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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at the Hay Market"/1) | (@(roleclean,performerclean) "Opera at the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2535 matches on Performance Title, 1757 matches on Event Comments, 282 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Hay-market. 2nd ballet: 1st time, composed by Didelot, the Music entirely new by Cesare Bossi

Performances

Mainpiece Title: Merope

Dance: End I: Le Rendez@vous, as17970513; Minuet de la Cour, as17970406; End Opera: Acis et Galatie- [see17970617

Event Comment: Benefit for Mme Rose Didelot. Semiramide [advertised in Morning Chronicle, 18 Apr.] cannot be given this evening on account of the necessary Machinery in the new Ballet. Tickets to be had of Mme Rose Didelot, No. 8, Hay-Market

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners

Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

Performance Comment: [For other performers see hay, 14 Feb. 1792.]
Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Lockit-Berry; Mat o Mint-Blakes; Filch-Raftor; Lucy-Mrs Clive; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; Polly-Mrs Davies; In Act III a Hornpipe-Matthews, others; To conclude with a Country Dance-the characters of the opera.

Afterpiece Title: The Lying Valet

Event Comment: We play'd the Beggar's Opera & ye Oracle by Children for the Benefit of some distress'd Actors who formerly belong'd to the Theatres. There was #102 in the House, the following Persons receiv'd from it Mr Marshall #23. Mr Morgan #21. Mrs Edgerton #5 5s. Mr Bowman #5 5s. Mr Phenix #10 10s. Mrs Gardner (formerly printer to ye house) #2 2s. N.B.: Mrs Clive refus'd to play her part of Lucy , it was done by Miss Young. New performers engag'd Y: Fletewood, Obrien, Packer, Perry, Miss Glen (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Filch-Raftor; Polly-Miss Macklin; Lucy-Miss E. Young, her 1st appearance on any stage; Mat@o@Mint-Rooker; Lockit-Champnes; Beggar-Philips; Player-Bransby; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; In Act III, a Hornpipe-Morris; To conclude with a Country Dance-the Characters of the Opera.

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Event Comment: Benefit for Holtom, Buck, Young. No Building on Stage. Tickets deliver'd for the Prophetess will be taken. Being positively the last time of performing it (Beggar's Opera) this season

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17620427 but Mrs Peachum-Mrs Stephens; Polly-Miss Miller, first time; Diana restored. Hornpipe-Mlle Capdeville; Country Dance-Characters of the Opera.

Afterpiece Title: The Jealous Farmer Deceiv'd

Cast
Role: The Cries of London Actor: Shuter.

Dance: II: The Pleasures of Spring, as17620212

Event Comment: A New Opera. Premiere of Terradellas's Bellerofonte. Crescendo is used...seemingly for the first time. Libretto by F. Vanneschi--Burney, History of Music, IV, 456

Performances

Mainpiece Title: Bellerephon

Dance:

Entertainment: End Opera: Fireworks Display-. [Repeated in all announcements of this opera.

Performance Comment: [Repeated in all announcements of this opera.]
Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Performance Comment: ], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi .
Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: Benefit for Kelly. Opera: Not acted these 2 years [acted 9 June 1798]. 2nd ballet: Under the darections of J. D'Egville. With appropriate Scenery, Machinery, Dresses and Decorations. Morning Chronicle, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #697 4s. 6d (347.5.0; 48.11.6; 0.19.0; odd money: 5.0.6; tickets: 295.8.6) (charge: #213 4s. 9d.)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Barrymore; Ismael-Caulfield; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Soldier-Trueman; Katharine-Mrs Crouch; Fatima-Miss Heard; Lilla-Miss DeCamp; Ghita-Miss Jackson. [No afterpiece performed this night.]No afterpiece performed this night.]
Cast
Role: The Seraskier Actor: Kelly

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Performance Comment: D'Egville=), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-.

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

Performance Comment: Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House.
Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .
Cast
Role: Irishman in the Pit Actor: Marriot
Related Works
Related Work: The Manager in Distress Author(s): George Colman, the elder

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .
Cast
Role: Hay Actor: market
Role: from the Theatre Actor: Royal
Role: Hay Actor: market

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: With a new Prologue-the Lion from the Opera in the Hay-Market; and a new Epilogue-a young Child who play'd the part of the Child in Caius Marius.
Event Comment: Benefit Caporale, First Violoncello in the Opera at the Hay-Market. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Several Solos on the Violoncello by Caporale

Event Comment: Benefit for Pacchierotti. Opera: Not acted these 3 years. Tickets, half a guinea each, to be had of Pacchierotti, No. 8, Great Marybone-street

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

Event Comment: Opera: The Music by Paisiello. L'Amour et Psiche [advertised in True Briton, 6 Jan.] is unavoidably postponed on account of the indisposition of Mme Hilligsberg. The Frequenters of the Gallery are respectfully informed that the Coffee-Room underneath, having since last year been very considerably enlarged, and entirely new ornamented by Mr Liparotti, will be opened for the present Season on this Evening, and the Company will please to observe that at the end of it, next to Market-lane, an additional Staircase has been erected for their greater accomodation in going to and coming from that side of the Gallery

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 20 Dec.] The last Opera till the 31st of December [but on that day no opera is announced]

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amans Heureux, as17761217; End I: La Force de l'Amour, as17761214; End Opera: Grand Serious Ballet, as17761217

Music: As17761214

Event Comment: Opera By Desire

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Opera By Particular Desire

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Sorcerer

Dance: LLes Charboniers, as17521028

Event Comment: Opera: With Chorusses under the Direction of Kelly. The Company resorting to the Gallery of this Theatre are respectfully informed that, in future, on Opera Nights, a Coffee-Room, immediately under, will be open for the purpose of accomodating them with refreshment

Performances

Mainpiece Title: Alceste

Dance: End Opera: Paul et Virginie, as17960116

Event Comment: Opera by Particular Desire. Receipts: #100

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss Lucy in Town

Event Comment: [Opera advertised as Under the Direction of Dr Arne.

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17751018, but Mandane-Mrs Barthelemon, first time.

Afterpiece Title: Cross Purposes

Dance: End Opera: The Vintage Festival-Dagueville, Sga Vidini. [See17741007.

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 16 Dec.] Sga Zuchelli being extremely ill, Mme Simonet has had the Complaisance, that the Public might not be disappointed, to offer to dance in all the Ballets this Evening

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amusemens Champetres-Mme Simonet, Zuchelli, Vallouy@le@cadet; End I: Les Amans Heureux-Vallouy, Mme Simonet, Zuchelli, Vallouy@le@cadet; End Opera: Grand Serious Ballet, as17761130, but Sga _Zuchelli, Vallouy@le@cadet; Passacaile, as17761130;Chaconne, as17761130

Music: As17761214

Event Comment: Opera: The Music by several eminent Masters [Giordani, Traetta, Hasse, Vento]; under the Direction of Giardini

Performances

Mainpiece Title: Antigono

Dance: End I: La Force de l'Amour, as17761214; End II: Serious Ballet, as17770225; End Opera: Les Amusemens Champetres, as17761102