SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Long"/1) | (@(roleclean,performerclean) "Mrs Long")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23329 matches on Performance Comments, 4489 matches on Event Comments, 4208 matches on Performance Title, 18 matches on Roles/Actors, and 9 matches on Author.
Event Comment: Mrs Thompson's Night. Ninth Night of the Subscription

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: Parts-Reinhold, Phillips, Mrs Thompson.
Event Comment: Mrs Abington Ill. Maid of the Oaks deferr'd. Paid Everard on note #30. Receipts: #221 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: As17751114, but Lady Elizabeth Gray-Mrs King; first time, and Original Epilogue-_.

Afterpiece Title: The Jubilee

Event Comment: [Mrs Lloyd is identified in playbill of 18 Aug. She has "the name of Lloyd, but [is] better known by the name of Mrs C@@we (who played several parts at the military theatre of Boston in America about two years ago)" (Morning Post, 16 July).

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Palmer; Old Philpot-Parsons; Sir Jasper-Massey; Young Wilding-R. Palmer; Beaufort-Wood; Quildrive-Stevens; Dapper-Jackson; Maria-A Young Gentlewoman (1st appearance on any stage [Mrs Lloyd]).Mrs Lloyd]).

Dance: As17790531

Event Comment: [Mrs Cargill was from cg.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Comus

Performance Comment: As17800624 but Euphrosyne, Principal Bacchant-Mrs Cargill (late Miss Brown; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: Benefit for Mrs Wrighten. Mainpiece: Not acted these 2 years. Receipts: #291 10s. 6d. (84.10.0; 7.2.0; 0.14.6; tickets: 199.4.0) (charge: none listed)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Mrs Lovemore-Miss Farren (1st appearance in that character); Muslin (1st time)-Mrs Wrighten; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Widow Belmour (with a song in character)-Mrs Abington.

Afterpiece Title: The Camp

Cast
Role: Nell Actor: Mrs Wrighten

Dance: End: The Butterfly, as17800921

Song: Between the Acts: Tally Ho!-Mrs Wrighten

Performance Comment: -Mrs Wrighten.
Cast
Role: i> Actor: Mrs Wrighten.
Event Comment: [Mrs Roope is identified by MS annotation on Kemble playbill.] Receipts: #164 6s. (162/5; 2/1)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson; Gloster-Hull; Bastard-Aickin; Kent-Clarke; Albany-L'Estrange; Cornwall-Thompson; Burgundy-Robson; Physician-Baker; Gentleman Usher-W. Bates; Edgar-Lewis; Goneril-Miss Platt; Regan-Miss Ambrose; Arante-Miss Stuart; Cordelia-A Lady (1st appearance on any stage [Mrs Roope]) .Mrs Roope]) .

Afterpiece Title: The Jovial Crew

Performance Comment: Vincent-Mattocks; Hearty-Reinhold; Hilliard-Davies; Old Rents-Booth; Springlove-Whitfield; Oliver-Robson; Justice Clack-Quick; Meriel-Mrs Martyr; Amie-Miss Stuart; Rachel-Miss Catley .
Cast
Role: Meriel Actor: Mrs Martyr

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

Event Comment: [Mrs Barnes was from CG.] Receipts: #252 15s. (234/3; l8/7; 0/5)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17821108, but Alicia-Mrs Barnes (1st appearance on that stage) .
Cast
Role: Alicia Actor: Mrs Barnes
Role: Jane Shore Actor: Mrs Siddons

Afterpiece Title: The Alchymist

Cast
Role: Doll Common Actor: Mrs Hopkins
Event Comment: [Mrs Siddons's 1st appearance as the Duchess of Braganza was at Bath, 8 Feb. 1780.] Receipts: #239 10s. (216/12/0; 22/0/6; 0/17/6)

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Performance Comment: Captain Wilson-Bannister; Captain Greville-Dignum; Tipple-Suett; Justice Benbow-Packer; Kilderkin-Chaplin; Ned-Phillimore; Putty-Alfred; Major Benbow-Parsons; Eliza-Mrs Crouch .
Cast
Role: Eliza Actor: Mrs Crouch
Event Comment: [Mrs Jordan's 1st appearance as Miss Lucy was at the Crow Street Theatre, Dublin, 3 Nov. 1779.] Receipts: #237 8s. 6d. (192/13/0; 42/9/0; 2/4/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Heiress

