SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For the Author of Sethona 3rd night (Treasurer's Book). ["This play may be properly styled a faggot of utter improbabilities, connected by a band of the strongest Northern fustian. Overawed by Scottish influence, Mr Garrick prevailed on himself to receive it. But though his theatre was apparently full several times during its nine nights' run, it brought so little cash into the treasury, that he would not have lamented its earlier condemnation. It expired on his premises, but hardly left enough behind it to defray expenses of its funeral."--Biographia Dramatica. A glance at the box receipts from the Treasurer's Book hardly bears out the Biographia Dramatica statement as to its financial failure.] Paid half years Poor's rate for St Martin's to Xmas last #32 8s. (Treasurer's Book). [The author's profit was reduced by #10 10s. on 26 March when it was found he had not been charged for use of a new farce.] Receipts: #194 19s. Charges: #73 10s. Profit to Author: #121 9s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Cast
Role: Rivers Actor: Cautherly
Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Monologue: Interlude.End: True Blue. As 26 March

Event Comment: Mainpiece: Not acted these 2 years. [See 31 Dec. 1772.] Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. The Doors to be open'd at half an hour past 5 o'clock. To Begin half an Hour past 6. Vivant Rex & Regina. [Customary footnote for all succeeding bills this season, not to be repeated here. Woodward seems to have spoken an Occasional Prologue on the opening of the theatre. See request for its repetition on bill for 21 Sept. This Prologue is Larpent MS 377. It suggests the policy of offerings and competitions for the season--some old plays, some new, some foreign, some pantomimes, some Shakespeare, &c.

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Don John-Aickin; Benedict-Garrick; Dogberry-Waldron; Verges-Carpenter; Conrade-Griffiths; Messenger-Lamash; Sexton-Wrighten; Don Pedro-Packer; Balthazar (with song)-Vernon; Town Clerk-Baddeley; Leonato-Jefferson; Hero-Miss Hopkins; Beatrice-Mrs Abington (first time); Antonio-Hurst; Borachio-Usher; Friar-Wright; Margaret-Mrs Bradshaw; Ursula-Mrs Millidge; Claudio-Brereton (first time); in Act II: a Masquerade Dance (proper to the play)-; to conclude with a Country Dance-.

Afterpiece Title: May Day

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: [The playbill lists Mattocks in place of Robson, but "Mattocks being really ill, Robson, at short Notice, supplied his Place' (Morning Post, 11 Nov.).] Mainpiece: With New Dresses and other Decorations. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Apprentice, announced on playbill of 8 Nov.] Paid one-half year's Land Tax #61 5s. Receipts: #283 (282.9; 0.11)

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Performance Comment: Principal Characters by Robson, Quick, Wilson, Reinhold, Mahon, Wewitzer, Fox, Baker, Leoni, Miss Brown, Mrs Green, Mrs Mattocks. Cast from playbill of 29 Oct. 1777 and Genest, V, 515: Ferdinand-Robson; Isaac-Quick; Don Jerome-Wilson; Antonio-Reinhold; Father Paul-Mahon; Lopez-Wewitzer; Friars-Fox, Baker; Carlos-Leoni; Clara-Miss Brown; The Duenna-Mrs Green; Louisa-Mrs Mattocks.
Cast
Role: Father Paul Actor: Mahon
Role: The Duenna Actor: Mrs Green

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but occasional Prologue-_[and thereafter].and thereafter].

Afterpiece Title: Selima and Azor

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Performance Comment: [Principal Parts by Du-Bellamy, Parsons, Davies, Massey, Fearon, Egan, Griffiths, Kenny, Bannister, Mrs Hitchcock, Mrs Davies, Mrs Love, Miss Hale, Miss Platt, A Young Gentlewoman (1st appearance Mrs Colles]). [Cast from text (T. Evans, 1777): Cawwawkee-DuBellamy; Ducat-Parsons; Culverin-Davies; Vanderbluff-Massey; Pohetohee-Fearon; Hacker-Egan; Capstern-Griffiths; Laguerre-Kenny; Morano-Bannister; Jenny Diver-Mrs Hitchcock; Trapes-Mrs Davies; Mrs Ducat-Mrs Love; Damaris-Miss Hale; Flimzy-Miss Platt; Polly-A Gentlewoman; [Characters in the Introduction: Poet-Davies; Players-Fearon, T. Davis; Signora Crotchetta-Miss Platt.
Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Related Work: Polly Author(s): George Colman, the elder

