SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Performance Comment: [Edition of 1688: No actors' names. Prologue. The Epilogue, spoke by her that acts Barzana Mrs Barry].
Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: The United Company. The date of this production is determined by a letter (see below). For a discussion of the origin and development of this play, see Hotson, Commonwealth and Restoration Stage, pp. 274-76. A song, Why shou'd the world mistake, the music composed by John Eccles and sung by Mrs Hudson, is in Thesaurus Musicus, 1695. An unidentified letter, 22 March 1693@4: We had another new play yesterday, called The Ambitious Slave, or a Generous Revenge. Elkanah Settle is the author of it, and the success is answerable to his reputation. I never saw a piece so wretched, nor worse contrived. He pretends 'tis a Persian story, but not one body in the whole audience could make any thing of it; 'tis a mere babel, and will sink for ever. The poor poet, seeing the house would not act it for him, and give him the benefit of the third day, made a present of it to the women in tie house, who act it, but without profit or incouragement (Edmond Malone, An Historical Account of the Stage in Plays and Poems of William Shakespeare [London, 1821], III, 163-64). Gentleman's Journal, March 1694: 'Tis not altogether strange for a Play to be less kindly receiv'd, immediately after one that has deservedly ingross'd all the Applause which the Town can well bestow in some time on new Dramatic Entertainments. Perhaps Mr Settle may partly impute to this, the want of success of a new Tragedy of his which was lately acted, 'tis called, The Ambitious Slave; or, The Generous Revenge. [This play followed Southerne's The Fatal Marriage.

Performances

Mainpiece Title: The Ambitious Slave; Or, A Generous Revenge

Event Comment: Not Acted these Fifteen Years. [After this performance the dl at Oxford, where Betterton spoke a prologue written by Joseph Trapp. It appeared as a broadside and in The Players Turn'd Academicks and has been reprinted by Wiley. p. 124.

Performances

Mainpiece Title: The Fool's Preferment; Or, The Three Dukes Of Dunstable

Performance Comment: A New Prologue, to introduce the Reading of that-Mr Betterton to the University of Oxford, in which are some Reflections on the Judgments of the Town; a new Epilogue-in answer to it.

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17071025, but Nottingham-Mrs Oldfield; With the last new Vocal Epilogue , Compos'd and Perform'd by the famous-Signior Cibberini , after the newest English, French, Dutch, and Italian Manner.
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Mackbeth

Performance Comment: Mackbeth-Betterton; King-Keene; Macduff-Wilks; Banquo-Mills; Lenox-Booth; Seyward-Husband; Seyton-Cory; Hecate-Johnson; 1st Witch-Norris; 2d Witch-Bullock; 3d Witch-Bowen; Lady Macbeth-Mrs Barry; Lady Macduff-Mrs Rogers; last new Vocal Epilogue [as17071226-Signior Cibberini. last new Vocal Epilogue [as17071226-Signior Cibberini.
Event Comment: Benefit Booth and Keene. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Booth; Old Valere-Norris; Lovewell-Elrington; Hector-Pack; Cogdie-Bickerstaff; Widow-Mrs Knight; Angelica-Mrs Bradshaw; Mrs Security-Mrs Hunt; With a new Prologue-Keene; new Epilogue-Pack in a Riding Habit, upon a Pad Nagg representing a Town-Miss Traveling to Tunbridge.

Dance: Italian Night Scene-; Scaramouch-Layfield; Miller's Dance-Prince, Leigh

Event Comment: Benefit Cross. [In Daily Courant, 24 May, and later Penkethman announced his new theater in Greenwich, to which several Persons of Quality have subscribed. He intends to open on 12 June with a new Prologue by himself and a new Epilogue-by him and Bullock. He solicits additional subscription for a proposed program of 24 plays. See also Tatler, 25-27 May.

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: The Relapse

Performance Comment: Lory-Penkethman; Foppington-Husband; Young Fashion-Mrs Kent; Lovelace-Elrington; Worthy-Thurmond; Sir Tunbelly-Leigh; Surgeon-Norris; Coupler-Spillar; Amanda-Mrs Baker; Berinthia-Mrs Sapsford; Hoyden-Mrs Shepard; Nurse-Mrs Powell; With a new Prologue-Powell; a new Epilogue-Powell, Spiller, Expressing the dreadful Hardships Laywers and Players suffer in a long Vacation.

Song:

Dance: Too many to be inserted in the bills

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: With a new Prologue-the Lion from the Opera in the Hay-Market; and a new Epilogue-a young Child who play'd the part of the Child in Caius Marius.
Event Comment: Benefit Robinson and Turner. Mainpiece: Written by the late Mr Dryden. Afterpiece: At the Desire of several Ladies of Quality, we are oblig'd (instead of The What D'Ye Call It) to Act...The Country Wake

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Afterpiece Title: The Country Wake

Performance Comment: And a New Prologue-Turner; And a New Epilogue-Penkethman riding on an Ass.

