SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera at Paris"/1) | (@(roleclean,performerclean) "Opera at Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2826 matches on Performance Title, 1555 matches on Event Comments, 437 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [R$Ross this month wrote to Colman (Harvard Theatre Collection A.L.S.) inquiring about an intended new theatre at Bath, and opened his heart as follows: "My present situation is most irksome to me and must be to any gentleman or man of merit in his profession to have such an ignorant and now ill-bred fellow as Beard? presume to conduct the business of a theatre Royal, of which he is totally ignorant, and oblig'd to apply to the great Gibson, who naturally wishes to lower every man to his own standard, while the other despises every degree of merit that is not compris'd in Sol fa and wishes the theatre only to substitute as an Opera house." Ross wanted to be nominated for the manager's postition in the new theatre at Bath. N.B. He had already acted 23 times this season in his best parts.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: The Royal Chace

Event Comment: A favorite serious Opera. The music by several celebrated Composers. [Edition of 1765 lists music by Cocchi. Director of Ballet-Gallini.

Performances

Mainpiece Title: La Clemenza Di Tito

Event Comment: The last time of performing this Opera

Performances

Mainpiece Title: La Clemenza Di Tito

Event Comment: A new serious Opera. The Music entirely new-Signior Vento. With new Dances, new Cloaths and Decoration

Performances

Mainpiece Title: Sofonisba

Event Comment: Benefit for Elisi. With Several alterations of new and favourite songs. This Opera will be one half an hour shorter than when it first came out, which renders the former books unserviceable. Sg Elisi has therefore ordered new books to be printed

Performances

Mainpiece Title: Eumene

Music: A new Overture-Galuppi

Dance: II: Minuet, Louvre-Sodi, Miss Capitani

Song: new Duetto, Cananetto, accompanied by Recitations-Sg DeMajo

Event Comment: Benefit for Mattocks. [The Jester's Magazine, or Monthly Merry Maker included the following verses by "Bumpkin" from the Upper Gallery, "On Seeing Midas"]: @To Midas invited@And greatly delighted,@They all sung and acted so clever;@That in Rapture I cry'd, a,@To the folk on each side, a,@Burlettas and sing-song forever!@For tho' Justice Midas@Turns out but a Try'd Ass,@In preferring horse Pan to Apollo@The Airs are so pretty,@And so sweet the Duetti,@They beat all your Operas hollow.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Midas

Dance: IV: Rural Love, as17651115

Event Comment: A new serious Opera, Music-Galuppi

Performances

Mainpiece Title: L'eroe Cinese

Event Comment: [Long letter of complaint in Gazetteer and New Daily Advertiser about text of the Libretto, arguing verse would be better for translation than prose, in the printed books supplied at the Opera House.

Performances

Mainpiece Title: L'eroe Cinese

Event Comment: A new serious opera composed by Barthelemon

Performances

Mainpiece Title: Pelopida

Dance: NNew Dances-

Event Comment: At the King's Opera House in The Haymarket. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Vivant Rex et Regina. [Repeated in the bills.] By His Majesty's Company. [First production of an English stage play at this house since 18 Nov. 1710, though touring French or Italian companies had played French plays as late as the spring of 1727. The location verified by Isaac Reed, who attended the performance.

Performances

Mainpiece Title: Othello

Event Comment: [See note, Opera 13 Sept.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mayor of Garratt

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lethe

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Paris Actor: Fawcett

Afterpiece Title: The Hermit

Event Comment: A new Serious Opera. With grand Chorusses. New Dances, new Cloaths, and new Decorations painted by Biggari and Conti. Music composed by Giovan S. Bach. By Command of their Majesties

Performances

Mainpiece Title: Carattaco

Event Comment: A new serious Opera, for this night only. Benefit for Guarducci

Performances

Mainpiece Title: Sifare

Song: A Cantabile Song-; accompanied on the viola de gamba-Mr Abel

Event Comment: A new comic Opera, composed by Fischietti, a Neopolitan. Benefit for Lovatini

Performances

Mainpiece Title: Il Signor Dottore

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: A new serious Opera, composed by Vento

Performances

Mainpiece Title: La Conquista Del Massico

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Duke and no Duke

Dance: II: A New Tambourine Dance (third time)-Mas. Blurton, as17670427 End Opera: New Pantomime Ballet (second time)-Mas. Blurton, Miss Besford, as17670427

Performance Comment: Blurton, as17670427 End Opera: New Pantomime Ballet (second time)-Mas. Blurton, Miss Besford, as17670427.
Event Comment: Being last time of performing this opera

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: To begin at 7 p.m. Being the last time of performing this opera. [Time of beginning repeated.

Performances

Mainpiece Title: La Buona Figliuola Maritata

Event Comment: NNeville MS Diary: To Ranelagh to hear a grand Jubilee Entertainment; it is the most elegant public room in the world and must give foreigners a high idea of the riches of our nation. It is circular and the fireplace is under a circular Portico in the middle, round which are tables at which the company are served with tea and coffee, and there are two sets of boxes at the side one above another for the same purpose. The landing room from the river which projects a little into the water commands a fine view of the river and country...Saw the Tripoline ambassador in the dress of his country. Took notice of a Miss Spencer and a Miss Johnson, two pretty ladies of the town, the latter had one of the prettiest faces I ever saw. Brunswick, Cumberland...Tripolian Ambassador...Miss Spencer and a Miss Johnson, two pretty ladies of ye town... were there...Began to use an Opera glass

Performances

Mainpiece Title: Alexander's Feast

Song: Coronation Anthem-

Event Comment: By Particular Desire. Being the last time of performing this opera

Performances

Mainpiece Title: La Conquesta Del Messico

Event Comment: The 25th Night. By the Particular Desire of several Persons of Quality who were Subscribers in the Operas

Performances

Mainpiece Title: La Buona Figliuola