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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

8251
23 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 765; not published]. 3rd piece [1st time; MF 1, author unknown. Larpent MS 766; not published]: The Overture and Music entirely new. Public Advertiser, 5 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #285 (96.3.0; 14.1.6; 0.18.6; tickets: 173.17.0) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

8252
01 May 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale; O Sia, L'amore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

8253
09 July 1787 @ Haymarket Theatre

Event Comment: Afterpiece: The Overture, new Airs, and Accompaniments by Dr Arnold

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Siege of Curzola

Dance: As17870702

8254
15 October 1787 @ Covent Garden

Event Comment: [Mainpiece in place of The Grecian Daughter, advertised on playbill of 12 Oct.] Afterpiece: As originally Performed. With new Dresses, the Original Music, Scenery and Decorations. "When the hissing began there was an attempt by the Clown to put the audience in humour, by rolling over and over across the stage with a woman, or a man dressed in women's clothes. If this were a coup d'oeil for the Galleries, it was certainly an insult to the Boxes...We are glad to say that obscenity failed to rescue folly" (World, 16 Oct.). Receipts: #262 4s. (261.3; 1.1)

Performances

Mainpiece Title: Othello

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

8255
22 October 1787 @ Covent Garden

Event Comment: Mainpiece: With new Dresses and Decorations. Afterpiece: With Alterations. Receipts: #260 8s. 6d. (257.6.0; 3.2.6)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Orpheus and Eurydice

Song: II: the Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnstone, Cubitt, Brown, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Miss Blower, Mrs Kennedy

8256
26 October 1787 @ Covent Garden

Event Comment: The new Farce of The Farmer [advertised on playbill of 25 Oct., and see 31 Oct.] is obliged to be deferred on Account of the sudden Indisposition of a Principal Performer. Receipts: #154 17s. 6d. (150.11.6; 4.6.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Love in a Camp

Song: As17871022

8257
30 November 1787 @ Drury Lane Theatre

Event Comment: Mainpiece: With Dresses and Decorations entirely new. [Afterpiece in place of The Distress'd Baronet, advertised on playbill of 29 Nov.] Receipts: #75 15s. (58.11.0; 16.15.6; 0.8.6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Humourist

8258
11 December 1787 @ Drury Lane Theatre

Event Comment: Mainpiece: Performed but once [on 14 Apr. 1787]. With new Dresses, Decorations, &c. [Prologue by Edmond Malone; Epilogue by John Courtenay (see text). Afterpiece in place of The First Floor, advertised on playbill of 10 Dec.] Receipt2: #223 10s. (195.13.0; 27.8.6; 0.8.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The Humourist

8259
22 December 1787 @ Covent Garden

Event Comment: [Public Advertiser, 26 Dec. prints one of Ferdinand 's new songs, Mark'd you her eye of heavenly blue?] Receipts: #238 11s. (235.12.6; 2.18.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Midnight Hour

8260
26 December 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2(?), by Ralph Wewitzer. Not in Larpent MS; not published; synopsis of action in Public Advertiser, 28 Dec.]: With new Music, Scenery, Dresses, Machinery, and Decorations. The Music composed by Walter? Clagget. The Scenes designed and executed by Richards, Carver, Hodgins and others. Nothing under Full Price will be taken. Receipts: #192 2s. (188.12; 3.10)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dumb Cake; or, The Regions of Fancy

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

8261
15 January 1788 @ King's Theatre

Event Comment: A new Comic Opera, in 2 acts, never performed [in London; 1st performed at Rome, 1778, as L'Italiana in Londra]. The Music composed by Cimarosa, under the direction of Mazzinghi. Receipts: #84 11s. [non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: The Military Dance, as17880112, but Henry; a +Pas de Deux (composed by Noverre)-Didelot, Mlle Coulon; Pas de Deux (composed by Vestris)-Vestris, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

8262
28 January 1788 @ Covent Garden

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 10 years [acted 5 Nov. 1779]. The Music chiefly composed by Hook, the rest compiled from the most eminent Masters. With new Songs and other Alterations [and restorations; the names of almost all the characters have been changed (see 23 Nov. 1778)]. Public Advertiser, 12 Jan.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #365 3s. 6d. (244.0.6; 2.12.0; tickets: 118.11.0) [charge: free)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: Rosina

