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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8638 results for: Keyword - New Theatre in Lincolns-Inn-Fields
We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

8576
12 February 1798 @ Covent Garden

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

8577
20 February 1798 @ King's Theatre

Event Comment: A new grand Serious Opera, with Chorusses [1st time; SER 2, by Lorenzo DaPonte]; the Music composed here by Bianchi

Performances

Mainpiece Title: Cinna

Performance Comment: [see17980224 Cast from libretto (E. Jackson [1798]): Ottavio-Rovedino; Cinna-Viganoni; Murena-DeGiovanni; Agrippa-Braghetti; Servilia-Mme Banti; Livia-Sga Pastorelli.
Cast
Role: Cinna Actor: Viganoni

Dance: As17980210

8578
02 March 1798 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 [i

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performance Comment: Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek.

8579
10 March 1798 @ King's Theatre

Event Comment: A New Comic Opera (1st time [in London; 1st performed under this title, with revised libretto by Lorenzo DaPonte, at Vienna, 1798; originally with libretto by Giuseppe Petrosellini, as La Dama Pastorella, at Rome, 1780]): the Music by Salieri

Performances

Mainpiece Title: La Cifra

Dance: As17980306

8580
13 March 1798 @ Covent Garden

Event Comment: The new Musical Farce of A Devil of a Lover [advertised on playbill of 12 Mar.] is obliged to be deferred till Saturday (on account of the indisposition of a Principal Performer). Receipts: #142 14s. (138.5; 4.9)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: He's Much to Blame

Afterpiece Title: The Honest Thieves

8581
17 March 1798 @ Drury Lane Theatre

Event Comment: The New Play of The Stranger [advertised on playbill of 15 Mar.] is unavoidably postponed till Thursday next. Receipts: #327 8s. (253.18.6; 70.2.6; 3.7.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Blue-Beard

8582
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

8583
26 March 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Performance Comment: Jerry Sneak (with an old new song)-Cussans; Sir Jacob Jollup-Meredith; Bruin-Wilkinson; Roger-Harley; Major Sturgeon-Egerton; Mrs Sneak-Mrs Egerton.

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

8584
17 April 1798 @ Covent Garden

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Afterpiece Title: Lock and Key

8585
21 April 1798 @ Covent Garden

Event Comment: Benefit for Incledon. 1st piece: The Airs (with the exception of When sable Night) new composed for the Occasion. 3rd piece [1st time; M. INT 1]. Morning Herald, 11 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #528 10s. 6d. (275.9.6; 5.10.0; tickets: 247.11.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

8586
25 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17970929, but Spado-Quick; Lorenza (with new Songs, in particular, Agitata)-Mme Mara; Rapino-_; Calvette-_; Oft on a plat of rising Ground-_.

Afterpiece Title: Raymond and Agnes

Dance: As17971012

8587
10 May 1798 @ Covent Garden

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Incledon; Col. Oldboy-Munden; Sir John Flowerdale-Murray; Jessamy-Betterton; Harman-Clarke; Jenkins-Townsend; Diana-Mrs Mountain; Lady Oldboy-Mrs Davenport; Jenny-Mrs Martyr; Clarissa (with new songs)-Mme Mara (1st appearance in that character).

Afterpiece Title: Raymond and Agnes

Dance: As17980430

8588
11 May 1798 @ Covent Garden

Event Comment: The new Piece of A Day in Rome [advertised on playbill of 10 May] is obliged to be withdrawn till next season [see 11 Oct. 1798], on account of Fawcett's illness. [3rd piece in place of Botheration, advertised as above.] Receipts: #59 0s. 6d. (36.15.0; 22.5.6)

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Maid of the Mill

Afterpiece Title: A Divertisement

Dance: In 3rd piece: Ballet, as17971013

Entertainment: Monologue. End 1st piece: An Address to the Audience, as17980209

8589
15 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

Performance Comment: End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon.

