Event Comment: Mainpiece: Not acted these 4 years. [See 11 Apr. 1746.] Receipts: #150 (Cross); #119 8s. 6d. (Powel)

Event Comment: Afterpiece: Not acted in 10 years. With Proper Decorations. [See 28 May 1742.] Paid Tallow Chandler #19 6s. 5d.; Paid Mr Beard on order of Lacy #10 10s.; Paid to Supers for practice of Rehearsal 4s. (Treasurer's Book). Receipts: #100 (Cross); #105 (Treasurer's Book)

Event Comment: No persons to be admitted behind the scenes nor any money to be returned after the Curtain is drawn up. [A customary notice throughout the remainder of the season until benefit time.] Tomorrow (not acted these two years) Jane Shore. The part of Alicia to be attempted by Miss Jane Cibber, being her first time of appearing upon that stage these two years. Receipts: #40 (Cross)

Event Comment: Mainpiece: Not acted these two years. [See 4 April 1749.] Miss Jane Cibber play'd Alicia-quite in old style, not lik'd at all, tho' not hiss'd-given out again and great hiss'd & so not done ($Cross). [The Author of the Midwife (No 1, final Page) reported]: Now I am speaking of Miss Cibber, I must do her the justice to observe that she play'd the part much better than cou'd be expected from one of her years and practice; and if a proper regard is paid to her modesty and Merit, I make no doubt she will become an exceeding good player. Receipts: #130 (Cross)

Event Comment: Benefit for Stede, Cushing, Redman and Bennet. Mainpiece: Not acted these seven years. [See 21 April 1748.

Event Comment: Benefit for Lowe. Mainpiece: By Particular Desire. Not acted these 6 years. [See 27 March 1750.

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Event Comment: Benefit for Wood, sub-treasurer and Widow Cross. No building on Stage. Mainpiece: Not acted these 7 years. [See 5 Dec. 1755.

Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 40 years

Event Comment: hay Benefit for Sheridan. Mainpiece: As written by Mr Brooke, not acted these eight years

Event Comment: Benefit for King. King Played Bayes by desire and for the only time this season (Genest, V, 300). Part of Pit laid into Boxes. Mainpiece: Not acted in three years. [See 25 April 1767.

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Event Comment: Benefit for Peile. Mainpiece: Not acted these 6 years. Tickets delivered by Dagueville will be taken. Public Advertiser, 1 May and 27 Apr.: Tickets to be had of Peile at his house in North-street, Westminster; of Dagueville, Bow-street, Covent Garden. Receipts: #149 2s. 6d. (56.14.6; tickets: 92.8.0) (charge: #105)

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #199 12s. (192.19; 6.13)

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre. [On this night Burton and Phillimore acted in the mainpiece at dl and in the afterpiece at the hay.

Event Comment: Afterpiece: Not acted these 6 years. Receipts: #174 6s. 6d. (129.15.0; 44.9.0; 0.2.6)

Event Comment: Afterpiece: Not acted these 2 years. Receipts: #236 8s. 6d. (188.4.0; 47.16.6; 0.8.0)