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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8638 results for: Keyword - New Theatre in Lincolns-Inn-Fields
We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7126
16 January 1731 @ Lincoln's Inn Fields

Event Comment: Receipts: #32 4s. [Universal Spectator, 16 Jan., reports that the subscription for Rich's new playhouse in Covent Garden has reached #6,000 and that James Sheppard, the architect, has completed the plans for the structure.

Performances

Mainpiece Title: Periander

7127
20 January 1731 @ Haymarket Theatre

Event Comment: A New Comedy. [By Matthew Draper.

Performances

Mainpiece Title: The Spendthrift

7128
01 February 1731 @ Goodman's Fields

Event Comment: A New Tragedy. [By James Ralph.

Performances

Mainpiece Title: The Fall Of The Earl Of Essex

7129
02 February 1731 @ King's Theatre

Event Comment: A New Opera. [Text from Metastasio. Music by Handel.] Edition of 1731: Done into English by Mr Humphreys

Performances

Mainpiece Title: Porus

7130
13 February 1731 @ Haymarket Theatre

Event Comment: See Universal Spectator, 13 Feb., for an essay on a rehearsal of The Indian Empress, forthcoming at hay, and British Journal, 13 Feb., for a discussion of some new plays of the season

Performances

7131
17 February 1731 @ Haymarket Theatre

Event Comment: Never Acted before. [Author unknown. Apparently not printed.] With New Habits

Performances

Mainpiece Title: The Indian Empress; Or, The Conquest Of Peru

7132
08 March 1731 @ Goodman's Fields

Event Comment: Benefit Giffard. At the particular Desire of several Gentlemen and Ladies. Afterpiece: a new Comic Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Merry Throwster

7133
03 April 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love

Performance Comment: Antony (new drest)-a Gentleman; Ventidius-Mills; Dolabella-Marshall; Alexas-W. Mills; Serapion-Corey; Myris-Oates; Cleopatra-Mrs Horton; Octavia-Mrs Porter.

Afterpiece Title: Cephalus and Procris

7134
21 April 1731 @ Goodman's Fields

Event Comment: Benefit Bardin. At the particular Desire of several Gentlemen and Ladies. Afterpiece: A new Comic Opera (never perform'd before). [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Sailor's Wedding; or, The Humours of Wapping

7135
27 April 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Orestes

Performance Comment: As17310403 but With a New Prologue, Epilogue-.

7136
05 May 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Tragedy of Tragedies

Performance Comment: Tom Thumb-Master Woodward; With a New Prologue by Master Woodward-Master Woodward.

7137
06 May 1731 @ Lincoln's Inn Fields

Event Comment: By Command of His Royal Highness. Benefit Miss Holliday. Afterpiece: A New Pastoral Ballad Opera of one Act [Author unknown]. Receipts: money #47 16s.; tickets #123 13s. [Prince and two of three eldest Princesses present.] Gentleman's Magazine, I (1731), 216: Miss Holliday...received from the Royal Family, over and above the usual Present, a large Gold Medal, weighing about 50 Guineas, with the Bust of her Majesty as Electress of Hanover on each Side

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Judgment of Paris; or, The Triumph of Beauty

Dance: SShepherds and Shepherdesses by Nivelon-Nivelon, Newhouse, Pelling, Dupre Jr, Mrs Laguerre, Mrs Bullock, Mrs Ogden, Miss LaTour; Chacone-Dupre, Mrs Pelling

7138
21 May 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Fall Of Mortimer

Performance Comment: As17310517, but New Prologue, Epilogue-.

7139
24 May 1731 @ Haymarket Theatre

Performances

Mainpiece Title: The Fall Of Mortimer

Performance Comment: As17310517. new Prologue, Epilogue.

7140
11 June 1731 @ Southwark

Event Comment: At Lee's Great Booth: a new Entertainment of the Opera kind

Performances

Mainpiece Title: The Unhappy Libertine

7141
18 August 1731 @ Drury Lane Theatre

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

7142
24 August 1731 @ Bartholomew Fair

Event Comment: At Lee-Harper Booth. An excellent new Droll

Performances

Mainpiece Title: Guy, Earl Of Warwick: With The Comical Distresses Of Rogero, Guy's Servant

Song: The best Masters

Dance: The best Masters

7143
16 October 1731 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: With new Scenes, Habits, Machines, and other Decorations

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Cephalus and Procris; With Harlequin Grand-Volgi

Song: Miss Raftor

7144
26 October 1731 @ Goodman's Fields

Performances

Mainpiece Title: Cato

Afterpiece Title: Flora

Dance: Eaton, Miss Sandham. With New Habits

Performance Comment: With New Habits.

7145
01 November 1731 @ Drury Lane Theatre

Event Comment: All the Characters new dress'd

Performances

Mainpiece Title: The Provok'd Husband

Song: Singing in English-Miss Raftor

Dance:

7146
15 November 1731 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. With a new set of Scenes being a prospect of the Ponte Rialto at Venice, painted by Mr Devoto

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

7147
10 December 1731 @ Drury Lane Theatre

Event Comment: Never Acted before. [By Aaron Hill.] With new Habits, Scenes, and other Decorations, proper to the Play. Admission: 5s., 3s., 2s., 1s. [See Pope, Correspondence, III, 253-54.

Performances

Mainpiece Title: Athelwold

7148
18 December 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17311117, but Parly-Mrs Haughton; With a new Prologue, Epilogue on the Occasion-.

Afterpiece Title: The Lovers Opera

Song: With the usual Songs-

Dance: Burney, Miss Wherrit

7149
13 January 1732 @ Drury Lane Theatre

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

7150
15 January 1732 @ King's Theatre

Event Comment: [Music by Handel. Translation by Samuel Humphreys.] Wherein the Cloaths and Scenes are all entirely New. Colman's Opera Register: But did not draw much Company

Performances

Mainpiece Title: Aetius