SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Music High and Low Dutch"/1) | (@(roleclean,performerclean) "Music High and Low Dutch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1759 matches on Event Comments, 1398 matches on Performance Title, 440 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel
Event Comment: An entirely new Comic Opera in 2 acts [by Filippo Livigni]; the Music being the first Essay of Cherubini in this Country

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Fool

Dance: End of mainpiece, as17850307athi

Event Comment: A Serious Opera (SER 3); originally written by Metastasio; the Music selected from the most eminent Composers, under the Direction of Cherubini. [Babbini was from the Opera, Rome.]

Performances

Mainpiece Title: Artaserse

Performance Comment: Principal Characters by Crescentini, Bartolini, Cremonini, Babbini (1st appearance in this country); Sga Schinotti, Sga Ferrarese. [Partial cast from London Magazine, Apr. 1785, p. 303: Arbace-Crescentini; Artabano-Babbini; Semira-Sga Schinotti; Mandane-Sga Ferrarese. Libretto (G. Bigg, 1779) also lists Artaserse, Megabise.] hathi. hathi.
Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: As17850329hroughout

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Event Comment: Benefit for the Compiler of the Music [of mainpiece]

Performances

Mainpiece Title: The Campaign

Afterpiece Title: Barataria

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe; incidental music by Dr Arnold. Text 1st published in O'Keeffe's Dramatic Works, vol. III (T. Woodfall, 1798)]

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: A Beggar on Horseback: A Dramatic Proverb

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Wright; Pantaloon-Wellman; Scaramouch-Kerridge; Punch-Banister; Clown-Benson; Colombine-Mrs Wellman. IMITATIONS. End of Act II of 1st piece a Variety of Theatrical Imitations by the Gentleman [unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .
Cast
Role: Clown Actor: Benson
Event Comment: [Mainpiece in place of Lord Russel, announced on playbill of 30 Aug. It was deferred on account of Miss Woollery's illness {Public Advertiser, 31 Aug.).] Afterpiece [1st time; P 1, by Carlo Antonio Delpini. MS: Larpent 706; not published]: The Overture and Music composed by Dr Arnold. The Scenes painted by Rooker

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Here and There and Every Where

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

Event Comment: Paid Music 19th Inst. #7 11s. 8d.; Properties 19th Inst. 10s. 8d. Receipts: #188 17s. 6d. (184/3/0; 4/14/6)

Performances

Mainpiece Title: K

Afterpiece Title: Rosin a

Event Comment: Mainpiece: The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. Receipts: #183 8s. 6d. (161/9/0; 20/7/0; 1/12/6)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Ariel-Miss Field; Miranda-Mrs Crouch. Chorus of Spirits-Fawcett, Chaplin, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c . Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c .

Afterpiece Title: All the World's a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Performance Comment: ; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton .
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Overture and the rest of the music entirely new, by Shield. With new Dresses, &c. Books of the Songs to be had at the Theatre. Public Advertiser, 22 Nov. 1785: This Day is published The Choleric Fathers (price not listed). Receipts: #240 4s. (238/3; 2/1)

Performances

Mainpiece Title: The Choleric Fathers

Performance Comment: Characters by Johnstone, Quick, Edwin, Wilson, Wewitzer, Palmer, Thompson, Gardner; Mrs Kennedy, Mrs Martyr, Mrs Morton, Mrs Bannister. [Cast from text (G. G. J. and J. Robinson, 1785): Don Fernando-Johnstone; Don Julio Pimiento-Quick; Pedro-Edwin; Don Salvador-Wilson; Fabio-Wewitzer; Don Fabricio-Palmer; Don Velasco-Thompson; Alguazil-Gardner; Footmen-Helme, Swords, Newton, Ledger, Bates; Laura-Mrs Kennedy; Jaquelina-Mrs Martyr; Donna Isabel-Mrs Morton; Donna Zelida-Mrs Bannister.] hathi. hathi.
Cast
Role: : Don Fernando Actor: Johnstone

Afterpiece Title: Appearance is against Them

Cast
Role: Clownly Actor: Kennedy

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters [Purcell, Sacchini, et al.]; the rest of the Music, the Overture, Accompaniments, &c. by Linley [Sen.]. [The scenery by Greenwood {Public Advertiser, 15 Dec). In 1792 this opera was altered by the author as The Algerine Slave.] Public Advertiser, 11 Jan. 1786: This Day is published The Strangers at Home (1s. 6d.). Receipts: #200 1s. (183/6/0; 16/10/0; 0/5/0)

Performances

Mainpiece Title: The Strangers At Home

Performance Comment: Principal Characters by King, Bannister Jun., Barrymore, Dignum, Williames, Phillimore, Bannister; Mrs Wrighten, Mrs Jordan, Miss Field, Mrs Crouch. [Cast from text (Harrison and Co., 1786): Aldobrand-King; Laurence-Bannister Jun.; Montano-Barrymore; Octavio-Dignum; Regnalto-Williames; Fabio-Phillimore; Firelock-Bannister; Roberto-Jones; Alice-Mrs Wrighten; Rosa-Mrs Jordan; Laura-Mrs Forster [i.e. formerly Miss Field]; Viola-Mrs Crouch.] hathi. hathi.
Cast
Role: : Aldobrand Actor: King

