SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Old Cole"/1) | (@(roleclean,performerclean) "Old Cole")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1853 matches on Performance Comments, 987 matches on Performance Title, 355 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Lethe

Performance Comment: With a new scene-Garrick; New Mimic Italian Song-Mrs Clive; Lord Chalkstone-Garrick; Mercury-Beard; Fine Gentleman-Woodward; Mrs Riot, Fine Lady-Mrs Clive; Aesop-Bransby; Charon-W. Vaughan; Drunken Man-Yates; Frenchman, Old Man-Blakes; Tatoo-Marr; Mrs Tatoo-Miss Minors (Edition of 1756).
Cast
Role: Old Man Actor: Blakes

Dance: IV: New Sailor's Dance, as17560217

Event Comment: Mainpiece: By Desire. At half past 4 went into the Pit to see Garrick do Archer a 3rd time....It is not agreeable to see Packer make love--he is oblig'd to do Aimwell, Palmer being ill....Moody does Hob pretty well, but not so well as Yates. Hartry did not do Old Hob so well as Parsons (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Performance Comment: As17671207, but Old Hob-Hartry.
Cast
Role: Old Hob Actor: Hartry.
Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-A Young Gentleman, first appearance any stage (Webster); Lord Randolph-Wroughton; Officer-Thompson; Glenalvon-Aickin; Old Norval-Barry, being their first appearance in those characters; Anna-Miss Dayes; Lady Randolph-Mrs Barry.

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

Event Comment: Benefit for Dodd. N.B. Mr King still continuing lame with the Gout is incapable of performing both in Play and Farce. Mr Baddeley, therefore has kindly undertaken, at short notice, to perform the character of Old Groveby, and humbly hopes for the indulgence of the public. Paid Machin, Chorus, 9 nights #2 5s. Receipts: #131 10s. Charges: #70 7s. Profits to Dodd: #61 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760208, but Old Groveby-Baddeley, first time; the Vocal Parts-Mrs Scott, Mrs +Jewell, Mrs +Smith.
Cast
Role: Old Groveby Actor: Baddeley, first time
Role: Oldworth Actor: Aickin

Afterpiece Title: Bon Ton

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Holmes; Glenalvon-Cooke; Lord Randolph-Sparks; Officers-Garden, Swords; Old Norval-Mitchell; Anna-Miss Randall; Lady Randolph-Mrs Jones (from the Theatre-Royal in Dublin).
Cast
Role: Old Norval Actor: Mitchell

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Event Comment: 3rd piece: Taken from New Hay at the Old Market [by George Colman, ynger; i.e. its 1st scene, with alterations]. "Caulfield's imitations of Aickin, Suett, King and Dignum are exact even to astonishment -of the rest we do not think much" (Monthly Mirror, July 1796, p. 185)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Ways and Means

Performance Comment: Sir David Dunder-Bannister Jun.; Young Random-Caulfield; Scruple-Davies; Old Random-Aickin; Roundfee-Suett; Quirk (1st time)-Wathen; Carney-Burton; Peery-Usher; Tiptoe-R. Palmer; Lady Dunder-Mrs Hopkins; Mrs Peery-Mrs Booth; Harriet-Mrs Kemble; Kitty-Mrs Gibbs.
Cast
Role: Old Random Actor: Aickin

Afterpiece Title: Sylvester Daggerwood

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Cast
Role: Old Gypsey Actor: Mrs Henley
Event Comment: [Prologue to Douglas by John Home.] Tickets to be had of Frimbley at the Old Crown. Pit 2s. Doors to open at 6:00; to begin at 7:00. Nights of playing: Monday, Wednesday & Friday

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Performance Comment: Douglas (with the original Prologue)-A Person of Highgate; Glenalvon-Frimbley; Old Norval-Hayden; Officer-Dunant; Messenger-Cooper; Servant-Master Crisp; Lord Randolph-A Person of Highgate; Anna-Miss Crisp; Lady Randolph-Mrs Frimbley.
Cast
Role: Old Norval Actor: Hayden

Afterpiece Title: The Poor Soldier

Song: Between the Acts: Watkinson, Master Crisp, Hayden

Entertainment: Monologues A Prologue and Epilogue-a Gentleman

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Happy Lovers-Villeneuve, Mrs Delagarde; A New Dance call'd La Villageoise-Dumont, Mlle Auguste, Mrs Delagarde

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Quin; Macduff-Ryan; Lady Macduff-Mrs Hale; King-Gibson; Banquo-Bridgwater; Malcolm-Hale; Donalbain-Anderson; Lenox-Stephens; Seyward-Cashell; Seyton-Harrington; Hecate-Rosco; Murderers-Stoppelaer, Bencraft; Witches-Hippisley, Marten, James; Lady Macbeth-Mrs Horton; With the Original Music-; The Vocal parts-Leveridge, Salway, Roberts, Reinhold, Thompson, Mrs Vincent, Mrs James, Miss Hillyard, Miss Davis.

Afterpiece Title: Old Man Taught Wisdom

Song: By Desire, Arrah my Judy-Stoppelaer

Dance: Villeneuve, Dumont, Richardson, Delagarde, Destrade, Dupre, DeVaul

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Happy Lovers, as17421006; La Villageoise, as17421006; Harlequin Dance-Villeneuve, Mlle Auguste

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Old Man Taught Wisdom

Dance: HHappy Lovers, as17421006; La Villageoise, as17421006

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Happy Lovers, as17421006; La Villageoise, as17421006

Performances

Mainpiece Title: Cato

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Je@ne@scais@quoy, as17421015; La Villageoise, as17421006

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Old Man Taught Wisdom

Dance: TThe Happy Lovers, as17421006; La Villageoise, as17421006

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Copper Captain-Ryan; Leon-Bridgwater; Cacafogo-Marten; Old Woman-Hippisley; Duke-Rosco; Don Juan-Cashell; Alonzo-Gibson; Sanchio-Anderson; Margaritta-Mrs Stevens; Altea-Mrs Mullart; Clara-Miss Hillyard; Estifania-Mrs Horton.
Cast
Role: Old Woman Actor: Hippisley

Afterpiece Title: Old Man Taught Wisdom; or, The Virgin Unmask'd

Dance: Villeneuve, Mrs Delagarde

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: Old Man Taught Wisdom

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Old Man Taught Wisdom

Performances

Mainpiece Title: Othello

Afterpiece Title: Old Man Taught Wisdom; or The Virgin Unmask'd

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: (BBy Desire) To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft; Favourite Duette My Faith and Truth, from oratorio Sampson,-Mrs Clive, Miss Edwards

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3