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Performance Comment: [These were danced in all subsequent performance.]
Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Afterpiece Title: The Fairy Tale

Performance Comment: Bottom-Parsons; Quince-Edwin; Snout-Kenny; Starveling-Peirce; Snug-Bannister; Puck-The Admiral of Lilliput [Master Edwin]; Fairies-The rest of the Lilliputians see17770515], Miss Morris, Master Harrison, Miss Twist; [Edition of 1777 (G. Kearsly) adds: Flute-Blissett; [and identifies: Oberon-Miss Morris; Fairies-Master Harrison, Miss Twist; Titania-Miss P. Farren; [and The Admiral of Lilliput. With a Fairy Epilogue-. [This was spoken at all subsequent performances.]This was spoken at all subsequent performances.]
Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Performance Comment: [Principal Characters by Mattocks, Quick, Wilson, Wewitzer, Fearon, Mrs Farrell, Miss Brown, Mrs Wilson, A Young Lady (1st appearance on any stage Miss Courtenay]). [Cast from Airs (J. Bell, 1777) and Public Advertiser, 19 Nov.: Young Brumpton-Mattocks; Oldcastle-Quick; Lovibond-Wilson; Peter-Wewitzer; Sir Theodore Brumpton-Fearon; Bellford-Mrs Farrell; Mary@Ann-Miss Brown; Bridget-Mrs Wilson; Harriet-Miss Courtenay.
Cast
Role: Sir Theodore Brumpton Actor: Fearon

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: Afterpiece [1st time; burl 2, by Charles Dibdin, based on The Loves of Mars and Venus, by Peter Anthony Motteux]: With New Scenes and Dresses. The Music chiefly composed by Dibdin. [Dr Arne and Dr Arnold each wrote one air.] Books of the Burletta to be had at the Theatre. Public Advertiser, 5 Feb. 1778: This Day at Noon is published Poor Vulcan! (1s.). [The playbill lists Reinhold in place of Mahon, but on the Kemble playbill his name is deleted and a MS annotation substitutes Mahon's.] Receipts: #232 5s. 6d. (230.2.6; 2.3.0)

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Performance Comment: . Principal Characters by Quick, Mattocks, Mahon, Robson, Battishill, Leoni, Miss Dayes, Miss Brown. Cast from text (G. Kearsley, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Mahon [in text: Reinhold (see17780421)]; Apollo, Wiseman-Robson; Bacchus, Guage-Battishill; Adonis, Joe-Leoni; Grace-Miss Dayes; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternateley Gods and mortals].all the characters, except Grace, are alternateley Gods and mortals].
Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Annette et Lubin, by Charles Simon Favart and Jean Baptiste Lourdet de Santerre. Music by the author]. Books of the new Musical Piece to be had at the Theatre. Public Advertiser, 2 Oct.: This Afternoon at Four is published Annette and Lubin (6d.)

Performances

Mainpiece Title: Annette And Lubin

Performance Comment: Characters by Mrs Farrell, Wilson, Fearon, Miss Brown. Cast from text (G. Kearsly, 1778): Lubin-Mrs Farrell; Bailiff-Wilson; Lord of the Manor-Fearon; Annette-Miss Brown.
Cast
Role: Lord of the Manor Actor: Fearon

Afterpiece Title: The Busy Body

Afterpiece Title: Cross Purposes

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.

Performances

Mainpiece Title: None

Event Comment: [In mainpiece the playbill retains Mrs Robinson, but "A correspondent who was at Drury Lane theatre last night to see The Law of Lombardy congratulates the town on the acquisition of a new performer of the part which Mrs Robinson played. That lady being taken ill, Miss Farren, at very short warning, undertook it, and did it the most ample justice" (Gazetteer, 22 Apr.).] Receipts: #107 1s. 6d. (72.8.0; 31.1.0; 3.12.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: A Monody

Afterpiece Title: Who's the Dupe

Dance: As17790417

Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: Fatal Falshood

Performance Comment: Principal Characters by Wroughton, Aickin, Clarke, Lewis, Mrs Hartley, Miss Younge. Cast from text (T. Cadell, 1779): Orlando-Wroughton; Bertrand-Aickin; Earl Guildford-Clarke; Rivers-Lewis; Julia-Mrs Hartley; Emmelina-Miss Younge; Prologue-Hull; Epilogue-Lee Lewes (see text). These were spoken, as here assigned, at all subsequent performances.

Afterpiece Title: The Chelsea-Pensioner

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Bensley, Lamash, R. Palmer, Parsons, Usher, Massey, Webb, Davis, Egan, Master Edwin, Palmer, Miss Sherry, Mrs Cuyler, Mrs Massey; [Cast adjusted from text (T. Cadell, 1778) and from playbill of 10 July 1780: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Nennius-Usher; Macer-Massey; Regulus-Webb; Decius-Davis; Curius-Egan; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; [The original Prologue[, written by the late David Garrick,-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley.] Miss Younge had a song [Wake, thou son of dullness] composed by Michael Arne. Authors of Prologue and Epilogue unknown]: New Scenes and Dresses. Account-Book, 16 June: Paid Mrs Cowley for suspending the publication of the Belle's Stratagem #100. Public Advertiser, 1 Apr. 1782: In a few Days will be published The Belle's Stratagem. A spurious Copy having been published in Ireland [in 1781] make[s] it necessary to observe that the above is the genuine Comedy, as performed at Covent Garden Theatre. Ibid., 9 Apr. 1782: This Day is published The Belle's Stratagem (1s. 6d.). Receipts: #213 19s. (212.15.6; 1.3.6)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Principal Characters-Lewis, Wroughton, Lee Lewes, Aickin, Whitfield, Robson, Edwin, L'Estrange, Thompson, Wewitzer, Fearon, Booth, Jones, W. Bates, Quick, Mrs Hartley, Mrs Mattocks, Mrs Morton, Miss Morris, Miss Stewart, Mrs Poussin, Mrs Webb, Mrs White, Miss Younge; [Cast from text (T. Cadell, 1782): Doricourt-Lewis; +Sir George Touchwood-Wroughton; +Flutter-Lee Lewes; +Saville-Aickin; +Villers-Whitfield; +Courtall-Robson; +Silvertongue-Edwin in text: $W. Bates]; Gentlemen-L'Estrange, Thompson; +French Valet-Wewitzer; +Porter-Fearon; +Dick-Stevens; +Mountebank-Booth; +Crowquill-Jones; +Hardy-Quick; +Lady Frances Touchwood-Mrs Hartley; +Mrs Racket-Mrs Mattocks; +Miss Ogle-Mrs Morton; +Kitty Willis-Miss Stewart; +Lady-Mrs Poussin; +Letitia Hardy-Miss Younge; W. Bates, Miss Morris, Mrs Webb, Mrs White are unassigned; +Prologue-Edwin; Epilogue-Miss Younge. [These were spoken as here assigned, at all subsequent performances.]These were spoken as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Event Comment: Mainpiece: Never acted here. Afterpiece: With new Scenes, Dresses, and Decorations. Books of the Masque to be had at the Theatre

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Digges; Lycon-Aickin; Cratander-Gardner; Messenger-Davis; Officers-Kenny, Painter; Hippolitus-Bannister Jun.; Ismene-Mrs Cuyler; Attendant-Mrs Poussin; Phaedra-Mrs Crawford (1st appearance in that character these 6 years).
Cast
Role: Theseus Actor: Digges

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Lamash, Wood
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy; Or, Evening Exhibition

