Event Comment: Mainpiece: Not acted these 7 years [not acted since 18 Sept. 1778. Mrs Brooks is identified in Reed, p. 145]. "Miss George spins around every fifteen seconds like a top, and then runs to the back of the stage. She too is very apt to stay at the back of the stage. She knows when it is her turn to speak, joins the party, speaks, spins, and away again! Pray, Miss George, sometimes do your friends the favour to stay amongst them, and attend to what is going forward" (Morning Chronicle, 24 July)

Event Comment: Benefit for Mr and Mrs Bernard. 2nd piece [1st time in London; M. INT 2, by John Bernard, 1st acted at Bath, 18 Apr. 1786. Music by William Boyton. Larpent MS 732; not published]: By Permission of the Bath Managers [William Keasberry and William Wyatt Dimond]. Receipts: #189 15s. (76.9; 1.16; tickets: 111.10)

Event Comment: The Last time of Mrs Siddons's Performance this Season. Receipts: #363 13s. 6d. (316.11.6; 44.1.0; 3.1.0)

Event Comment: Benefit Fairbank and Mrs Finch

Event Comment: Benefit Willcocks, White, Mrs Hollyday, Miss Smythies. Receipts: money #14 5s.; tickets #156 16s

Event Comment: Benefit Mrs Phillips. At the Playhouse on the Bowling Green. The plays to be acted gratis. The Doors to be open'd at Four, and to begin precisely at Seven

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 3 years. Receipts: #277 0s. 6d. (128.7.0; 27.4.6; 1.4.0; tickets: 120.5.0) (charge: #68 8s. 1d.)

Event Comment: Benefit Mrs Chambers. Receipts: money #49 1s.; tickets #99 15s

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Event Comment: Benefit Mrs Cross and Mrs Vincent. Receipts: money #30 14s.; tickets #100 10s

Event Comment: Benefit Kelly, Gwinn, Mrs Harrison. Receipts: money #18 3s. 6d.; tickets #171 19s

Event Comment: Benefit Hild. Bullock and Mrs Wall. Receipts: money #27 15s. 6d.; tickets #67 9s

Event Comment: Benefit Moreau, Mrs Moreau, Papillion. Receipts: money #36 5s.; tickets #59 1s

Event Comment: Benefit DuPre and Mrs Pelling. By Command of his Royal Highness. Receipts: money #43 6s. 6d.; tickets #93 9s

Event Comment: Benefit a Gentlewoman [Mrs Steed] and her Daughter. At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Receipts: money #20 16s.; tickets #104 8s

Event Comment: Benefit Mrs Horton. Mainpiece: Written by the late Sir John Vanbrugh

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)