SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Reddish; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-J. Aickin; Lewson-Cautherly; Charlotte-Mrs Reddish; Lucy-Miss Platt; Mrs Beverley-Mrs Baddeley; With a New Occasional Address to the Town by way of a Prologue-Reddish; The Original Epilogue-Mrs Abington. By Particular Desire.

Afterpiece Title: The Captive

Related Works
Related Work: The Happy Captive Author(s): Lewis Theobald
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

Dance: I: Cunning Love, as17710204

Performances

Mainpiece Title: I Viaggiatori Ridicoli

Performance Comment: La Marchesa-Sga Guglielmi will attempt the part which was performed by Sga Guadagni in the Third act of which she will introduce a new Song accompanied by Fisher.

Music: I: Concerto (Cirri) for Violincello-; II: Concerto on Hautboy-Fisher; IV: Concerto on Violin-Sga Sirmen

Performances

Mainpiece Title: The Gamester

Performance Comment: As17710316 but Jarvis-Jefferson; Waiter-Wheeler; Lewson-Aickin; Charlotte-Mrs Morland; Mrs Beverley-Mrs Barry [Aickin and Mrs Barry Played these parts for the first time]; The New Occasional Address to the Town-Reddish; [the Original Epilogue-_.

Afterpiece Title: The Reprisals

Dance: V: The Cunning Love, as17710204

Performances

Mainpiece Title: Grand Concert Of Vocal And Instrumental Music

Performance Comment: Directed by Giardini; in which will be perform'd the Whole of the Music-compos'd by Vento for the Harmonical Meeting; besides which between the acts A New Song-Guadagni on purposely compos'd for him Vento; and one by Hasse. and one by Hasse.

Performances

Mainpiece Title: The Gamester

Performance Comment: As17710403 but Jarvis-Hurst, first time; Bates-a Young Gentleman, his first appearance on any stage; Lewson-Cautherly; Charlotte-Mrs Reddish; The New Occasional Address to the Town-Reddish.

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Linco's Travels-Barnshaw

Entertainment: I: Overture in Artaxerxes-; Favourite Cantata from Anacreon (set by Sterling Goodwin)-A. Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw

Performance Comment: Smith; Favourite Scots air-Miss Dowson (words and Music by A. Smith); Overture-Abel; New Hunting Song (set by Brewster)-Barnshaw; II: Soldier Tir'd-Miss Dowson; Songs-the Italian Young Gentleman; Trumpet Concerto-Mas. Green (pupil to Jones); What a Charming Thing's a Battle (from the Recruiting Sergeant)-Barnshaw.
Event Comment: For the Benefit of the British Lying In-Hospital for Married Women in Brownlow Street, Long Acre (Hopkins). Paid Salary list #501 13s. 6d.; Mrs Abington cloaths acct #2; Mrs S. French, 6 days #1 10s.; Mrs Weston 29 nights at 2s. 6d. per night #3 12s. 6d. Rec'd stopages #10 10s. (Treasurer's Book). Receipts: #180 10s. 6d. Charges #84. Profit to hospital #96 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Register Office

Performance Comment: As17711209, but to avoid confusion full cast listed: Irishman-Moody; LeBrush-Palmer; Gulwell-Packer; Harwood-J. Aickin; Williams-Ackman; Brilliant-Fawcett; Frankly-Davies; Frenchman-Baddeley; Scotsman-Love; Marjorie Moorpout-Mrs Love; New Character-Miss Pope.
Cast
Role: New Character Actor: Miss Pope.
Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Mrs Barry. King Arthur oblig'd to be deferr'd on account of Mr Barry's illness. Tickets deliver'd for The Distressed Mother will be taken. Pit and Boxes are laid together. Send servants by Four o'clock. Afterpiece: Not acted these seven years. [See 21 April 1760.] The Farce hiss'd. Mrs Barry Sir Harry (Hopkins Diary). Paid Salary list #333 19s.; Mrs Abington's Cloaths Acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Receipts: #296 14s. Charges: #65. Profit to Mrs Barry: #231 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-Mrs Barry (being positively the last time of her appearing in that character); Col. Standard-Aickin; Beau Clincher-King; Smuggler-Parsons; Clincher Jr-Weston; Vizard-Packer; Dicky-Waldron; Tom Errand-Ackman; Angelica-Miss Rogers; Lady Darling-Mrs Cross; Parley-Mrs Love; Lady Lurewell-Mrs Egerton; 1st time. New Epilogue in character of Sir Harry Wildair spoken-Mrs Barry.

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Performances

Mainpiece Title: Le Pazzie D'orlando

Performance Comment: Angelica-Sga Guglielmi with new songs.
Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon; Or, Liberty Restored

Performance Comment: Timolean-Reddish; Dinarchus-Aickin; Timophanes-Palmer; Olinthus-Cautherly; Lycander-Wright; Ghost-Hurst; Orthagoras-Davies; Eschylus-Inchbald; Pheron-Wheeler; Egon-[?]; Senators-Wrighten, Follet; Cleone-Miss Hayward; Eunesia-Miss Younge; In V a Solemn Sacrifice-; the Vocal Parts-Champnes, Fawcett, Davies, Mrs Scott, Mrs Wrighten; [With a New Occasional Prologue-Reddish; Epilogue-Miss Younge.

Afterpiece Title: The Author

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17711128, but Archer-King; Boniface-Ackman, 1st time; Sullen-Bannister; with a New Epilogue-Weston in the character of Scrub.

