Abbe), concluding with a Minuet-Dupre, Miss Norman; V: Grecian Sailors-Glover

107
23 December 1741 @ Goodman's Fields

Performances

Mainpiece Title: Richard Iii

Dance: David and Winifred Apshinken , Being the first Time of their Appearing on Stage, since Arrival from North Wales; two Masters Granier and Miss Granier; Particularly, A new comic Dance; call'd The Leek-David and Winifred ApShenkin

108
06 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

109
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

110
08 September 1730 @ Southwark Fair

Performances

Mainpiece Title: Robin Hood And Little John; Shewing How He Was Banish'd By The Instigation Of The earl Of Pembroke, For The Love Of The Fair matilda; His Bold Adventures With His Man little John; And The band Of Outlaws; On Which Information the King Went With His Army To pembroke, And robin Hood's Happy Return To Court: With The Comical Adventures Of Little John And The pindar's Wife

Afterpiece Title: (at 8 p

111
06 April 1737 @ Covent Garden

Performances

Mainpiece Title: Esther See deutsch, Handel, P

112
28 September 1745 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

113
14 November 1745 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Debauchees

Dance: II: Mechel; IV: Mlle Mechel

Song: V: a Chorus song- [set by Handel, for the Gentlemen Volunteers of the City of London, Stand around, my brave boys written by John Lockman (Deutsch, Handel, p. 624)]

114
15 September 1769 @ Haymarket Theatre

Performances

Mainpiece Title: For Performances At dl And cg, 16 And 18 September, See Season Of 1769--1770, P

Afterpiece Title: [The Padlock

Dance: [As17690515

115
18 March 1772 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End Part I: Solo on Violincello-Duport, as17720311 End Part II: Concerto on Violin, as17720306(Theatrical Review, p. 217)

116
01 April 1772 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End Part I: Solo on Violincello, as17720311 End Part II: Concerto on Violin, as17720306(Theatrical Review, p. 221)

117
03 April 1772 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End Part I: Concerto on French Horn, as17720311 End Part II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 221)

118
19 April 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Invasion

Dance: I: A Dance-Daigville's scholars

Entertainment: End: (First time) an Address to the Town-Miss P. Hopkins

119
10 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

120
16 May 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: Harvest Home

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

121
30 May 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's All In The Wrong

Afterpiece Title: The Citizen

Entertainment: In the course of the Evening: [at end of mainpiece (Thespian Magazine, July 1793, p. 50)] Fencing-La Chevaliere D'Eon, Mrs Bateman, an English Officer

122
18 January 1796 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive; or, The Magick Fire

123
10 March 1760 @ Drury Lane Theatre

Event Comment: For the Author. By Command of the Prince of Wales. The Prince of Wales was at Drury Lane to see the new tragedy of Aquileia. I went there at 9, but it was all over and done & met Miss Smith coming from thence with Capt. Johnston. I think it very unnatural for her to be going to plays when her sister is but just laid in the Grave (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: The Siege Of Aquileia

124
20 December 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: Hotspur-Smith; King Henry-Bensley; Prince of Wales-Brereton (1st appearance in that character); Worcester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir W. Blunt-Hurst; P. John-Master Benson; Westmoreland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Falstaff-Palmer (1st appearance in that character); Hostess-Mrs Bradshaw; Lady Piercy-Mrs Cuyler.
Cast
Role: Prince of Wales Actor: Brereton

Afterpiece Title: Comus

Dance: End II: The Sportsman Deceiv'd, as17791210

125
02 October 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Election

Afterpiece Title: The First Part of King Henry IV

Performance Comment: Hotspur-Farren (1st appearance in that character); King Henry-Bensley; Prince of Wales-Brereton; Worcester-Aickin; Sir Richard Vernon-Williams; Northumberland-Packer; Sir W. Blunt-Fawcett; P. John-Master Benson; Westmoreland-Wrighten; Poins-R. Palmer; Francis-Waldron; Carriers-Moody, Parsons; Falstaff-Palmer; Hostess-Mrs Love; Lady Piercy-Mrs Cuyler.
Cast
Role: Prince of Wales Actor: Brereton

Afterpiece Title: Fortunatus

Dance: End II 2nd piece: a Comic Dance-Henry, Miss Armstrong