SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ormond"/1) | (@(roleclean,performerclean) "Ormond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15 matches on Event Comments, 12 matches on Roles/Actors, 5 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Arsinoe, Queen Of Cyprus

Performance Comment: Ormond?-Hughes performing his own part [Ormond]; Dorisbee-Signora Maria Gallia.

Dance:

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: Ormond Actor: Macready

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].
Cast
Role: Lord Ormond Actor: Pope

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters by R. Palmer, Barrymore, Kemble, C. Kemble, Aickin, Wewitzer, Hollingsworth, Bannister Jun., Fisher, Webb, Evans, Miss Stuart, Mrs Powell, Mrs Jordan, Miss Pope, Mrs Sparks, Miss Tidswell. [Cast from text (J. Bell, 1800): Lord Listless-R. Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Wewitzer; Squeez'em-Hollingsworth; Frank-Bannister Jun.; Trifle-Fisher; John-Webb; Robert-Evans; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Mrs Jordan; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Lady Hubbub-Mrs Cuyler; Mrs Tiffany-Mrs Coates; Anne-Mrs Jones; [For Prologue (spoken this night?) see17990501.] Epilogue-Mrs Jordan.
Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Romp

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters-Palmer, Barrymore, Kemble, C. Kemble, Aickin, Maddocks, Hollingsworth, Wathen, Miss Stuart, Mrs Powell, Miss Biggs, Miss Pope, Mrs Sparks, Miss Tidswell, Mrs Coates, Mrs Cuyler, Mrs Jones. Cast adjusted from text (J. Bell, 1800): Lord Listless-Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Maddocks; Squeez'em-Hollingsworth; Frank-Wathen; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Miss Biggs; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Mrs Tiffany-Mrs Coates; Lady Hubbub-Mrs Cuyler; Anne-Mrs Jones; Prologue-C. Kemble; Epilogue (in Character)-Bannister Jun.
Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Prize

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Dreamer Awake

Cast
Role: Ormond Actor: Macready

Dance: As17910428

Song: As17910517, but To be jovial and gay-_; Beviamo-; A Sea Song-Incledon

Performances

Mainpiece Title: The Ton

Cast
Role: Lord Ormond Actor: Pope

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Ton

Cast
Role: Lord Ormond Actor: Pope

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: The East Indian

Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Shipwreck

Afterpiece Title: The First Act of Robinson Crusoe; or, Harlequin Friday

Dance: In 3rd piece: the original Savage Dance-

Performances

Mainpiece Title: The East Indian

Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The East Indian

Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: The East Indian

Cast
Role: Mrs Ormond Actor: Mrs Powell

Afterpiece Title: The Deserter

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, Diary: [Mercer] and I to the Duke of York's playhouse, and there saw The Tempest, and between two acts, I went out to Mr Harris, and got him to repeat to me the words of the Echo, while I writ them down, having tried in the play to have wrote them; but, when I had done it, having done it, withour looking upon my paper, I find I could not read the blacklead. But now I have got the words clear, and, in going in thither, had the pleasure to see the actors in their several dresses, especially the seamen and monster, which were very droll. So into the play again. But there happened one thing which vexed me, which is, that the orange-woman did come in the pit, and challenge me for twelve oranges, which she delivered by my order at a late play, at night, to give to some ladies in a box, which was wholly untrue, but yet she swore it to be true. But, however, I did deny it, and did not pay her; but, for quiet, did buy 4s. worth of oranges of her, at 6d. a-piece. Here I first saw my Lord Ormond since his coming from Ireland, which is now about eight days

Performances

Mainpiece Title: The Tempest

Event Comment: The Bulstrode Papers, 24 Feb. 1670@1: Since Tuesday the ballett has not been danced over, but on Monday next it's said they intend to performe it at the D. of Ormond's, where his Majesty and the whole Court intend to be present (I, 174)

Performances

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

Event Comment: The King's Company. Newdigate newsletters (Folger Shakespeare Library), 15 Nov. 1681: This being ye Q.s birthday ye K.s players acted Alexdr ye great after wch was a ball & entertainment given to ye Ct. (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). Luttrell, 15 Nov. 1681: The 15th, being the birth day of her majestie, was kept with ringing of bells, bonefires, &c.; and at night there was a play acted at Whitehall before the king and queen, where the court appeared in great splendor (A Brief Relation, I, 144). The Earl of Arran to Ormond, 15 Nov. 1681: I am going to a play at court (HMC, Ormonde MSS., New Series, VI, 230). L. C. 5@144, p. 246, 22 Nov. 1681: Whereas Jeoffrey Ayleworth, Thomas ffarmer, Thomas ffinall & Richard Tomlinson foure of his Mates Musitians have neglected their dury in attending at ye play acted before his Mate at Whitehall on Tuesday night last for which I have suspended them (L. C. to the Treasurer of the Chamber, in Boswell, Restoration Court Stage, p. 100)

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

Event Comment: Benefit Cooke. At the desire of several persons of Quality. Amphitheatre on stage. Ladies send servants by 3 o'clock to keep places. Tickets to be had and places to be taken of Cooke Sen., at his house in Great Ormond St., near Queen Square

Performances

Mainpiece Title: The Conscious Lovers

Dance: I: Les Matelots-Cooke; III: A French Peasant-Cooke; IV: Grand Ballet, as17421108; V: a Ball Dance call'd the Louvre, concluding with a Minuet-Cooke, Anne Auretti

Event Comment: Benefit Cooke. Mainpiece: At the Particular Desire of Several Ladies of Quality. Amphitheatre on Stage. Ladies send servants by 3 o'clock. Tickets and places to be had at Cooke's in Great Ormond St., near Queen's Square

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Damon and Phillida

Dance: I: New Dance-Cooke; III: Grand Ballet-Cooke, Mlle Domitilla; IV: New Serious Dance-Cooke, Mlle Bonneval; V: Ball Dance call'd the Louvre, concluding with a Minuet-Cooke, Mrs Domitilla

Event Comment: Benefit for Dodd. Public Advertiser, 1 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #244 13s. (111.17.0; 11.16.6; 1.10.6; tickets: 119.9.0) (charge: #74 3s.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A ChristmasTale

Event Comment: Benefit for Dodd. Public Advertiser, 21 Mar.: Tickets to be had of Dodd at his house in New Ormond-street, Queen's-square. Receipts: #245 7s. 6d. (102.15.0; 19.9.0; 0.7.6; tickets: 122.16.0) (charge: #68 19s.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Event Comment: Benefit for Mrs Bulkley. Mainpiece: With the Triumphal Entry of Alexander into Babylon. [This was included in both subsequent performances.] Afterpiece [1st time; C 1, author unknown. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 23 Apr.]. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Bulkley, No. 10, New Ormond-street. Receipts: #195 13s. 6d. [166.16.6; tickets: 28.17.0) (charge: #73 7s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: True-Blue

Afterpiece Title: The Dutiful Deception

Dance: New Dance, Allemande-Aldridge, Mrs Bulkley