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We found 1534 matches on Performance Comments, 983 matches on Performance Title, 319 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wilson. Afterpiece [1st time; M. ENT 3]: The Dialogue and part of the Songs written by Richard? Wilson. The Overture, new Music and accompaniments composed by Reeve. The Songs, Duets, Glees compiled from Arnold, Rogers, Giordani, Shield, Hook, Dibdin, W. Wilson, Stevens, Broderip and David Rizzio. [Larpent MS 908; not published. Prologue probably by Richard Wilson. Epilogue by Joseph Haynes.] Public Advertiser, 14 May: Tickets to be had of Wilson. No. 10, Bow-street, Covent Garden. Receipts: #354 14s. 6d. (165.17.6; 5.4.0; tickets: 183.13.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Performance Comment: Andrew's Day. Old Quiz-Quick; Easy-Johnstone; Taffy-Blanchard; Scotch Cobler [Archey McNab]-Wilson; Young Quiz-Munden; Helm-Incledon; Quotations-Bernard; Plausible-Macready; Long Cork-Bannister; English Girl Nancy]-Miss Broadhurst; Scotch Girl [Jeannet]-Mrs Mountain; Scotch Cobler's Wife [Mrs McNab]-Mrs Webb; Irish Girl [Peggy]-Mrs Martyr; [The names in brackets are as specified in the cast listed in Larpent MS.] Prologue-Wilson; [PART I A Cruel fate-Williamson, Miss Broadhurst, Mrs Mountain, Mrs Martyr; I sit on my sunkie-Mrs Mountain; The passion of Love I never felt-Miss Broadhurst; To be sure she don't like a brisk Irish lad-Mrs Martyr; We bipeds made up of frail clay-Quick; My Joe Jannet-Wilson, Mrs Webb; When Bibo went down-Bannister; A Sailor's life's the life for me-Incledon; [PART II The charms of my Peggy-Johnstone; Farili bo boo-Wilson; On the lake of Killarney-Mrs Martyr; The bells of Aberdovey-Blanchard; Scotch Song-Incledon; Sigh no more Ladies-Bannister, Johnstone, Incledon, Mrs Mountain, Mrs Martyr; And their aw nodding at our house at hame-; [PART III The Stranger's at Home. President-Bannister; The Prince and Old England for ever-Johnstone; Comic Constitutional Song-Bernard; A Stammering Glee [Goody Groaner]-Incledon, Reeve, Blanchard; Come come all noble souls, Beviamo tutti tre-Bannister, Incledon, Blanchard, Reeve, Williamson, Johnstone.

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: Wild Oats

Afterpiece Title: Hob in the Well

Performance Comment: As17910112, but Sir ThomasTesty-Powel [a misprint for C. Powell?; Powel is here also retained as Old Hob].a misprint for C. Powell?; Powel is here also retained as Old Hob].
Cast
Role: Old Hob Actor: Powel

Entertainment: Monologue. End 2nd piece: a New Epilogue (in Honour of the Fund,)-Mrs Wells; with an Imitation-

Performances

Mainpiece Title: Britain's Glory

Related Works
Related Work: Britain's Glory; or, A Trip to Portsmouth Author(s): Samuel Arnold

Afterpiece Title: THE SURRENDER OF CALAIS

Performance Comment: As17940822, but Ribbomont-Palmer//Madelon-Miss De Camp; omitted: Harcourt, Sir Walter Manny, Officer, John d' Aire, Old Man, Crier, Citizens, Serjeant . omitted: Harcourt, Sir Walter Manny, Officer, John d' Aire, Old Man, Crier, Citizens, Serjeant .
Cast
Role: Old Man Actor: Waldron
Related Works
Related Work: The Surrender of Calais Author(s): Samuel Arnold

Afterpiece Title: THE CHILDREN IN THE WOOD

Related Works
Related Work: The Children in the Wood Author(s): Samuel Arnold

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Barrymore; Don Juan-Packer; Sanchio-Campbell; Alonzo-C. Kemble; Michael Perez-Palmer; Leon-Kemble; Cacafogo-Dowton; Lorenzo-Trueman; Servants-Maddocks, Evans, Webb; Margarita-Mrs Powell; Altea-Miss Tidswell; Clara-Mrs Roffey; Estifania-Miss Farren; Old Ladies-Mrs Maddocks, Mrs Booth, Mrs Cuyler; Old Woman-Mr Suett; Maid-Mr Grimaldi.

