SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Nichol"/1) | (@(roleclean,performerclean) "Nichol")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 246 matches on Roles/Actors, 25 matches on Performance Comments, 10 matches on Performance Title, 10 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: The Fond Husband; Or, The Plotting Sisters

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymen's Triumph

Cast
Role: Priests Actor: Kelly, Nichols, Richardson

Performances

Mainpiece Title: Tamerlane

Related Works
Related Work: Tamerlane Author(s): Nicholas Rowe

Afterpiece Title: The Necromancer

Performance Comment: As17341028, but Nichols and Cunningham added to Spirits .
Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

Event Comment: Paid Mr Nichol for wire lines #16 6s. 8d. (Treasurer's Book). Receipts: #119 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: CCymon deferred on account of Mrs Baddeley's indisposition. Receiv'd from Condell, 2nd payment for Fruit Office #20. Paid Barrow & Co. Oil Bill #51 14s. 6d. and Nichol's bill for line #1 6s.; Chorus singers 2 nights #5 1s. (Treasurer's Book). Receipts: #97 5s. (Treasurer's Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Cunning Man

Event Comment: Benefit for Miss Bassan and Abbott. Tickets delivered by Furkins, Longley, Robson, Flight, Curteen, Paddick, Stephenson, as well as those delivered for the Inconstant and Love for Love will be taken. [No charges. House received ready money receipts plus half-value of tickets]: @Tickets Box Pit Gallery Value Half Value@Miss Bassan 22 38 43 #15 10s. #7 15s.@Abbott 18 52 72 #19 10s. #9 15s.@Furkins 27 42 19 #14 19s. #7 9s. 6d.@Longley 22 206 82 #44 12s. #22 6s.@Robson 13 107 42 #23 10s. #11 15s.@Flight .. 72 62 #17 #8 10s.@Curteen 24 57 55 #20 1s. #10 6d.@Mrs Paddick 7 30 13 #7 11s. #3 15s. 6d.@Stephenson 3 21 85 #12 8s. #6 4s.@Total 136 625 473 #175 1s. #87 10s. 6d.@ Paid Nichols (gilder) 1s. 6d., McMillen (shoemaker) #4 3s.; D. Almaine (embroiderer) #3 3s.; Morris (painter) #7 7s.; Rowson (gunsmith) #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Commissary

Dance: II: (By Desire) a Minuet (1st time)-Blurton, Miss Bassan; End Opera: Hornpipe-Miss Bassan

Event Comment: Paid Mr Hatsell [Mercer] 3 bills in full of last season #122 17s.; Nichols [sic] (rope maker) #18; Barrett (wax chandler) #28 3s. 6d. Receipts: #92 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Elopement

Event Comment: Benefit for Farren and Miss Sherry. Mainpiece: With the grand Triumphal Entry. Tickets delivered by Thompson will be taken. Public Advertiser, 22 Apr.: Tickets to be had of Farren at Rumler's, Clare-court, Drury-lane; of Miss Sherry at Nichol's, Baker, Bridges-street, Covent Garden. Receipts: #265 7s. (84.5; 15.9; 0.1; tickets: 165.12) (charge: #75 12s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Bon Ton

Dance: End: The Sailors' Revels, as17780425

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Mainpiece: Not acted these 3 years. Public Advertiser, 1 May: Tickets to be had of Mrs Bradshaw, at Nichol's, baker, Bridge Street, Covent Garden; of Mrs Love, No. 36, Gerrard Street, Soho; of Mrs Johnston, No. 97, near Craven Buildings, Drury-lane. Receipts: #120 1s. 6d. (31.10.0; 20.13.0; 0.7.6; tickets: 67.11.0) (charge: #66 7s.)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Quaker

Song: As17790503

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen