SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate Esq"/1) | (@(roleclean,performerclean) "N Tate Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 354 matches on Event Comments, 338 matches on Author, 93 matches on Performance Comments, 19 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not Acted these Six Years. At the Desire of several Persons of Quality. Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear. With Scenes, Habits, Machines, and other proper Decorations

Performances

Mainpiece Title: Duke And No Duke

Related Works
Related Work: A Duke and no Duke Author(s): Nahum Tate

Afterpiece Title: Phebe

Dance:

Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Related Works
Related Work: The Sicilian Usurper Author(s): Nahum Tate
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late N. Tate, Esq; Poet Laureat, Author of the Tragedy of King Lear

Performances

Mainpiece Title: A Duke And No Duke

Related Works
Related Work: A Duke and no Duke Author(s): Nahum Tate

Afterpiece Title: The Amours of Billingsgate

Event Comment: Mainpiece: Alter'd from Shakespeare by N. Tate, Esq. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Mock Doctor

Event Comment: Mainpiece: Alter'd from Shakespear by N. Tate, Esq

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Virgin Unmaskd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear, by $N. Tate, Esq.

Performances

Mainpiece Title: King Lear And His Three Daughters

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate

Afterpiece Title: The Fall of Phaeton

Performances

Mainpiece Title: Il Bacio

Dance: I: Serious Ballet-Fierville, Mlle Bacelli; II: Les Evenemens Imprevues-M N. N., Helm, Mlle Tinti, Mlle Sophie; End Opera: La Generosite de Scipion-N. N., Fierville, Mlle Baccelli

Performances

Mainpiece Title: Il Bacio

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: La Generosite de Scipion-N. N., Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Baccelli

Performances

Mainpiece Title: Le Ali Damore

Dance: Les Deux Soeurs, as17760229; Ballet Pastoral, as17760229; Pigmalion, as17760213 with the dancer N. N. omitted

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Nahum Tate

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Alter'd from Shakespeare by the late Mr Betterton. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Henry Iv Part Ii

Afterpiece Title: Dido and Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Nahum Tate

Afterpiece Title: The Burgomaster Trickd

Dance: As17340112

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother in law

Afterpiece Title: Dido and Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Nahum Tate

Afterpiece Title: The Burgomaster Trickd

Dance: As17340129

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate
Related Work: King Lear Author(s): Nahum Tate

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.
Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque In Honor of the Nuptials of His Royal Highness the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: The King's Company. After the banning of The Sicilian Usurper, it was brought on again under a new title and survived two days before it also was banned. Tate's statement concerning its reception--see 11 Dec. 1680--may refer to these two performances rather than to the sequence in December. Newdigate newsletters (Folger Shakespeare Library), 20 Jan. 1680@1: K. Richd ye 2.d a play, being forbid acting att ye Ks house the Poet put the name Tyrant of Sicily upon it by wch means it was acted twice this weeke, but the Cheate being found out it was forbid acting againe (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: The Tyrant Of Sicily

Related Works
Related Work: The Tyrant of Sicily Author(s): Nahum Tate
Event Comment: Mainpiece: Altered from Shakespeare and Tate. Afterpiece: Specified as a Musical entertainment in two acts, taken from The Summer's Tale, with alterations and additions by the author. Receipts: #109 7s. (Account Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate
Related Work: King Lear Author(s): Nahum Tate

Afterpiece Title: Amelia

Dance: End: The Highland Reel, as17680307

Event Comment: Afterpiece: By Desire. [The presence of Arante as a character in the mainpiece seems to indicate that Barry returned to the Tate version or brought with him the Garrick modification from dl. She does not appear in the Colman version.

Performances

Mainpiece Title: King Lear

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate
Related Work: King Lear Author(s): Nahum Tate

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: Concert

Performance Comment: An Ode Upon the New-Year, Performed Before their Majesties. Set to Musick by Dr Blow. The Words by N. Tate, Servant to their Majesties.
Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trickd

Dance: As17340112

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Cast
Role: Tate Actor: .
Event Comment: Written by the late $N. Rowe, Esq.

Performances

Mainpiece Title: The Ambitious Stepmother

Event Comment: At the particular Desire of several Ladies of Quality. Written by N. Rowe, Esq. late Poet Laureat

Performances

Mainpiece Title: The Fair Penitent

Song: As17251208