SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ned Howard"/1) | (@(roleclean,performerclean) "Ned Howard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 425 matches on Author, 199 matches on Performance Comments, 58 matches on Event Comments, 7 matches on Performance Title, and 3 matches on Roles/Actors.

Performances

Mainpiece Title: Liberal Opinions

Performance Comment: Principal Characters by Lewis, Munden, Fawcett, H. Johnston, Murray, Farley, Emery, Simmons, Rees, Wilde, Atkins, Abbot, Curties, Miss Chapman, Mrs Davenport, Mrs Mills, Miss Mills, Mrs Whitmore, Miss Murray. Cast from text of The School for Prejudice (T. N. Longman and O. Rees, 1801): Frank Liberal-Lewis; Old Liberal-Munden; Ephraim-Fawcett; Mildmay-H. Johnston; Counsellor Friendly-Murray; Squire Chace-Farley; John Grouse-Emery; Parchment-Simmons; Bailiff-Rees; Take-Wilde; Touch-Atkins; Tap-Abbot; Servant-Curties; Mrs Howard-Miss Chapman; Miss Liberal-Mrs Davenport; Fanny Liberal-Mrs Mills; Jenny-Miss Mills; Rachel-Mrs Whitmore; Marian-Miss Murray; Prologue-Mansel.
Cast
Role: Mrs Howard Actor: Miss Chapman

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Event Comment: Benefit for Mrs Clive, Mainpiece: At the Desire of Several Ladies of Quality. Part of Pit rail'd into Boxes. Stage form'd into front and side Boxes. Send servants by 3. Tickets and places of Mrs Clive in Great Queen St., Lincolns Inn Fields, and of Hobson at the Stage Door. Cross: Ned Thompson dy'd. Receipts: #220 (Cross); house charges, #60 (Powel); cash #78; tickets, #94 10s. (Clay MS)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The What D'ye Call It

Song: By Particular Desire, the Irish Song, Ellen a Roon-Mrs Clive

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Event Comment: Benefit for Sg Daigville & Signa Vidini. [24 April letter signed Ned Shuter dated from his Majesty's Bench of Justice, St Georges Fields: "Theatrical Memoirs giving circumstantial account of my family-Admit my father was a chairman, my mother sold oysters in winter and cucumbers in summer. I was not born in a cellar but in a two pair of stairs front room at one Mrs Merit's an eminent Chimney Sweeper, Vine Street, St Giles" (Winston MS 10). Thomas Weston's apology for the delay of his Benefit. It was owing to his distressed affairs which he had new laid open to the managers. See comment form Edinburg Evening Courant, 29 April.] Paid Renters #88 for Oratorio nights; Mr Dibdin's draft on managers #50; Master Brown 5 nights, #1 17s. 6d.; Rec'd from Messrs Smith and Stanley charges for 11 Oratorio nights at 28# per night, plus candles &c . #342 4s.; Rec'd stopages #9 16s. 6d. (Treasurer's Book). Receipts: #151 4s. Charges: #65 11s. Profits to Daigville & Sga Vidini: #85 13s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Mayor of Garratt

Dance: I: The European in America (for 1st time this Season)-Messieurs Daigvilles, Miss Ross, Sga Vidini; II: A Comic Dance, as17720326 V: Psiche, a Grand Historical Ballet (Never performed before)-Daigville, Giorgi, Sga Daigville, Miss Ross, Sga Vidini

Event Comment: Weston's Will. First I give and bequeath my all to Martha Weston. Lastly my scribbling to Ned Shuter &c. (Winston MS 11). Receipts: #270 6s. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: The Sultan

Dance: End: The Sailors Revels-Blurton

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: St Helena; or, The Isle of Love

Performance Comment: Principal Characters-Jefferson, Davies, Waldron, Legg, Kear, Follett, Carpenter, Holcroft, Barrett, Mrs Bradshaw, Miss Collett, Mrs Smith, A Lady (1st appearance) [Mrs LeBlanc] (London Magazine, July 1777, p. 377, which states that she acted the part of Emma); [Larpent MS 412 lists the parts: Capt. Haleyard, Mr Trinket, Ned Raymonde, Sam Scupper, Jack Jeers, Mrs Trinket, Leda, Emma, Priscilla.] Prologue-Barrett (in the character of a sailor).