Performance Comment: [Consisting of variety of Paintings, serious and comic; Satirical, Portrait and Caricature Designs; Emblematical, Pantomimical, Farcical and Puppet-showical Representations, mostly Transparency. Instead of delivering a Catalogue, the Designs will be explained by at present an unknown Artist see I Nov.]. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.. As the Time of viewing the Exhibition is limited, and as it is the wish to render it as amusing as possible, an excellent band of Music will be provided for the entertainment of the Spectators. In the course of the explanation of the Pictures several Songs will be introduced.
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Performances

Mainpiece Title: Dissipation

Performance Comment: Principal Characters by King, Parsons, Brereton, Baddeley, Aickin, Bannister Jun., Suett, Waldron, Lamash, R. Palmer, Palmer, Mrs Cargill, Mrs Brereton, Mrs Love, Mrs Smith, Mrs Abington. [Cast from text (T. Becket, 1781), and Town and Country Magazine, Mar. 1781, p. 115: Sir Andrew Acorn-King; Alderman Uniform-Parsons; Charles Woodbine-Brereton; Ephraim Labradore-Baddeley; General Probe-Aickin; Doctor Quintessence-Bannister Jun.; Metaphor-Suett; Trusty-Waldron; Coquin-Lamash; Gold Waiter-R. Palmer; Lord Rentless-Palmer; Miss Uniform-Mrs Cargill; Harriet-Mrs Brereton; Winnifred-Mrs Love; Judah-Mrs Smith; Miss Labradore-Miss Kirby (see17810312 Lady Rentless-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Farren, R. Palmer
Role: The Lady Actor: Mrs Sharp
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

Event Comment: Mainpiece [1st time; C 5, by Charles Macklin, a re-writing of his The True-Born Scotsman, based partly on Nanine, by Voltaire, 1st acted at the Smock Alley Theatre, Dublin, 10 July 1764. Author of prologue unknown. Epilogue by Frederick Pilon (Public Advertiser, 28 May 1781). Text 1st published (unauthorized), Dublin, 1785]: The Characters new dressed. Receipts: #173 14s. 6d. (172.12.0; 1.2.6)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Principal Characters by Macklin, Lewis, Wilson, Aickin, Clarke, Wewitzer, Booth, L'Estrange, Thompson, J. Wilson, Miss Platt, Miss Satchell, Mrs Wilson, Mrs Davenett, Miss Younge; Cast from London Chronicle, 11 May 1781, and adjusted from playbill of 19 Oct. 1782: Sir Pertinax Macsycophant-Macklin; Egerton-Lewis; Lord Lumbercourt-Wilson; Sidney-Aickin; Melville-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Tomlins-L'Estrange; John-Thompson; Sam-J. Wilson; Lady Macsycophant-Miss Platt; Constantia-Miss Satchell; Betty Hint-Mrs Wilson; Nanny-Mrs Davenett; Lady Rodolpha Lumbercourt-Miss Younge; Prologue-Macklin; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Serjeant Eitherside Actor: Booth

Afterpiece Title: The Upholsterer

Event Comment: Afterpiece [1st time; CO 2]: Written by the Author of the Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. Books of the Songs to be had at the Theatre. [Text 1st published (unauthorized), Dublin, 1783.

Performances

Mainpiece Title: Bonduca

Related Works
Related Work: Bonduca Author(s): George Colman, the elder

Afterpiece Title: The Dead Alive

Performance Comment: Characters by Wilson, Wood, Wewitzer, Blissett, Stevens, Webb, Usher, Kenny, Painter, Ledger, Pierce, Edwin, Mrs Webb, Mrs Wilson, Miss Harper. Cast from Songs (T. Cadell, 1781): Sir Walter Weathercock-Wilson; Edward Sandford-Wood; Degagee-Wewitzer; Plume-Blissett; Sheers-Stevens; Coachman-Webb; Dennis-Usher; Black-Kenny; Motley-Edwin; Miss Hebe Wintertop-Mrs Webb; Comfit-Mrs Wilson; Caroline Sandford-Miss Harper; unassigned-Painter, Ledger, Pierce.