SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Nathan Field"/1) | (@(roleclean,performerclean) "Nathan Field")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 331 matches on Event Comments, 126 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: Mainpiece: With the original Music, composed by Matthew Locke, with full Chorusses and additional accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Mrs Crouch, Miss Field, Miss George, Mrs Wrighten

Related Works
Related Work: The Life and Death of Common Sense Author(s): Henry Fielding
Related Work: Pasquin: A Satire on the Times Author(s): Henry Fielding

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Virgin Unmask d

Song: End of Act IV of mainpiece Collin cur'd of roving by Miss George; End of mainpiece Bucks of the Field by Dignum

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Performances

Mainpiece Title: Abroad And At Home

Cast
Role: Lady Flourish Actor: Mrs Litchfield

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Cast
Role: Earl of Leicester Actor: Whitfield

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: Athalia

Performance Comment: Parts were: Josabeth-; Priests-; Levites-; Chorus of Young Virgins and Israelites-; Israelite-; Joad-; Athalia-; Chorus of Attendants and Sidonian Priests-; Abner-; Nathan-; Zacharias-.
Cast
Role: Nathan Actor:

Performances

Mainpiece Title: The Nabob

Performance Comment: Sir Mathew Mite-Palmer; Mr Oldham-Aickin; Sir Thomas[recte John] Oldham-Usher; Touchit-Baddeley; Mayor-Webb; Nathan-Barrett; Moses-Pierce; Conserve-Egan; Secretary-Davis; Waiter-Lamash; Antiquarian-Massey; Janus-Wilson; Putty-Edwin; Mrs Matchem-Mrs Webb; Sophy-Mrs Cuyler; Crocus-Mrs W. Palmer; Lady Oldham-Miss Sherry.
Cast
Role: Nathan Actor: Barrett

Afterpiece Title: The Silver Tankard

Dance: End: Minuet de la Cour, Allemande-Master Byrn, Miss Byrn

Performances

Mainpiece Title: The Nabob

Performance Comment: Sir Mathew Mite-Palmer; Mr Oldham-Aickin; Sir John Oldham-Usher; Touchit-Baddcley; Antiquarian-Massey; Waiter-R. Palmer; Nathan-Barrett; Moses-Pierce; Conserve-Egan; Secretary-Davis; Janus-Parsons; Putty-Edwin; Mrs Matchem-Mrs Webb; Sophy-Mrs Cuyler; Crocus-Mrs W. Palmer; Lady Oldham-Miss Sherry .
Cast
Role: Nathan Actor: Barrett

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Performance Comment: Camply-Lewis; Sable-Quick; Trusty-Hull; Lord Brumpton-Clarke; Puzzle-Booth; Tom-Stevens; Trim-Bonnor; Nathan Matchlock-Ledger; Darby-Tattoo-Helme; Hugh Clump-Thompson; Jeffery Tatter-Besford; Lord Hardy-Wroughton; Lady Brumpton-Mrs Bates; Lady Charlotte-Mrs Kemble; Fardingale-Mrs Poussin; Mademoiselle-Mrs Whitfield; Tattleaid-Mrs Pitt; Lady Harriet-Mrs Mattocks .
Cast
Role: Nathan Matchlock Actor: Ledger
Role: Mademoiselle Actor: Mrs Whitfield

Afterpiece Title: Hob in the Well

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Performance Comment: Principal Characters by Edwin, Davies, Barret, Johnson, Chapman, Swords, Lyons, Parsons, Miss George, Mrs Cuyler, Miss Brangin, Mrs Bannister. Cast from Songs (T. Cadell, 1787): Curgy-Edwin; Usbeck-Davies; Nathan-Barret; Osmin-Johnson; Mustapha-Swords; Cadi-Parsons; Fanny-Miss George; Circassian-Mrs Cuyler; Venetian-Miss Brangin; Nadina-Mrs Bannister; unassigned-Chapman, Lyons; Prologue-Bannister Jun.
Cast
Role: Nathan Actor: Barret

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Performance Comment: Characters by Suett, Trueman, Caulfield, Wathen, Fawcett, Mrs Edward, Mrs Davenport, Mrs Hale, Mrs Norton, Miss Leserve, Mrs Gibbs. Cast from Songs (Cadell and Davies, 1798): Sir Nathan Nervous-Suett; Capt. Hardiman-Trueman; Brookly-Caulfield; Johnny-Wathen; Quotem-Fawcett; Augusta-Mrs Edward; Mrs Tidy-Mrs Davenport; Mrs Quotem-Mrs Hale; Betty-Mrs Norton; Dolly-Miss Leserve; Hannah-Mrs Gibbs.
Cast
Role: Sir Nathan Nervous Actor: Suett
Role: Brookly Actor: Caulfield

Performances

Mainpiece Title: The Nabob

Performance Comment: Principal Parts-Foote, Parsons, Fearon, Massey, R. Palmer, Griffiths, Jackson, Bransby, Egan, T. Davis, Stevens, Peirce, Palmer, Mrs Hunter, Miss Hale, Mrs W. Palmer, Mrs Gardner. [Morning Chronicle, 3 June: Sir Matthew Mite-Foote; Mr Mayor-Palmer. Edition of 1778 (T. Cadell), which assigns the cast for season of 1772, lists the other parts: Sir John Oldham, Mr ThomasOldham, Young Oldham, Touchit, Antiquarians, Secretary, Rapine, Nathan, Moses, James and Putty, Conserve, Waiter, Lady Oldham, Sophy, Mrs Match'em, Crocus.] Prologue as17770515. Prologue as17770515.