Dance: End II: a Hornpipe, as17770430

Event Comment: The Vestal-Virgin; or, The Roman Ladies (by Sir Robert Howard) was probably acted by February 1664@5. It was entered in the Stationers' Register on 7 March 1664@5 and published in 1665 in Four New plays. Downes (Roscius Anglicanus p. 15) lists it by title only. The King's Company

Performances

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Performances

Mainpiece Title: Henry V

Event Comment: Newsletter: Lacy, the famous comedian, is at length, by great intercession, released from his durance under the groom porter, where he stood committed by His Majesty's order for having 'on his own head' added several indecent expressions in the part he acted in a late play called The Change of Crowns, written by Mr Edward Howard (HMC, Fleming MSS, 12th Report, Part VII [1890], p. 47)

Performances

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The Duke's Company. Pepys, Diary: [Creed] and I to the Duke of York's playhouse; and there coming late, he and I up to the balcony-box, where we find my Lady Castlemayne and several great ladies; and there we sat with them, and I saw The Impertinents once more, now three times, and the three only days it hath been acted. And to see the folly how the house do this day cry up the play more than yesterday! and I for that reason like it, I find, the better, too: by Sir Positive At-all, I understand, is meant Sir Robert Howard. My Lady [Castlemayne] pretty well pleased with it

Performances

Mainpiece Title: The Sullen Lovers

Event Comment: Pepys, Diary: But, Lord! to see how this play of Sir Positive At-all [The Sullen Lovers], in abuse of Sir Robert Howard, do take, all the Duke's and every body's talk being of that, and telling more stories of him, of the like nature, that it is now the town and country talk, and, they say, is most exactly true. The Duke of York himself said that of his playing at trap-ball is true, and told several other stories of him

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

Event Comment: Samuel Pepys to Robert Southwell, 10 Oct. 1685: To night wee have had a mighty Musique--Entertainment at court for the welcoming home the King and Queen. Wherein the fraequent Returnes of the Words, Arms, Beauty, Triumph, Love, Progeny Peace, Dominion, Glory, &c. had apparently cost our Poet-Prophet more paine to finde Rhimes then Reasons (R. G. Howard, Letters and the Second Diary of Samuel Pepys [London, 1932], p. 171. [The entertainment for this occasion seems not to have survived.

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. James Brydges, Diary: About 2. I came home to dinner, where I found Lady Hussy, & Cozzen Betty, & Mrs Howard, about 5. After dinner I went to Lord Pembroke's who being abroad, I went to Lord Arundell of Treryce, who not being at home, I went to Ld. Allinton's, but he not being within, I went to Mr Pitts, who being abroad, I went to ye Dean of Peterborough's but he being at church I went to ye playhouse in Lincolns inn fields, where I met Dr Davenant & Ld. Rumny (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: John Dryden to his sons, 3 Sept. 1697: After my return to Town, I intend to alter a play of Sir Robert Howards, written long since, & lately put by him into my hands: tis calld The Conquest of China by the Tartars. It will cost me six weeks study, with the probable benefit of an hunderd pounds. In the meane time I am writeing a Song for St Cecilia's feast, who you know is the Patroness of Musique. This is troublesome, & no way beneficiall: but I coud not deny the Stewards of the feast, who came in a body to me, to desire that kindness (Letters of John Dryden, p. 93)

Performances

Event Comment: Benefit the Prompter (Stead). Afterpiece: Written by Mr Farquhar. [Tickets for Howard and Miss Horsington taken.] Receipts: money #16 19s.; tickets #83 14s

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Stage Coach

Music: V: Water Musick, as17330501; Kettle Drums, as17330501

Song: II: Dialogue-Leveridge, Mrs Wright in the Scottish Stile

Dance: I: Swedish Dal Karle-Jones, Mrs Ogden; III: Footing Dance with Hornpipe, as17330501; End Afterpiece: Scottish Dance, as17330501. IV: Masque of Vocal and Instrumental Musick. As17330501

Event Comment: Benefit Howard, Bewly, Jones. Receipts: money #7 6s. 6d.; tickets #164 7s

Performances

Mainpiece Title: The Funeral

Dance: Tambourine by Miss Rogers. Polonese by Mlle De L'Isle. Peasant by Tench and Miss Rogers

Event Comment: 1 Written by Shakespear. Benefit Powell, Howard, and others; by particular Desire. Afterpiece: Never acted there before. [The Debauchees; or, The Jesuit Caught, originally issued as The Old Debauchees by Henry Fielding, 1 June 1732, dl. Concluding the program with the National Anthem now omitted from the advertisements.

Performances

Mainpiece Title: 1 Henry Iv

Performance Comment: Falstaff-Paget; King-Furnival; Prince-Cushing; Hotspur-Lee; Hostess-Mrs Bambridge; Northumberland-Dove; Worcester-Julian; Blunt-Shepard; Poins-Kennedy; Peto-Blakey; Bardolph-G. Hallam; Carriers-Dove, Morgan; Francis-L. Hallam; Lady Percy-Mrs Hallam.
Cast
Role: Poins Actor: Kennedy

Afterpiece Title: 1 The Debauchees

Performance Comment: Old Laroon-Morgan; Isabel-Mrs Phillips; Father Martin-Paget; Young Laroon-Kennedy; Old Jourdain-Cushing; Beatrice-Mrs Cushing.
Cast
Role: Young Laroon Actor: Kennedy

Song: 1 Brett

Dance: 1 As17451028

Event Comment: Benefit Mrs Howard. Prices 3s., 2s., 1s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth, Southwark. Mrs Bracegridle died, at her House in Howard St. (Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West