SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Opera House in Paris"/1) | (@(roleclean,performerclean) "Opera House in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3135 matches on Event Comments, 3014 matches on Performance Title, 498 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: See a note from the Marquis Cattaneo to the Duke of Modena (in Campana de Cavelli, Les derniers Stuarts [Paris and London, 1871], I, 171), in which he states that the entire court went three or four times to see The Man of Mode

Performances

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Post Man, 4-6 April 1699: On Easter Monday, at the New Theatre in Little Lincolns Inn Fields, will be an entertainment of Dancing, performed by Monsieur Balon newly arrived from Paris. [Betterton's Company. See also 8 April 1699.

Performances

Mainpiece Title: Play Not Known

Event Comment: Post Boy, No. 716, 7-9 Nov. 1699: We hear that Monsieur Nivelong, the Famous Grotesque Dancer, is lately arrived from Paris, and that he designs to appear shortly on one of our English Stages

Performances

Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden, on 14 Dec. 1699, indicated that the run of the play had been completed by that day. A copy in the Folger Shakespeare Library has a notice of its publication. Downes, Roscius Anglicanus, p. 45: Iphigenia a Tragedy, wrote by Mr Dennis, a good Tragedy and well Acted; but answer'd not the Expences they were at in Cloathing it. [In The Life of Mr John Dennis (London, 1734) the author states that Colonel Codrington prevailed on all his friends to take tickets for the dramatist's third night.] Preface, Edition of 1700: And from the first representations I expected all the success that I could reasonably desire. I never in my life at any Play took notice of a more strict attention, or, a more profound silence. And there was something like what happen'd at the Representation of Pacuvius his Tragedy. For upon Orestes discovering his passion to Iphigenia in the fourth Act, there was a general murmur through the Pit, which is what I had never seen before. But after three or four representations, several people, who during that time had wholly abandon'd themselves to the Impression which Nature had made on them, began to study how to be discontented by Art; and repented heartily at having been pleas'd with what Athens and Rome and Paris had been pleas'd before. A Comparison between the Two Stages (1702), p. 23: Critick: I must needs Complement him [Dennis] with the Success of his laborious Iphigenia: Ay, here's a Tragedy with a witness--show a more tragick Poet if you can--'twas a smart Epilogue. But I marvel a Man of Mr Dennis's Penetration wou'd suffer, nay beg his Friend to Burlesque him at that unreasonable rate: But the Author was conscious the Audience might mistake it for a Comedy, and so he gets Colonel C-(he was sure his Word wou'd be taken) to tell 'em it was not a Comedy but a Tragedy: The hint was good and necessary, for o' my word very few knew what to make of it before, tho' there were many Tremendous things in't. [The dialogue continues to examine Dennis' Preface, and Dennis's assertions there concerning his play.

Performances

Mainpiece Title: Iphigenia

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: See17061207, but With a new Prologue-; Dialogue between the English and the Paris Gazetteers, treating of the Victory of Ramilly-Mr Leveridge, others.

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The Whimsical Death of Harlequin

Performance Comment: Scaramouch-Sorin; Harlequin-Baxter lately arriv'd from Paris, who have variety of Entertainments of that Kind, and make but a short stay in England.
Event Comment: Daily Post, 4 Feb.: There is upon the Road from Paris, thither, a Company of French Comedians, which, 'tis said, are to perform at the Theatre in the Hay-Market twice every Week the Remainder of this Season; and we hear that 1000l. is already subscribed towards their Encouragement

Performances

Performances

Mainpiece Title: Harlequin A Merry Spirit

Afterpiece Title: Pantomime

Performance Comment: Four Persons just arrived from Paris, who never were in England before.
Event Comment: At the Desire of several Ladies of Quality. N.B. Whereas it has been reported, that several of the best French Comedians would soon return to Paris: This is to certify, that the said Report is totally groundless, for they will remain here all the Winter Season

Performances

Mainpiece Title: Le Tartuffe

Afterpiece Title: Le Tombeau de Maitre Andre

Dance:

Event Comment: Benefit Baptiste, lately arriv'd from Paris. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Flute-Baptiste; Violin-Claudio; Sonata in three Parts by C. A. Lunati, Inventor of the Double Stops-

Performances

Mainpiece Title: L Foire De St

Performance Comment: Jermain de Paris.
Event Comment: The same as it was acted at the Theatre Royal Italien at Paris. [In Daily Post, 29 March, a company of English actors had announced The Stratagem for this day at hay, but they postponed it to 12 April.