Afterpiece Title: The Tobacconist

Entertainment: Interlude. All up at Stockwell; or, The Ghost no Conjuror, a New Interlude-Characters-Weston, Bannister

Performance Comment: All up at Stockwell; or, The Ghost no Conjuror, a New Interlude-Characters-Weston, Bannister.

Dance: After Interlude: The Sailors Revels, as17711008

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos-Kniveton; Bombardinian-Davis; Rigdum Funidos-Quick; Aldiberonti Foschophornio-Perry; Queen Fadladinida-Mrs Gardner; With a New Occasional Prologue-Mrs Lessingham.

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Event Comment: Afterpiece: A New Farce with songs in character, and a new Overture composed by Dr Arne

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Cooper

Dance: As17720518

Event Comment: Paid a tow bill 10s. (Treasurer's Book). [This charge occurs about once a month throughout the season for wicks and will not be noted further, total payments this season #4 10s.] Receipts: #265 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Register Office

Performance Comment: Capt. LeBrush-Palmer; Frenchman-Baddeley; Irishman-Moody; Gulwell-Packer; Scotchman-Love; Frankly-Davies; Harwood-J. Aickin; Williams-Ackman; Lord Brilliant-Fawcett; New Character-Miss Pope; Margery Moorpout-Mrs Love.
Cast
Role: New Character Actor: Miss Pope
Event Comment: A new serious opera, music entirely new, by Antonio? Sacchini. Text by G. G. Bottarelli

Performances

Mainpiece Title: Il Cid

Dance: End of Opera: A Grand Serious Ballet, with a Pas de deux, and a+Grand Chaconne-Mlle Heinel, Fierville, etc

Event Comment: Mainpiece: A New Tragedy [by Arthur Murphy] never performed The Music by Dr Arne. The Characters New Dress'd. [Long account and generally unfavorable review of Alzuma in the Westminster Magazine for March.] Receipts: #206 18s. 6d

Performances

Mainpiece Title: Alzuma

Performance Comment: Smith, Bensley, Hull, Gardiner, Perry, Miss Pearce, Mrs Willems, Miss Miller, Mrs Hartley Alzuma-Smith; Don Carlos-Bensley; Pizarro-Hull; Gonzalez-Gardner; Ozmar-Perry; Orazia-Miss Miller; Orellana-Mrs Hartley; Virgins of the Sun-Miss Pearce, Mrs Willems; In Act II, a Procession of the Virgins of the Sun-; principal vocal parts-Miss Wewitzer, Miss Brown (Edition of 1773, which also lists Ezmont-$Thompson, whose name does not appear on the bills).

Afterpiece Title: The Commissary

Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; other parts-Weston, Aickin, Davis, Jacobs, Howard, Fearon, Lloyd, Moody, Hamilton, Castle, Ward, Moss, Lings, Courtney, Pierce, Miss Atkinson, Miss Platt, Mrs Weston, Miss Lings, Miss Craven, Francis; with a Re-inforcement of Bayes's new rais'd troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Damon and Phillida

Dance: The Italian Peasants, as17730614

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Register Office

Performance Comment: Gullwell-Fearon; Harwood-Howard; Irishman (with a Song)-Moody; Scotchman-Hamilton; Frenchman-Bolton; Lord Brilliant-Lamash; LeBrush-Ward; Frankly-Courtney; Trickit-Lings; Williams-Osborne; new Character-Mrs Williams; Maria-Miss Atkinson; Melpomene-Miss Lings; Margery-Miss Craven.
Cast
Role: new Character Actor: Mrs Williams

Dance: End: The Haymakers-

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Performance Comment: As17730813, but Simpson-DuBellamy; Follett_; a new Epilogue-Bannister.
Cast
Role: a new Epilogue Actor: Bannister.
Event Comment: The Comic Opera Love in a Village oblig'd to be deferr'd on account of indisposition of Miss Catley. Tomorrow a new Comedy (never performed) call'd The Duellist. The subject of the new Comedy advertised for Performance Tomorrow, as far as we can guess, from the Title, is remarkably well timed. There is at this Day no predominant Passion carried to such a ridiculous extreme as Duelling. We can be laughed out of our Follies on the Stage when we defy the Power of pulpit Oratory and serious Argument. Let us hope therefore, that the comic Satirist of Tomorrow Evening may have exercised his Pen with some Ability on a very important subject (Public Advertiser). Receipts: #134 6s. (Account Book)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Midas

Event Comment: A new Serious opera with Grand Choruses, Music entirely new composed by Sacchini. The Dances composed by Pitrot

Performances

Mainpiece Title: Perseo

Dance: I: Pastoral Ballet-Bocchini, Sga Mazzoni; II: Serious Ballet-a Young Lady (Scholar of Tassoni, first appearance); End Opera: Adventures of the Harem of Ispahan-a Grand Persian pantomime ballet-Pitrot, Mimi Faviere, Mlle Faviere, Sga Mazzoni, Bocchinini, Mariottini

Event Comment: Mrs Greville ill new piece deferr'd. A Christmas Tale after this night will be laid aside for sometime (playbill). Paid Chorus 4 nights (this incl.) #8 2s; Extra Guitars and Flutes 2 nights (this inc) #2.; Mr Wrighten on note #12 12s.; Mrs Weston's Debt & Costs to Rd Williams #4 17s. (Treasurer's Book). Receipts: #210 18s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Cast
Role: after which a New Overture Actor:

Afterpiece Title: Neck or Nothing