Afterpiece Title: All the World's a Stage

Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of The Poor Soldier [John O'Keeffe. Text 1st published in his Dramatic Works, Vol. IV (T. Woodfall, 1798)]. With new Scenes, Dresses, &c. The Airs partly compiled, the new Music, Overture, and all the Accompaniments composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 6 Apr.: Paid O'Keeffe in full for Love in a Camp #105. Receipts: #189 2s. 6d. (175/1/6; 14/1/0)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Event Comment: A Comic Opera (1st time [in London; 1st performed at Venice, 1778]); the music entirely new by Salieri [with additions by Anfossi, Sacchini, Paisiello, Mazzoni, J. Mazzinghi]

Performances

Mainpiece Title: La Scuola De Gelosi

Performance Comment: Principal Characters by Babbini, Tasca, Morigi, Bartolini, Schinotti; Sga Sestini, Sga Sala, Sga Ferrarese del Bene. [Cast from libretto Q. Almon, 1786): Il Conte di Bandiera-Babbini; Blasio-Tasca; Lumaca-Morigi; Il Tenente-Bartolini; Girandola CafTettiere-Schinotti; La Contessa di Bandiera-Sga Sestini; Carlotta-Sga Sala; Ernestina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Performance Comment: , the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England) .
Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Performance Comment: The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister .
Event Comment: Benefit for Sga Sestini. A Comic Opera; the Music by Anfossi. Tickets, 10s. 6d. each, to be had of Sga Sestini, No. 38, Mount-street, Berkeleysquare

Performances

Mainpiece Title: I Viaggiatori Felici; Or, The Happy Travellers

Dance: End of Act I New Divertissement, as17860311but omitted: Mlle Mozon, Fabiani; End of Opera Divertissement Villageois, as17860218, but omitted: Mlle Mozon

Song: Sga Sestini will introduce some favourite songs

Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Event Comment: Benefit for Sga Ferrarese del Bene. A Serious Opera [1st time; SER 2, by Pietro Giovannini]; the Music entirely new by Cherubini. Tickets, 10s. 6d. each, to be had of Sga Ferrarese del Bene, No. 232, Piccadilly

Performances

Mainpiece Title: Giulio Sabino

Performance Comment: Principal Characters by Babbini, Bartolini, Schinotti, Simonetti; Miss Wheeler, Sga Ferrarese del Bene. [Cast from libretto (Stuart and Stevenson, 1786): Sabino-Babbini; Arminio-Bartolini; Annio-Schinotti; Tito-Simonetti; Voadice-Miss Wheeler; Epponina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: As17860311hroughout

Event Comment: A new Serious Opera [1st time; SER 2, librettist unknown; a pasticcio]; the Music by Tarchi [who wrote Rubinelli's part, and by Anfossi, Cherubini, Piccinni]. "Rubinelli is a musician of the first class . . . His voice and his science, though both pre-eminent, are never forced forward beyond their proper rank, which, in a musician, is the rank of subserviency to the feelings. The musician that is not felt is no musician" (Public Advertiser, 6 May)

Performances

Mainpiece Title: Virginia

Performance Comment: Principal Characters by Rubinelli (1st appearance in England), Bartolini, Simonetti, Schinotti; Sga Catenacci, Mme Mara. [Cast from Larpent MS 731: Icilius-Rubinelli; Appius Claudius-Bartolini; Lucius Virginius-Simonetti; Publius-Schinotti; Tullia-Sga Catenacci; Virginia-Mme Mara.] hathi. hathi.

Dance: As17860427 throughout

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: An Harmonic Jubilee

Performance Comment: SCENE I. A Landscape. Tantivy the welkin resounds (composed by Hook) by Mrs Martyr. SCENE II. A View of Gibraltar. The trumpet's hoarse clang (the words by Johnstone; the music by Reeve) by Darley. SCENE III. A Forest. How sweet o'er the woodlands by Johnstone and Davies. SCENE IV. A Camp. Say, bonny lass, will you carry a wallet? by Mrs Kennedy and Mrs Martyr. SCENE V. A Landscape. We three archers be by Brett, Darley, Davies. scene VI. A Cathedral. A Description of the Tombs in Westminster Abbey by Edwin .

Afterpiece Title: The Deserter

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Performance Comment: Principal Characters by Rubinelli, Babbini, Schinotti, Bartolini; Miss Wheeler, Mme Mara. [Cast from libretto (Stuart and Stevenson, 1786): Rinaldo-Rubinelli; Ubaldo-Babbini; Dano-Schinotti; Idreno-Bartolini; Zelmira-Miss Wheeler; Armida-Mme Mara.] hathi. hathi.
Related Works
Related Work: Armida Author(s): Jacopo Durandi

Dance: As17860523 throughout