Song: Mad Song, Mad Dialogue (composed by $Purcell)-Turner, Mrs Willis in their proper Habits

Dance: As17151122; Harlequin-Mrs Santlow; Mimic Song and Dance-Mrs Willis

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Performance Comment: Volatil-Orfeur; Riot-Bowman; Horatio-Miller; Sir Tristram-Paul; Young Cash-Phipps; Spitfire-Drew; Cynthia-Mrs Orfeur; Arabella-Mrs Ratcliffe; Aurelia-Mrs Cooper; With a new Prologue-Mr Orfeur; a new Epilogue-Mrs Orfeur.

Song: Particularly Singing-Mrs Bowman

Dance:

Event Comment: Benefit Huddy. At the Desire of several Persons of Quality. Written by the late Mr Otway

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-Royer; Acasto-Huddy; Monimia-Mrs Haughton; Page-Mrs Tollet; Serina-a Gentlewoman [who never appear'd on any Stage before possible Lavinia Fenton]; [With a new Prologue-Mr Royer; [and a new Epilogue-Mrs Haughton.

Song: Singing in Italian and English-Mrs Fitzgerald

Music: The Original Trumpet Song of Sound Fame-by Mr Henry Purcel Mr Armstrong

Event Comment: Benefit Cibber Jr and Mrs Cibber. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17280316 but Basset-Cibber Jr; With the Romp's Song as usual-; new Ballad, called, The Fine Lady's Life-in the Character of Miss Jenny; And a New Epilogue adress'd to the Men of Pleasure-Miss Brett, being her first Performance in that Capacity.

Dance: End I: Harlequins-Young Master Lally, Miss Brett; In Masquerade Scene: Polonese-Rainton, Miss Robinson Sr; V: Coquette Shepherdess-Lally, Mrs Booth

Event Comment: Benefit the English Harlequin. By a New Company of English Comedians, who never yet appear'd upon that Stage. [Second Piece: "a New Farce (of one Act)." Apparently not published. Third Piece: "a New Entertainment in Grotesque Characters."

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Chimney Sweeper's Opera

Afterpiece Title: Harlequin Conqueror

Performances

Mainpiece Title: The Beggar's Wedding

Performance Comment: See17290529, but With a New Prologue-; New Epilogue-.
Cast
Role: With a New Prologue Actor:
Role: New Epilogue Actor: .
Event Comment: Benefit Wells. At the particular Desire of several Persons of Quality. Mainpiece: Not Acted these Ten Years

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Flora

Performance Comment: Hob-Jones; With a New Prologue-Miss Jones; a New Epilogue-Wells.
Event Comment: Benefit Essex. At the particular Desire of several Ladies of Quality. Afterpiece: Being particularly desir'd

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Beggar's Wedding

Dance: End I: Dutch Dance-Miss Robinson; a Scholar of Mr Essex. II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams

Performance Comment: II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams.
Event Comment: At the particular Desire of several Gentlemen and Ladies

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.

Afterpiece Title: Flora

Performance Comment: See17311211, but Hob-Pearce; Sir Thomas-Collett; Dick-Master Woodward; Old Hob-W. Williams; Friendly-Stoppelaer; Flora-Mrs Thomas; Betty-Miss Smith; Hob's Mother-Mrs Palmer.
Cast
Role: Hob's Mother Actor: Mrs Palmer.

Dance:

Event Comment: Mahnpiece: A New Opera. Set to Musick by Mr Lampe. [Author of text unknown.] Afterpiece: a new Pantomime Entertainment. [Author unknown.] All the Dresses are intirely new. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: Dione

Afterpiece Title: The Usurer; or, Harlequin's Last Shift

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: Benefit Temple and Bowcher, Boxkeepers. At the particular Desire of several Persons of Quality and Distinction

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne [in Creta]

Performance Comment: Cast not listed, but edition of 1733 lists: Ariadne-Signora Strada; Theseus-Giovanni Carestino; Alcestes-Carlo Scalzi; Carilda-Signora Maria Catterina Negri; Minos-Waltz; Tauris-Signora Margherita Durastante .
Cast
Role: Theseus Actor: Giovanni Carestino
Event Comment: Benefit the Author of the Farce

Performances

Mainpiece Title: The Fatal Extravagance

Performance Comment: Bellmour-by author of the Farce [Robert Drury] .Robert Drury] .

Afterpiece Title: The Rival Milliners

Performance Comment: As17360119, but Molly Wheedle-Miss Burgess. With a New Prologue .

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Performances

Mainpiece Title: Merope