Afterpiece Title: Lilliput

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: [N+New Wells, Lemon St. Goodman's Fields.] As Church wardens and Overseers of the Parish of Whitechapel did lately receive Information, that several young Persons have exhibited Plays at Goodman's Fields Wells...that the said young Persons have actually met and rehearsed Plays on the Lord's Day, in Defiance of all Laws, Divine and Human; the said Churchwardens and Overseers, assisted by proper Authorities, went last Night to Goodman's Fields Wells, which they found vastly crowded, and having severly reprimanded the Performers, dismissed the Audience (Daily Advertiser, 2 March)

Performances

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Triumph of Mirth; or, Harlequin's Wedding

Performance Comment: Characters of the Pantomime by Wright, Grimaldi, Delpini, Suett, Fawcett, Waldron, Wrighten, Burton, R. Palmer, Chaplin, Norris, Spencer, Alfred, Mister Wilson; Mrs Love, Mrs Booth, Mrs Granger, Miss Simson, Miss Barnes, Miss Collett. Vocal Parts by Chapman, Barrymore, Williames, Phillimore; Miss Field, Miss Wright, Mrs Wrighten. [Partial cast from European Magazine, Jan. 1783, p. 67, and Town and Country Magazine, Supp. 1782, p. 716: Harlequin-Wright; Clown-Grimaldi; Pantaloon-Delpini; Magician-Chaplin; Columbine-Miss Collett; Mirth-Miss Field; Diana-Mrs Wrighten.] hathi. hathi.
Cast
Role: Mirth Actor: Miss Field

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: The Ghost

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Will Scarlet Actor: Cranfield
Role: which changes to the Town Stocks in which they are Actor: Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: The story of the Pindar of Wakefield Actor: the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Role: and the Count discovered Actor: Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: Pigmies Actor: Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-
Role: the Grand Dance of Warriors in the Field of Actor:
Role: Harlequin changes the Cottage to a Ship Actor: a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: which he changes to a cart Actor: and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: and the Scene to a Plough Field Actor: a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Event Comment: The Lord Chamberlain, L. C. 7@1--see Nicoll, Restoration Drama, p. 339-hearing that Dogget had left Lincoln's Inn Fields and Verbruggen had left Drury Lane, restated the order against players shifting companies, and ordered that Verbruggen was to stay with Drury Lane until 1 Jan. 1696@7 but that he might enter into agreement with Lincoln's Inn Fields to act there after the close of 1696

Performances

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.
Event Comment: A notice had appeared announcing for this date a performance of Love Makes a Man, with Clodio-$Peterson, Cholerick-$Paget, and the rest of the parts by members of Giffard's Goodman's Fields Company (now of course at Lincoln's Inn Fields) and the Lying Valet, for the benefit of Paget, who states, in the notice, that he is out of work. The performance was not given, but see 25 Nov., by which date Paget was resting in Fleet prison

Performances

Mainpiece Title: None

Event Comment: Never acted there before [i.e., by this company]. Written by George, Duke of Buckingham. Mr Bayes' Troops have been on their March for some Days past from their last Encampment in Goodman's Fields; they march'd in good Order through the City without Beat of Drum, and were received at Lincoln's Inn Fields, where they have now pitch'd their Tents with great Acclamations of Joy by the Populace. We hear they will be re-enforced by some Auxiliaries from Covent-Garden; and we can assure the Publick, there will certainly be a Battle of Monday next, so the Report of their going quietly into Winter Quarters without coming to Action, proves a groundless Tale, and was merely calculated to serve some private Ends. Daily Advertiser, 4 Dec

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Event Comment: Benefit Rogers, Simson, and Mrs Chetwood. Tickets to be had of Rogers at Mr Molloy's, Wine Merchant in Bear Yard, Lincoln's Inn Fields; at Mr Settre's, Linen Draper, at the Golden Anchor, next Tom's Coffee House, Covent Garden; of Mrs Chetwood, Castle Tavern, Drury Lane; and of Simson, at Mr Gill's, a shoemaker, Basinghall St. [At 5 p.m. this day Jack, Joseph and Polly Granier are scheduled to dance in several dances at the New Wells, Lemon St., Goodman's Fields. Carney has also gone over to the New Wells.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Virgin Unmasked

Dance: III: Welch Buffoons, as17430308 V: Scotch Dance, as17430308