Afterpiece Title: The Deserter

Performance Comment: As17961015, but Serjeant-Trueman; Soldiers-_.
Cast
Role: Soldiers Actor: Maddocks, Trueman, Evans

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Barrymore; Don Juan-Packer; Sanchio-Holland; Alonzo-C. Kemble; Michael Perez-Palmer; Leon-Kemble; Cacafogo-Dowton; Lorenzo-Trueman; Servants-Maddocks, Webb, Evans; Margarita-Mrs Powell; Altea-Miss Tidswell; Clara-Miss Heard; Estifania-Mrs Jordan (1st appearance in that character); Old Ladies-Mrs Maddocks, Mrs Coates, Mrs Jones; Old Woman-Mr Suett; Maid-Mr Grimaldi; Maid to Estifania-Mrs Roffey.

Afterpiece Title: The Chimney Corner

Performances

Mainpiece Title: Voluntary Contributions

Performance Comment: Irishman-Johnstone; Englishman-Murray; Mail Coach Guard-Townsend; Ostler-Powel; Serjeant-Farley; Old Soldier-Thompson; Son-Simmons; Scotchman-Wilde; Welchman-Rees; Hawker-Gray; 2nd Irishman-Dyke; 2nd Sailor-Abbot; 1st Sailor-Farley [i.e. doubled Serjeant]; Old Woman-Mrs Henley; Persons represented in the Allegorical Action: Genius of the Isle; Demon of Discord; Children of Britain; Peace, with her Attributes; Britannia-Miss Chapman.
Cast
Role: Old Soldier Actor: Thompson
Role: Old Woman Actor: Mrs Henley

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Drunken Colonel-Knight; Goodall-Davenport; Oldcastle-Emery; Mrs Highman-Mrs Gilbert; Charlotte-Miss Cox; Lettice-Mrs Mattocks.
Cast
Role: Oldcastle Actor: Emery

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Old Trueman Actor: Lovel

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Old Moody Actor: Underhill

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Old Horace Actor: Tho. Howard

Performances

Mainpiece Title: The Duchess Of Malfi

Performance Comment: The edition of 1678 contains a cast which corresponds to the Duke's Company at this time: Ferdinand-Harris; Cardinal-Young; Antonio-Smith; Delio-Midburn [Medbourne]; Bosola-Betterton; Castruchio-Richards; Sylvio-Cademan; Pescara-Norris; Malateste-Price; Roderigo-Cogun; Grisolan-Percival; Dutchess of Malfey-Mrs Betterton; Cariola-Mrs Norris; Old Lady-Mrs Osborn; Julia-Mrs Shadwell.
Cast
Role: Old Lady Actor: Mrs Osborn
Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: The Country Wife

Performance Comment: Edition of 1675: Prologue-Mr Hart; Horner-Hart; Harcourt-Kenaston; Dorilant-Lydal; Pinchwife-Mohun; Sparkish-Haynes; Sir Jasper Fidget-Cartwright; Mrs Margarey Pinchwife-Mrs Bowtel; Mrs Alithea-Mrs James; Lady Fidget-Mrs Knep; Mrs Dainty Fidget-Mrs Corbet; Mrs Squeamish-Mrs Wyatt; Old Lady Squeamish-Mrs Rutter; Quack-Schotterel; Lucy-Mrs Cory. [Edition of 1668: Epilogue spoken by Mrs Knep.]Edition of 1668: Epilogue spoken by Mrs Knep.]