8590
17 May 1798 @ Drury Lane Theatre

Event Comment: On account of the Indisposition of a principal performer the new Comedy of She's Eloped! [advertised on playbill of 16 May] is obliged to be deferred till Saturday next. Receipts: #266 (192.11; 68.5; 5.4)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue-Beard

8591
21 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17980409, but added; Mrs Powell [the only time her name is in the playbill of this play (and see17971214)]; Wentworth_; Gibbon_; Original Epilogue-Mrs Jordan; (for that night only) a new Additional Dialogue[, written by M. G. Lewis, Esq., Author of the Play,-Mrs Jordan, Mrs Powell.

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

8592
08 June 1798 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Times, 5 June: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #635 16s. 6d. (46.14.0; 55.0.0; 1.14.0; tickets: 532.8.6) (charge: #220 9s. 4d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Critic

Afterpiece Title: The Shipwreck

Song: End II 1st piece: I never lov'd any dear Mary but you-Dignum (composed by Hook); End 1st piece: The Fight off Camperdown-Dignum; End I 2nd piece: The Town and Country-Dignum (composed [i.e. words] by Capt. Morris); End 2nd piece: an Answer to the above, Country and Town-Dignum

8593
23 June 1798 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

8594
29 June 1798 @ Haymarket Theatre

Event Comment: Mainpiece: Overture, Chorusses, and new Musick by Dr Arnold. Scenery by Rooker, Marinari, &c

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Village Lawyer

8595
06 October 1798 @ Drury Lane Theatre

Event Comment: Afterpiece: Scenery re-painted, and the Dresses and Decorations entirely new. Musick composed and selected by Kelly. Scenes designed and executed by Greenwood, Chalmers, and others. Machinery and Decorations designes, and under the direction o, Johnston, and executed by him and Underwood. The Dresses by Johnston, Gay and Miss Rein. Receipts: #441 16s. 6d. (301.14.0; 139.11.6; 0.11.0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Bannister Jun.; Freeman-Caulfield; Sir Philip Modelove-Wewitzer; Obadiah Prim-Aickin; Tradelove-Wathen; Perriwinkle-Suett; Sackbut-R. Palmer; Simon Pure-Russell; Aminadab-Grimaldi; Gentlemen-Trueman, Wentworth; Stockbrokers-Hollingsworth, Maddocks; Mrs Prim-Miss Pope; Nancy [beginning with 14 Dec. called Anne Lovely]-Miss Mellon; Betty-Miss Tidswell; Lady-Mrs Roffey.

Afterpiece Title: Blue-Beard; or, Female Curiosity

8596
29 November 1798 @ Drury Lane Theatre

Event Comment: [Miss Stephens is identified in MS list in Kemble playbill s of new performers for this season. Afterpiece in place of The Liar, advertised on playbill of 28 Nov.] Receipts: #102 17s. 7d. (27.8.1; 74.15.6; 0.14.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Humourist

Dance: III: Hornpipe-Garman

8597
05 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performance Comment: _Banks, Johnston; +New Hornpipe, as17981114.
Cast
Role: New Hornpipe Actor: Sga Bossi DelCaro.

8598
08 December 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Counsellor Moore (Monthly Mirror, Dec. 1798, p. 368). Epilogue by John Taylor (see text)]: With new Scenes and Dresses. "Lewis's Gossamer is one of those characters which no actor could play but himself, because no man has that happy freedom and facility, that fashionable playfulness and spirit, so joyous, free, and unrelaxing, which distinguish all his performances of this nature" (Monthly Mirror, ibid). Morning Chronicle, 8 Mar. 1799: This Day is published Laugh When You Can (2s.). Receipts: #268 10s. (263.17; 4.13)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: The Spoil'd Child

8599
08 December 1798 @ King's Theatre

Event Comment: A new Serious Opera; the music by Sarti. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 29 Dec.]. Pit 10s. 6d. Gallery 5s

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

8600
17 December 1798 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Mrs Pope, but she "was suddenly taken ill on Monday evening, in consequence of which the part of that interesting and favourite actress, in Reynolds's new comedy, was undertaken at a few minutes notice by Mrs Litchfield" (Morning Herald, 19 Dec.).] Receipts: #274 10s. 6d. (265.5.0; 9.5.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211