Dance: End II: Leap Year-Byrne, Mrs Goodwin

Song: In afterpiece: (for that Night only) Sweet Bird-, from L'Allegro il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke

8263
25 February 1788 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters; the rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen. With variety of new Scenery ["A view of Calcuttav, from a painting done on the spot by Hodges, opens the piece" (Public Advertiser, 26 Feb.)], Dresses and Decorations. Public Advertiser, 6 Mar. 1788: This Day is published Love in the East (1s. 6d.). Receipts: #207 8s. 6d. (172.8.0; 33.9.6; 1.11.0)

Performances

Mainpiece Title: Love In The East; Or, Adventures Of Twelve Hours

Afterpiece Title: All the World's a Stage

8264
29 March 1788 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Bertie Greatheed. Prologue by the Rev. David Williames. Epilogue by Hester Lynch Piozzi (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 20 May 1788: This Day is published The Regent (1s. 6d.). Afterpiece: Not acted these 12 years [acted 29 May 1779]. "I do think that Mrs Siddons for Vigour of Action, pathetic Tone of Voice, & a sort of Radiance which comes round her in Scenes where strong heroic Virtues are displayed, never had her Equal" (Thraliana, II, 715). Receipts: #226 13s. (211.1; 14.4; O.18; tickets not come in:0.10)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Miller of Mansfield

8265
08 April 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

8266
14 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

8267
17 April 1788 @ King's Theatre

Event Comment: Benefit for Noverre. Tickets to be had of Noverre, No. 40, Great Marlborough-street. 2nd ballet: With new Scenery, Dresses and Decorations. Receipts not listed

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour-[See17871208]; End Opera: Adela de Ponthieu-, composed by Noverre [See17880419]

8268
24 April 1788 @ Covent Garden

Event Comment: The New Comedy of Animal Magnetism [advertised on playbill of 23 Apr.] is obliged to be deferred till Tuesday next. [1st piece in place of The Guardian, advertised on playbill of 23 Apr.] Receipts: #159 16s. 6d. (154.1.0; 5.15.6)

Performances

Mainpiece Title: The Farmer

Afterpiece Title: Comus

Afterpiece Title: The Positive Man

Song: As17880310

8269
08 May 1788 @ King's Theatre

Event Comment: Benefit for Marchesi. A new Serious Opera [composed by Cimarosa; 1st performed at Vicenza, 1784]. Under the direction of Mazzinghi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square. There will be no Opera on Saturday on account of Whitsun Eve. Receipts not listed

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Offrandes a l'Amour, as17880417; End Singing: L'Amour et Psiche-[see17880129]

Song: End Opera: Marchesi will return thanks to the Audience in a piece of Music of his own composing, piece of Music-Marchesi

8270
10 July 1788 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 3, by George Colman, ynger. Prologue by the Hon. Francis North. Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 2 Sept. 1788: This Day is published Ways and Means (1s. 6d.)

Performances

Mainpiece Title: Ways And Means; Or, A Trip To Dover

Afterpiece Title: The Padlock

8271
09 August 1788 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by Mariana Starke. Prologue by George Colman, elder. Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

8272
13 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Love and War

Performance Comment: Love: Goldsmith's poem of Edwin and Angelina. Scene, A Hermit's Cell. Edwin-A Young Gentleman (1st appearance on any stage unidentified); Angelina-Mrs Plomer; War: Scene I. A Sea-port. Officers carousing. O say Bonny Lass-; Scene II. A Village. Serjeant-Davies; Country Lasses-Mrs Gaudry; Milkmaid-Miss Collett; Admiral Benbow-Bannister; A new dance, The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.

Afterpiece Title: Gretna Green

8273
14 October 1788 @ Drury Lane Theatre

Event Comment: Mainpiece: With new Scenes, Dresses and Decorations. Receipts: #201 12s. (150.8.0; 51.1.6; 0.2.6)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Selima and Azor

8274
25 November 1788 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humourist

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

8275
31 January 1789 @ Covent Garden

Event Comment: The New Comedy of The Toy [advertised on playbill of 29 Jan.] is obliged to be deferred till Tuesday next. Receipts: #252 19s. 6d. (244.16.0; 8.3.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Miser

Dance: As17881025