Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Event Comment: Andrew Marvell to William Popple, 24 July. Scaramuccio acting dayly in the Hall at Whitehall, and all Sorts of People flocking thither, and paying their Money as at a common Playhouse; nay even a twelve-penny Gallery is builded for the convenience of his Majesty's poorer Subjects (Marvell's Works, ed. H. M. Margoliouth, [Oxford, 1927], II, 320). For a warrant to Nicholas Staggins for writing "a chaccon" for "Scaramoucha" see Boswell, Restoration Court Stage, p. 122

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Augustus Caesar. See also Nicoll, Restoration Drama, p. 346. The music for a song in act I, scene I, was composed by Nicholas Staggins, and printed in Choice Ayres and Songs, The Second Book, 1679. There is no certainty that this was the premiere, but it may well have been. The play was entered in the Term Catalogues, May 1676

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Event Comment: Gentleman's Journal, November 16@2: In my first Journal I gave you a large account of the Musick Feast on St Cecilia's day; So, to avoid repetitions, I shall onely tell you that the last was no ways inferiour to the former....The following Ode was admirably set to Music by Mr Henry Purcell and perform'd twice with universal applause, particularly the second Stanza, which was sung with incredible Graces by Mr Purcell himself. [See Purcell's Works, Purcell Society, VIII, and Orpheus Britannicus, 1702, 1706, 1711. The Ode appears to have been written by Nicholas Brady.

Event Comment: [By Nicholas Rowe. Date of premiere unknown. Published 6 Jan. 1702.

Event Comment: [By Nicholas Brady.]All the Characters new drest. Receipts: #67 8s

Event Comment: A New Opera.[Text by Paul Rolli; music by Nicholas Porpora.] The Characters are all new dress'd. N.B. The Tickets of such Subscribers who have not yet paid the last Call will not be admitted. 6:30 P.M

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Event Comment: A New Opera.[Text by Paul Rolli. Music by Nicholas Porpora.] 7 P.M

Event Comment: A New Opera. [Music by Nicholas Porpora. Their Majesties, Princesses Amelia and Caroline expected to attend.]

Event Comment: Benefit Woodward. [Receipts: #81 3s. 6d., plus #59 9s. from tickets. Charges #63.] Paid Servandoni #10 10s. Paid Price a bill for carpenter's work at Lincoln's Inn Fields Theatre last week #2 19s. 9d. Tickets to be had of Woodward at his lodgings in King St. (near the Churchyard Gate) Covent Garden; at the Bedford Coffee House; at the Salutation Tavern in Nicholas Lane; and of Page at the stage door. Tomorrow The Distress'd Mother and Miss in her Teens, the part of Fribble by Garrick.--General Advertiser. Daily Advertiser: By Particular Desire of several Persons of Quality. [On 13 April Woodward published a letter of thanks to the former schoolfellow who sent him this speech, promised to present it, and assured him that no copy would be made. See Theatrical Clippings, Folger Library.