SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms C White"/1) | (@(roleclean,performerclean) "Ms C White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2714 matches on Event Comments, 1503 matches on Performance Comments, 152 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: With the Stockwell Scenes. [For Stockwell Scenes, see 2 Nov.] Paid Frederick for Sattin #9 11s. 11d., Mrs Gisbitysky for a Lady's white and gold suit of cloaths #9 9s., and Mrs Barbaroux for gilt lea[the]r as per bill #2 9s. (Account Book). Receipts: #185 19s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Paid Cooper (printer) #42 8s., and Mrs Lynn for a Lady's white and gold Flower'd suit of Cloaths #12 12s. (Account Book). Receipts: #141 16s

Performances

Mainpiece Title: The Fox

Afterpiece Title: Harlequin Sorcerer

Event Comment: The New Tragedy of Alzuma oblig'd to be deferr'd on account of Indisposition of Miss Miller. Paid Mrs Friar for a Lady's white & Silver tissue suit of cloaths with coloured flowers #7 (Account Book). Receipts: #162 19s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: New Dance, as17730206

Event Comment: Mrs King from the York Theatre made her first appearance on this stage in Rosalind. She is very Tall and would look well enough if she did not paint her face so much with white and Red. She has a course Voice-and does not speak very Naturally. She was received with great applause (Hopkins Diary). [Genest, V, 479, suggests Mrs King was used to offset and upset Miss Younge.] Paid Watch tax and Beadle for half a year #18 15s.; Mr Levy Fredrick bill for silks #154 1s. 6d. Receipts: #132 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Harlequin's Jacket

Dance: I: The Irish Fair, as17751003

Event Comment: Benefit for Mons and Mme Simonet. Public Advertiser, 28 Mar.: Tickets to be had of Simonet, at Leary's, near the White Bear, Piccadilly

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Heureux, as17770104; End II: Divertisement-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: New Ballet (composed by Simonet)-Simonet, Mlle Baccelli, Mlle DeCamp, Sg and Sga Zuchelli; in which, particularly a grand Chaconne in two Parts, habille en homme-Mme Simonet

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the doors will not be admitted. Public Advertiser, 12 May: Tickets to be had of Condell, Cross-court, Duke's-court, Bow-street, Covent Garden; of Evans at Bromfield's, Trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, White-friars. Receipts: #259 5s. (53.3; tickets: 206.2) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Comus

Dance: As17780507

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Irish Widow

Dance: As17821005

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Characters by Quick, Farren, Bonnor, Wewitzer, Davies, Kennedy, Fearon, Stevens, Cubitt, Bates, Thompson; Mrs Webb, Mrs White, Mrs Wilson. [Partial cast suggested by Genest, VI, 359: Sir Fretful Plagiary-Quick; Sneer-Farren; Puff-Bonnor; Don Ferolo Whiskerandos-Wewitzer; Dangle-Davies; Mrs Dangle-Mrs Webb; Tilburina-Mrs Wilson.] hathi. hathi.
Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Event Comment: "[Mrs Siddons's] dress was a French grey satin gown, trimmed with dark sage coloured ribbon, edged with steel, white satin petticoat covered With tiffany, and trimmed With the same as the gown, a girdle of the same colour, a dark sage coloured cane hat ornamented with feathers and edges with gold, with a band of gauze and large bows, the ends fastened to the waist" (Daily Universal Register, 4 Oct.). Receipts: #302 2s. (281.18.0; 19.6.6; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Catherine and Petruchio

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Event Comment: Benefit for Jones. Tickets to be had of Jones at the White Horse, Parson's Green; at the King's Arms, Fulham; Ship, Fulham; and the George, Walham Green. Afterpiece: It is hoped that the greatest Attention will be paid, as it is impossible for the Company to cogitate throughtout the Cogibundity of Cogitations, unless the most profound Profundity of Thought is observed. Pit 2s. Gallery 1s. Good Fires in the Pit

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Chrononhotonthologos

Entertainment: Monologue. End: the tale of Edwin and Emma-Jones

Event Comment: [Mainpiece in place of The Foundling, advertised on playbill of 12 Feb.] Powell: Alexander 's car was completed, and drawn by two elephants, and accompanied by Darius ' car, drawn by three white horses, and another car laden with trophies, drawn by soldiers all of which [were] totally covered with burnished gold and silver...The Procession was still but indifferently conducted. New Ballet rehearsed at 12. Morning Chronicle, 18 Oct. 1794: Two hundred soldiers are to be employed in the spectacle; each of their dresses is estimated at #5. Account-Book: Paid Miller in full for music in Alexander the Great #30. Receipts: #263 11s. (173.16.6; 86.13.0; 3.1.6)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Alexander the Great

Event Comment: Oracle, 2 Feb.: Mrs Siddons wore a dress "wholly composed of white muslin, with a zone of jewels." Account-Book:Paid Barratt, Sperm Oil and Candles to 25th Inst. #125 5s. Receipts: #302 19s. 6d. (296.9.6; 6.10.0)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin Captive

Event Comment: The Publick is most respectfully informed that on account of the sudden Indisposition of a Principal Performer, the new Tragedy of The Conspiracy [advertised on playbill of 11 Nov.] is obliged to be deferred. "A new tragedy, entitled The Conspiracy, written by Mr Jephson, was announced for representation on Saturday evening; but (as the apology stated) on account of the indisposition of a principal performer, The Grecian Daughter was substituted in its room. All the principal performers advertised for the new play having, however, appeared in The Grecian Daughter, it is supposed, and generally understood, that it was the interference of the Lord Chamberlain's interdiction (who, by the mighty virtues of his white wand, valiantly frustrated the meditated Conspiracy), that produced the sudden change of performance" (Morning Herald, 14 Nov.), Receipts: #256 7s. 6d. (167.6.6; 84.11.0; 4.10.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performances

Mainpiece Title: Croesus

Music: As17140123

Performances

Mainpiece Title: The Way Of The World

Dance: Desnoyer, Signiora Barberini; Also Mechell, Mlle Mechell

Performances

Mainpiece Title: The Double Gallant

Dance: SScots Dance-Glover, Mlle Roland; Miller and His Wife-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland; The Swiss-Mechell, Mlle Mechell

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Pan and Syrinx

Dance: HHarlequin Dance-Mechel, Mlle Mechel

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Nancy

Dance: LLe Bergeres Fidelle-Villeneuve, Miss Oates; Comic Ballet-Villeneuve, Miss Oates; Yorkshire Maggot-Haughton, Mlle Roland

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Dragon of Wantley

Song: In I: Une Chanson apres la Maniere Francoise-Mons Salway; IV: The Cries of London-Salway

Dance: III: Les Matelots-Mechel, Mlle Mechel