Performances

Mainpiece Title: Aureng-zebe

Performance Comment: Edition of 1676: Prologue-; Old Emperor-Mohun; Aureng Zebe-Hart; Morat-Kynaston; Arimant-Wintershal; Nourmahal-Mrs Marshal; Indamora-Mrs Cox; Melesinda-Mrs Corbet; Zayda-Mrs Uphil; Epilogue-.
Cast
Role: Old Emperor Actor: Mohun

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Old Bellair Actor: Leigh

Performances

Mainpiece Title: Aureng-zebe

Performance Comment: See16751117. Prologue-; Old Emperor-Mohun?; Aureng Zebe-Hart?; Morat-Kynaston?; Arimant-Wintershal?; Nourmahal-Mrs Marshal?; Indamora-Mrs Cox?; Melesinda-Mrs Corbet?; Zayda-Mrs Uphil?; Epilogue-.
Cast
Role: Old Emperor Actor: Mohun?

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife

Performance Comment: Edition of 1677: Prologue-; Old Monylove-Percival; Courtly-Crosby; Loveall-Norris; Stanly-Gillow; Tom Essence-Lee; Laurence-Richards; Mrs Monylove-Mrs Hughes; Theodocia-Mrs Barry; Luce-Mrs Osburn; Mrs Essence-Mrs Gibbs; Betty-Mrs Napper; Epilogue-Mrs Gibbs.
Cast
Role: Old Monylove Actor: Percival

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Sir Arthur Oldlove Actor: Sandford
Role: Old Jollyman Actor: Underhill
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162: At the Fond Husband. See also Nicoll, Restoration Drama, p. 349. Downes (Roscius Anglicanus, p. 36): [This comedy and Otway's The Soldier's Fortune] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit. One song, Under the branches of a spreading tree, set by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679. For Nokes and Leigh in this play, see Cibber, Apology, ed. Lowe, I, 149. According to The Guardian, 15 June 1713, Charles II attended three of the first five nights of this play

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Performance Comment: Edition of 1677: Rashley-Smith; Ranger-Harris; Peregrine Bubble-James Nokes; Old Fumble-Anth. Leigh; Sir Roger Petulant-Sandford; Sneak-Jevan; Spatterdash-Richards; Apothecary-Percival; Emillia-Mrs Barrer; Maria-Mrs Marshal; Cordelia-Mrs Hughes; Betty-Mrs Napper; Governess-Mrs Norrice; Prologue-; Epilogue-Fumble; Edition of 1678 adds: Jeremy-Richards.
Cast
Role: Old Fumble Actor: Anth. Leigh

Performances

Mainpiece Title: The History Of Timon Of Athens, The Man-hater

Performance Comment: Edition of 1678: Prologue to Timon-; Timon of Athens-Betterton; Alcibiades-Smith; Apemantus-Harris; Nicias-Sandford; Phaeax-Underhill; Aelius-Leigh; Cleon-Norris; Isander-Percival; Isidore-Gillo; Demetrius-Medburne; Dephilus-Bowman; Old Man-Richards; Poet-Jevon; Evandra-Mrs Betterton; Melissa-Mrs Shadwell; Chloe-Mrs Gibbs; Thais-Mrs Seymour; Phinias-Mrs Le-Grand; Epilogue-.
Cast
Role: Old Man Actor: Richards

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Old Lord Clifford Actor: Percival

Performances

Mainpiece Title: The Second Part Of The Rover

Performance Comment: Edition of 1681: Prologue-Mr Smith; Willmore-Smith; Beaumond-Williams; Ned Blunt-Underhil; NicholasFetherfool-Nokes; Shift-Wiltsher; Hunt-Richards; Don Carlo-Norice; Ariadne-Mrs Corror [Currer]; Lucia-Mrs Norice; La Noche-Mrs Barry; Petronella Elenora-Mrs Norice; Aurelia-Mrs Crofts; Old Jew-Freeman; Epilogue-Mrs Barry.
Cast
Role: Old Jew Actor: Freeman
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performance Comment: Edition of 1683: The Prologue-Mr Smith; The Epilogue-Mr Lee in the Character of Bartaline the Old Lawyer.