SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old EnglishManner"/1) | (@(roleclean,performerclean) "Old EnglishManner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1534 matches on Performance Comments, 983 matches on Performance Title, 319 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Phillips, former Harlequin to the Old House, now a Prisoner. [Theatrical Clippings, Folger Library. Performance not named, but bill says This Day.

Performances

Event Comment: At the Old Theatre, on the Bowling Green. A Concert, etc. Benefit Daniel. 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance:

Song:

Event Comment: At the Old Theatre. Benefit Mathews. A concert, etc. By Desire of the United Body of Gentlemen Salesmen. 6 p.m. Prices 2s. 6d., 1s. 6d., 1s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Lying Valet

Song: WWelsh Song, Monmouth's Glory-Mathews

Event Comment: [This benefit was originally scheduled for the Old Theatre, Bowling Green, Southwark, but after the fiasco and obloquy of 3 Nov. and the newspaper notice of 8 Nov. the promoter changed theatres.

Performances

Mainpiece Title: The Stratagem

Event Comment: A Concert of Musick. 7 p.m. Afterpiece: A Farce taken from The Old Batchelor. Tickets at Mr Walker's, Bookseller, Fleet St. [The adaption from Congreve may have been used as the afterpiece until 11 May 47.

Performances

Mainpiece Title: The Diversions Of The Morning; Or, A Dish Of Chocolate

Afterpiece Title: The Credulous Husband

Event Comment: PPrologue omitted. Garrick ill [Genest, IV, 232). We hear the Celebrated Old Comedy call'd Abumazar [sic] from which Johnson is suppos'd to have taken his Alchymist, is now reviving at Drury Lane Theatre, and will be acted some day next week (General Advertiser). Receipts: #160 (Cross); #146 3s. 6d. (Powel)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Double Disappointment

Event Comment: (great snow [show?] for ye Agreat snow [show?] for ye Author) (Cross). Benefit for the Author (General Advertiser). There was a new comedy last Saturday, which suceeds, call'd The Foundling. I like the old Conscious Lovers better, and that not much. The story is the same, only the Bevil of the New piece is in more hurry, and consequently more natural. It is extremely well acted by Garrick and Barry, Mrs Cibber and Mrs Woffington [Walpole to Sir Horace Mann, Walpole Letters (ed Cunningham, II, 105).] Receipts: #160 (Cross); house charges #63 (Powel); cash #119 5s. 6d.; tickets #32 (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Event Comment: [L$Leveridge announced his benefit for Thursday March 31, The Recruiting Officer, with the following jingle to the tune of Can Love be Controul'd by Advice?]: I@Tho' Fortune is said to be Blind,@'Tis hop'd the fam'd Goddess may hear@Which prompts me to think she'll be Kind,@And to my petition give ear.@Tho' here starts a doubt I must own,@Since Drury her favour has got,@How I shall address the Kind Town@My tickets this time to promote.@II@And yet with great Hope I'm led on@That some generous hearts may be found,@To say-Come let something be done@For him that has ne'er chang'd his ground.@For him take a ticket this time@'Twill give the old stander delight@Who begs us in this humble rhyme@To honour his benefit night.@ Tickets to be had at Leveridge's lodgings at the Twisted Posts in Brownlow St., Drury Lane, and at the Stage Door

Performances

Mainpiece Title: Joshua

Cast
Role: Caleb Actor: Reinhold

Afterpiece Title: New Concerto

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Anatomist

Performance Comment: As17480119, and 30 Nov. 1747, but Old Gerald-_.

Dance: III: Peasant Dance-Mas. Shawford, Miss Shawford; V: Comic Dance-Matthews, Mrs Addison

Event Comment: At the Old Theatre, Bowling Green, Southwark. A concert, etc. Benefit for Adams and Daniel. Prices: 2s. 6d., 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Afterpiece Title: Columbine Courtezan

Event Comment: This day is publish'd written by Henry Fielding, Esq. the 4th edn. of An Old Man taught Wisdom; or the Virgin Unmask'd, a Farce, as it is now acting at Drury Lane. With the Music prefix'd to each song. Printed for I. Watts. Receipts: #170 (Cross); #171 12s. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Triumph of Peace

Event Comment: Benefit for Dunbar, Warner, Tomlinson, Mrs L'font. Tickets deliver'd out for A New Way to Pay Old Debts will be taken. Receipts: #110 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Lethe

Dance: HHornpipe-the Little Swiss; IV: Savoyards, as17480920

Music: Piece on Flute-the Child

Event Comment: Afterpiece: By Desire. Paid Burton for writing parts 15s.; Mr Hiens for a suit of men's cloaths #10 10s.; Caustin for 3 pieces old lace #1 1s.; Steel for French ribbons 5s. (Treasurer's Book). Receipts: #120 (Cross); #128 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: A Duke and no Duke

Event Comment: At Hickford's Room, Brewer St. Benefit for Mme Cuzzoni. Burney, II, 848-49: [Giardini's] first performance in public was at a benefit concert for Cuzzoni, May the 18th...where, as this was her third arrival in this country, and she was grown old, poor, and almost deprived of voice, by age and infirmities, there was but little company; yet, when Giardini played a solo of Martini of Milan's composition, the applause was so long and loud, that I never remember to have heard such hearty and unequivocal marks of approbation at any other musical performance

Performances

Mainpiece Title: A Concert

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Chaplet

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Benefit for Ridout and Barrington. On Wednesday 24 April for the Benefit of Leveridge, The City Wives Confederacy: @To all generous Britons I sound this endeavour,@To beg that this season my play you ll promote,@By granting as usual your bountiful favour,@Which by Old Silenus shall ne'er be forgot.@Whilst Life I'm enjoying, and health do inherit,@With grateful Remembrance all thanks I'll renew@Still raising my voice to the Heighth of my Spirit,@Then swan-like will sing out my final adieu. tickets fbr the play, with the Musical note printed on them may had of Leveridge at his Lodging over against the Red Lion in Brownlow St., by Drury Lane, and of Mr Page at the Stage Door. Tickets for the 17th will be taken

Performances

Mainpiece Title: Othello

Afterpiece Title: The Devil to Pay

Dance: As17500926

Event Comment: Benefit for Ray, W. Vaughan, G. Burton & ye Sub-Treasurer (Cross). Tickets of Ray, at the Crown and Anchor Tavern, St Clement's Church; at the Black Swan Tavern, in Bartholomew Lane; the Old King's Head Tavern, Facing Somerset House; For Vaughan, at the One Ton Coffee House, St. James' Market; for Burton, at Pope's next the Stage Door, Russel St.; and of Hobson at the Stage Door. Tickets deliver'd for the Lady's Last Stake, or the Wife's Resentment will be taken. Receipts: #214 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: A Quarrel in ye Green room between old Cibber & Mrs Clive occasioned by his saying, the stage wanted a handsome Woman, &c. (Cross). Receipts: #70 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Song: II: Mattocks

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Flora; or, Hob in the Well

Performance Comment: The part of Hob-Hob himself; Roger for Somersetshire-Trimming Dick of Taunton Dean; to play out an old Grudge, Friendly, Flora-Friends of Hob's who never appeared on any Stage before.
Event Comment: t the Temple of Taste this evening the entertainment consisted of 1), an overture from Samson, 2), a Poetica address to the audience, 3), a concert on the harpsichord by a young Lady eight years old, 4), a Dissertation on Dress, 5), a Hautboy concerto, 6), an Essay toward a new-invented Astronomy, adapted to the Ladies, 7), a solo on the German Flute, and a general debate on the following propositions: Is Affectation more prevalent in Man than Woman?" 'Is not a good-natured illiterate man more beneficial to society than an illnatured philosopher" (General Advertiser).

Performances

Mainpiece Title: Jeptha

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

Performances

Mainpiece Title: Mrs Midnight's Grand Concert

Performance Comment: To be conducted by the proprietors of The Old Woman's Oratory. To be divided into three parts. The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on the Salt@Box-a Rationalist will be introduced as usual; with the performances of several eminent Masters. with the performances of several eminent Masters.

Performances

Mainpiece Title: Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Lethe

Performance Comment: See17520401 but Old Man, Fine Gentleman-Shuter.

Dance: The Grand Provincial Dance, as17520204

Song: II: A song of Handel's-Master Vernon