SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Order of the Golden Fleece"/1) | (@(roleclean,performerclean) "Order of the Golden Fleece")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 890 matches on Event Comments, 93 matches on Performance Title, 53 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The play went off with Great Applause and the Opera till begining of the Second Act. when they hiss'd very much and a very great Noise ensued and with very great difficulty we got to the end of the Farce (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Hurst (by order) on Note #13 13s. Receipts: #109 2s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Blackamoor

Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760304 but Morely(?)-Wrighten. [The Epilogue finally dispensed with.]The Epilogue finally dispensed with.]

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder
Event Comment: Benefit for Bannister. Afrerpiece: Never performed there, a Musical Entertainment, which went off with great Applause the New Scene of the Regatta was properly introduc'd in the Farce (Hopkins Diary). Rec'd Stopages #10 4s. 6d.; Mr Burges one quarter's rent (land tax deducted) #4 4s.; Paid Mr Grist by order of Mr Garrick #10; Mr Johnston's Music bill #14 3s. 6d.; Mr Burges (bricklayer) #52 2s. 6d. Receipts: #82 3s. 6d. Charges: #66 18s. Profits to Bannister: #15 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Performance Comment: Parts by Bannister, Davies, Parsons, Mrs Wrighten, and Mrs Jewell. Tom Tug-Bannister; Bundle-Davies; Robin-Parsons; Mrs Bundle-Mrs Wrighten; Miss Wilelmina-Mrs Jewell (MacMillan) to conclude with the grand scene of the Regatta.

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760409 but Hurry-Waldron, first time; Architect-Norris; Maria-Miss P. Hopkins; Shepherdess, with songs incident to the piece-Miss Abrams; Vocal Parts-Mrs Smith, Mrs _Scott.

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: By Command of Their Majesties. Paid Kirk Housekeeper's bills to October 12 #102 19s. 4d.; Chorus Singers #6 15s. They called for the Epilogue (to the Runaway) and made a great Noise for it all through the first Scene of the Farce, but it was not spoken. Miss Younge was not down ready to begin [the mainpiece], Sheridan ordered the Curtain to be drawn up, it was two Minutes before she came to begin (Hopkins Diary). Receipts: #219 16s. 6d

Performances

Mainpiece Title: The Runaway

Dance: In: The Savage Hunters, as17761024, but _Helme, Prelot

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.
Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Mrs Motherly Actor: Mrs Cross
Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]

Dance: As17761115

Event Comment: In order to give Time to the Serious Singers to get ready in Trajetta's New Opera [Germondo (see 21 Jan. 1777)], La Fraschetana will be performed on Saturday, on which Account there will be no Opera To-morrow

Performances

Mainpiece Title: None

Event Comment: Receipts: #155 0s. 6d. (127.4.0; 25.16.0; 2.0.6) (orders: #61 13s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Bon Ton

Event Comment: By Command of Their Majesties. Receipts: #257 1s. (242.18.0; 13.0.6; 1.2.6) (orders: #6 16s. 6d.)

Performances

Mainpiece Title: The Rivals

Performance Comment: As17770116, but Lucy (1st time)-Mrs Davies; The Original Epilogue-_.
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Dance: End II: The Triumph of Love, as17761107

Event Comment: Morning Chronicle, 8 May: The audience had been much better satisfied with less noise behind the scenes, while Miss Davies was singing. During her first song there was such a noise that Savoi was obliged to go off the stage, by orders from some gentlemen in the pit, to request silence three several times

Performances

Mainpiece Title: Telemaco

Dance: As17770419

Event Comment: Mainpiece: Never performed here. "Digges 'discharged the character' in the same costume as it is to be supposed was adopted by Booth, when the play was originally acted [in 1713], that is, in a shape, as it is technically termed [i.e. a costume] of the stiffest order, decorated with gilt leather upon a black ground, with black stockings, black gloves, and a powdered periwig" (Peake, II, 13)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Citizen

Dance: End: Dance-

Event Comment: A new Comic Opera; the Music by Paisiello [and "other eminent Composers" (libretto)]; under the Direction of Giordani. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office, Union Court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Coffee Room will be open with Tea, Coffee, Lemonade, Orgeat, Ice, Creams, &c. which will be furished by Weltje, of St. James's Street. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are respectfully intreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. [Public Advertiser, 13 Feb. 1778, prints a letter outlining a scheme-never realized-of having occasional plays at king's on non-opera nights acted by performers from both dl and cg, and by "the young Nobility of both Sexes."

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Event Comment: Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalryv. [This was included in all subsequent performances.] With new Dresses, and the Scenery entirely new painted. [Miss Simson is identified by MS annotation on Kemble playbill.] Receipts: #226 6s. 6d. (204.10.0; 21.12.0; 0.4.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: [the following new Dances composed] by Gallet:I: [a Dance of Cupids-; IV: [a Dance of Daemons-; to conclude: Grand Ballet-Henry, Miss Armstrong, Mlle Dupre. [These were danced, as here assigned, in all subsequent performances.

Performance Comment: [These were danced, as here assigned, in all subsequent performances.]

