SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.
Event Comment: Morning Herald, 28 Oct.: The manager of Covent Garden...liberally shut up his house on the occasion, in aid of [the] praise-worthy intention of the Proprietors of [Drury Lane] Theatre

Performances

Mainpiece Title: None

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross, altered from The Hue and Cry, by Elizabeth Inchbald. Larpent MS 1184; not published; synopsis of plot in Morning Herald, 14 Nov.]: The Overture and Music composed by Reeve. Books of the Songs to be had at the Theatre. Receipts: #268 4s. (264.4; 4.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: An Escape into Prison

Song: As17971102

Event Comment: [Longley is identified in European Magazine, Dec. 1797, p. 410, but Monthly Visitor, Jan. 1798, p. 64, says that he was Clarke, "from the Shakesperian Theatre at Tottenham Court Road." Afterpiece in place of The Shipwreck, advertised on playbill of 24 Nov.] "[Longley] is not inferior to some Falstaffs we have seen upon the London stage, and he possesses all the traditionary shrugs, winks and bye-play usual in the representation of the part" (True Briton, 27 Nov.). Receipts: #140 18s. (101.15; 38.3; 1.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.
Cast
Role: Gadshill Actor: Gibbon

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Event Comment: [Sparks was from the Edinburgh theatre.] Receipts: #88 14s. (47.11.0; 36.14.6; 4.8.6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: No Song No Supper

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Citizen

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Jan. 1786. Mrs Johnstone, who is identified in Thespian Dictionary, 1805, was from the Birmingham theatre]. Receipts: #222 6s. (200.13; 21.13)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Scaramouchillo Actor: Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: Notwithstanding the great demand for places for The Castle-Spectre, the system of giving as much Novelty as possible at this Theatre necessarily prevents its repetition till Monday next. Receipts: #381 1s. (329.17.6; 50.12.6; 0.11.0)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Shipwreck

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Peeping Tom

Event Comment: Composed by G. F. Handel. Among the Instrumental Performers: C. Ashley, Sarjant, Wm. Parke, Boyce, R. Ashley, Bridgtower, Pinto, Parkinson, Lavenu. the Flacks, Taylor, Mackintosh, Wm. Ware, Dresler, Francis, Gwilliam, Nicks, the Munros, Archer, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Betts, Cobham, Jackson, Wood, Coyle, Cornish, Jones, Purney, Leffler, Woodham, Piele, the Cantelos, Skillern, &c. Organ-J. Ashley. Double Drums (used at Westminster-Abbey)-Jenkinson. The Chorusses will be numerous and complete; the whole under the direction of Ashley. The Doors to be opened at 6:00. To begin at 7:00 precisely [same throughout oratorio season]. Books of the Performance (with the Imprimatur of E. Macleish) to be had at the Theatre, price 6d. Places for the Boxes to be had of Brandon, at the Stage-Door in Hart-street. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Event Comment: 3rd piece [1st time; MF 2, by George Moultrie. Larpent MS 1199; not published; synopsis of plot in Morning Herald, 18 Mar. Prologue by John Taylor (Poems, I, 97)]: The Music composed by Attwood. Books of the Songs to be had at the Theatre. Receipts: #250 14s. (243.16; 6.18)

Performances

Mainpiece Title: The Ghost

Cast
Role: Millamant Actor: Mrs Abington.
Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips
Related Work: The Walking Statue, or, The Devil in the Wine Cellar Author(s): Aaron Hill

Afterpiece Title: Hes Much to Blame

Afterpiece Title: A Devil of a Lover

Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft or Both Sides of the Water

Afterpiece Title: Lovers Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Millamour-Wroughton; Dashwould-Bannister Jun.; Malvil-R. Palmer; Bygrove-Aickin; Captain Bygrove-C. Kemble; Sir John Millamour-Packer; Sir Harry Lovewit-Holland; Charles-Wewitzer; Lady Bell (with a song)-Mrs Jordan (2nd appearance in that character); Lady Jane-Mrs Powell; Mrs Bromley-Miss Pope; Miss Neville-Miss Miller; Madame La Rouge-Miss Tidswell.
Cast
Role: Millamour Actor: Wroughton
Role: Sir John Millamour Actor: Packer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Don Juan or The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita or The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).
Cast
Role: Camillo Actor: Powel

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Event Comment: The Last Night of the Company's Performing this Season. [Mrs Francis, who is identified in Monthly Mirror, June 1798, p. 371, was from the Royalty Theatre.] Account-Book: Outstanding tickets taken. Receipts: #95 16s. 6d. (19.17.6; 5.6.6; tickets: 70.12.6)

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Rosina

Event Comment: Benefit for Caulfield, Trueman and Johnston. 1st piece: Never [previously] acted at this Theatre. Receipts: #489 (36.12; 35.0; 1.3; tickets: 416.5) (charge: #232 6s. 6d.)

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: The Wedding Day

Afterpiece Title: Blue Beard

Song: In course: Fal Lal , from The Cherokee,-Mrs Bland

Entertainment: End 2nd piece: a variety of Imitations (for that night only)-Caulfield

Event Comment: 3rd piece: Taken from the French of Patrat; Performed but once [at cg on 24 Apr. 1798]. [On this night the following performers appeared both at dl and at the hay: Aickin, Caulfield, Wathen, Trueman, Bannister, Miss DeCamp, Miss Heard.] On playbill of 13 June: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice, at the Theatre. Printed by T. Woodfall, No. 104, Drury-Lane

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham or Days of Old

Afterpiece Title: Blue Devils

Event Comment: The last Night of the Company's performing this season. [This was John Palmer's last appearance in London. He died on the stage of the Liverpool theatre, while acting in The Stranger, on 2 Aug. 1798.] Receipts: #164 19s. (113.2.6; 50.9.0; 1.7.6)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: Comus

Dance: In I afterpiece: Dancing-Mlle Parisot, Sga Bossi DelCaro

Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Event Comment: 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lock and Key