Performances

Mainpiece Title: Arlequin Feint Astrologue Pagode Ramoneur Petit Infant Statue Perroquet

Dance: As17260328

Performances

Mainpiece Title: Lheureux Naufrage Et La Force De Lamour Et De La Magie

Performance Comment: With a new Actor newly arrived from Paris, who never performed in England before.

Dance: As17260328

Performances

Mainpiece Title: La Mort De Lucresse

Afterpiece Title: Les Avantures de la Foire St

Performance Comment: Germain de Paris.

Dance: Poitier, Boudet, Welman, others

Performances

Mainpiece Title: Jane Shore Containing The Death Of King Edward Iv The Penance Of Jane Shore And Her Miserable Fall Under Richard The Protector

Afterpiece Title: With The Comical Humours of Anthony Noodle His Man Weazle and Captain Blunderbuss

Afterpiece Title: The Wheel of Life or Harlequins Death

Performance Comment: Harlequin-Mons LeCoudriere , lately arriv'd from Paris.

Performances

Mainpiece Title: The Beggars Wedding

Dance: FFrench Peasant-Monsieur St.Luce , lately arriv'd from Paris

Performance Comment: Luce , lately arriv'd from Paris.

Performances

Mainpiece Title: Hunter Or The Beggars Wedding

Song: CChimes of the Times, The Contented Farmer-Mrs Mountfort

Dance: HHarlequin, Pierrot-St.Luce , from Paris; Dusty Miller, French Peasant-Fisher@Tench Charke

Performance Comment: Luce , from Paris; Dusty Miller, French Peasant-Fisher@Tench Charke.

Music: A good Band of Instruments-; accompany'd by a Chamber Organ-

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The Metamorphoses of Harlequin

Performance Comment: Dr Faustus-Pullen; Scaramouch-Hicks; Mephistophilus-Baker; Good Genius-Barcock; Evil Genius-Bignal; Carriers-Malone, Norris; Hostess-Mrs French; Harlequin-Nott; Miller-T. Jones from lif; Colombine-Mrs Rogers; Countrymen-Woodward, French, Peploe; Country Lasses-Mrs Pullen, Mrs Morse, Miss Wherrit; Bumkin-Dove; 1st Infernal-DeBlois , just arrived from Paris.
Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: As it was perform'd last Week before their Majesties and all the Royal Family for the Benefit of Mrs Porter. The Judgment of Paris, which was intended to be perform'd this Night, is deferr'd for a few Days, upon Account of some Alterations in the Machinery

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Afterpiece Title: The Boarding School Romps

Dance: Houghton, Mrs Walter, Miss Robinson

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Music: Second Musick: First Concerto of Corelli. Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle

Performance Comment: Third Musick: A Trumpet Overture. I: Concerto for French Horns, the French Horns by Charle and Giay, lately arriv'd from Paris. III: Solo for French Horn by Charle .

Dance: Les Bergeries by Essex, Miss Robinson (the first Characters); F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Lempio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Rise Glory Rise, by Miss Arne, accompanied by French Horns

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: TTurbutt and Dove's Booth, end of Hosier Lane, West Smithfield, during the Time of the Fair. [London Daily Post and General Advertiser gives Kevenhuller-$Woodward. Repeated 24, 25, 26 Aug.] Ballance Master, just arriv'd from Paris

Performances

Mainpiece Title: The Glorious Queen Of Hungary

Performance Comment: As17430804, at Tottenham Court Fair, but Queen-Mrs Bambridge; Kevenhuller-Woodhouse; Duke-Pattendon; Tom Thimble-Smith; Landlady-Mrs Smith; Tim Guzzle-Dove; Jenny-Miss Ferguson; Doublescore-Mrs Hill.
Cast
Role: Kevenhuller Actor: Woodhouse

Afterpiece Title: Harlequin Dissected or The Biter Bit