Music: Mainpiece: With a New Overture, and additional Airs, Chorusses-; the whole of the Music composed by Michael Arne

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Event Comment: Receipts: #153 11s. 6d. (115.13.0; 37.12.0; 0.6.6) (orders and free: #32 17s.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Farren, Lamash
Role: The Lady Actor: Mrs Sharp
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: Afterpiece: As17780917; With the original Music by Matthew Locke with full Chorusses and Additional Accompaniments,-Bannister, Gaudry, Legg, Chaplin, Fawcett, Carpenter,Holcroft, Philimore, Kenny, Miss Simson, Miss Abrams, Mrs Love, Mrs Davenett, Mrs Smith, Miss Kirby, Mrs Gaudry, Miss Collett

Event Comment: Mainpiece: The music composed by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalryv. Receipts: #159 19s. (134.8; 25.11; 0.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Irish Widow

Dance: I: a Dance of Cupids-; IV: [a Dance of Daemons-; V: Grand Dance [Grand Ballet [sic], as17781102; End I afterpiece: Minuet de la Cour, as17780919; [and Allemande, as17780919

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: One of the [new Scenes] will conclude the Entertainment, and the Intervals between the three Acts being found tedious, alterations have been made in order to make it practicable to comprize the whole in two Acts

Performances

Mainpiece Title: Cato

Afterpiece Title: The Touchstone

Event Comment: Mainpiece: The Music by Michael Arne. With a Grand Procession of different Orders of the Knights of Chivalryv. [This was included in both subsequent performances.] Afterpiece: Not acted these 2 Years. Receipts: #162 19s. (130.8.0; 31.11.6; 0.19.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is In Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: I: Dance of Cupids-; IV: a Dance of Daemons-. [These were danced in both subsequent performances.

Performance Comment: [These were danced in both subsequent performances.]
Event Comment: By Permission [of the Lord Chamberlain]. By Desire of the Most Noble Order of Bucks. Benefit for Griffith. [Author of Epilogue unknown.] Tickets delivered for November 22 and for The West Indian will be admitted. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Wrangling Lovers; or, Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

Performance Comment: After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell.
Event Comment: Benefit for Gardner. In order to render the Entertainment perfectly agreeable the Performance will be accompanied with a Band of Horns and Clarinets

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Leach; Kecksey-Parsloe; Sir Patrick O'Neale-Price; Thomas-The Gentleman that plays Boniface; Widow Brady (with the Epilogue song)-Mrs Kingham.

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

Performance Comment: End: Snip's Humorous Description of the Camp-Gardner.
Event Comment: [In afterpiece the playbill retains Wood, but "As soon as the play was finished, Palmer stepped forward, and...informed the Audience that Wood was taken suddenly and dangerously ill, but in order to prevent the Company from being disappointed of the farce, R. Palmer had undertaken to perform the character of Bouquet at a few hours notice. After the usual Musick the farce commenced, and it is but justice to R. Palmer to declare that he acquitted himself much to his own credit and entirely to the satisfaction of the audience" (Morning Chronicle, 14 July).

Performances

Mainpiece Title: The Separate Maintenance

Related Works
Related Work: The Separate Maintenance Author(s): George Colman, the elder

Afterpiece Title: The Son-in-law

Event Comment: Mainpiece: The Music by Michael Arne. With a Grand Procession of the different Orders of the Knights of Chivalryv. [This was included in both subsequent performances.] Receipts: #161 18s. 6d. (121.12.0; 39.17.6; 0.9.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Mayor of Garratt

Dance: I: Dance of Cupids-; IV: a Dance of Daemons-. [These were danced in both subsequent performances.

Performance Comment: [These were danced in both subsequent performances.]
Event Comment: A new Comic Opera; the Music by several celebrated Composers [chiefly Scolari], and conducted Ii.e. arranged] by Bianchi. With new Scenes, new Dresses and Decorations. Public Advertiser, 27 Nov.: L'Arcifanfano was performed for the first time on Saturday, and universally disapproved of. It will not be repeated Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season, except for L'Omaggio (see 5 June 1781)]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses' Heads towards Pall-mall. The Door in Market Lane for Chairs only

Performances

Mainpiece Title: L'arcifanfano

Performance Comment: Principal Characters by Trebbi, Manzoletto, Gherardi, Micheli, Mrs Barthelemon, Sga Prudom, Sga Sestini. Cast from Larpent MS 538: Arcifanfano-Trebbi; Tagliacantoni-Manzoletto; Dottore Matteo-Gherardi; Malgoverno-Micheli; Gloriosa-Mrs Barthelemon; Garbata-Sga Prudom; Semplicina-Sga Sestini.
Cast
Role: Gloriosa Actor: Mrs Barthelemon

Dance: End I: New Ballet-Sg and Sga Zuchelli, Sga Crespi; End II: new ballet, composed by Simonet, The Fortunate Escape-Slingsby, Sga Tantini, Sga Crespi, Mme Simonet; End Opera: new ballet, composed by Simonet, The Country Gallant-, in which Mme Simonet, will dance in Men's Cloaths with Sga Tantini, Sga Crespi, Sg and Sga Zuchelli