Cast
Role: Miss Alton Actor: Mrs Crouch
Role: Mrs Blandish Actor: Mrs Wilson
Role: Mrs Sagely Actor: Mrs Booth

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Barrymore; Goodwill-Packer; Thomas-Phillimore; Miss Lucy-Mrs Jordan (1st appearance in that character [in London]) .in London]) .
Cast
Role: Miss Lucy Actor: Mrs Jordan
Event Comment: "Mrs Crouch being suddenly indisposed, an apology was made for her absence" (Public Advertiser, 31 Mar.). Received Oratorio Rent at #28 a night, #308

Performances

Mainpiece Title: Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Principal Vocal Parts-Mrs _Crouch.

Song: In Part III: I know that my Redeemer liveth-Mme Mara

Event Comment: [Mrs Henry is identified in European Magazine, Feb. 1788, p. 106.] Receipts: #218 15s. (210.2; 8.13)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17871107, but Beatrice-A Young Lady (1st appearance on any stage [Mrs Henry]).Mrs Henry]).
Cast
Role: Hero Actor: Mrs Inchbald

Dance: As17871107

Event Comment: [Mrs Siddons had 1st recited the Monody at Bath, 1 May 1779.

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Performance Comment: Recited (1st time in London)-Mrs Siddons; The Music by Linley Sen?.-; To conclude with God save Great George our King-.
Cast
Role: Recited Actor: Mrs Siddons

Music: As17890311

Event Comment: [Mrs Vernon is identified in Oracle, 31 Jan. Author of Address unknown.] Receipts: #227 2s. (222.9; 4.13)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17901211, but Lucinda (1st time)-Miss Francis; Rosetta-A Lady (1st appearance on any stage [Mrs Vernon]).Mrs Vernon]).
Cast
Role: Deborah Actor: Mrs Pitt
Role: Madge Actor: Mrs Wells

Afterpiece Title: The Picture of Paris

Dance: End II: The Wapping Landlady, as17901204

Entertainment: Monologue Preceding: an Occasional Address-Harley

Event Comment: [Mrs King was from the Stamford theatre.

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Performance Comment: Vapour-Farley; Gossip-Suett; Souffrance-Caulfield; Sir Matthew Medley-Davenport; Woodley-Trueman; Waiter-Chippendale; Servant-Atkins; Charlotte-Miss Gaudry; Florella-Mrs King (1st appearance on this stage).
Cast
Role: Florella Actor: Mrs King
Event Comment: The United Company. Lord Ashburnham's Diary: I went to the Play (the Rehearsal) where there was a great deal of company (Ashburnham MS 932; see 14 Dec. 1686). The play was reprinted in 1687. Cibber, Apology (ed. Lowe, I, 167): People were so fond of seeing her [Mrs Mountfort] a Man, that when the Part of Bays in the Rehearsal had for some time lain dormant, she was desired to take it up, which I have seen her act with all the true coxcombly Spirit and Humour that the Sufficiency of the Character required

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Mrs Mountfort may have played Bayes early as 1687.
Event Comment: At Mr Gibbin's and Mrs Violante's Great Booth

Performances

Mainpiece Title: Entertainments

Performance Comment: Mrs Violante.
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Mrs Pitt, Booth & L'Estrange. Morning Chronicle, 7 May: Tickets to be had of Mrs Pitt, James-street; of Booth, No. 35, Brownlow-street, Long-acre; of L'Estrange, Bolton-street, Long-acre. Tickets delivered for Elfrida will be taken. Receipts: #161 15s. 6d. (45.8.6; tickets: 116.7.0) (charge: #91 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: As17770414, but Sigismunda-Mrs Hartley (1st appearance in that character).
Cast
Role: Sigismunda Actor: Mrs Hartley

Afterpiece Title: The Country Mad-Cap

Performance Comment: As17770414, but Mrs Midnight-Mrs Booth.

Dance: End: As17770218

Song: End I: a new air in the Scotch Taste (composed by Dr Arne)-Mrs Farrell

Event Comment: Benefit Davenport and Mrs Shireburn. Mainpiece: Alter'd from Moliere by Mr Betterton. [Tickets at Davenport's in Brownlow Street.

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: See17321128, but Wanton Wife-Mrs Heron; Barnaby-Griffin; Merryman-Harper; Clodpole-Miller; Sir Peter-Johnson; Lovemore-A. Hallam; Cunningham-Roberts; Jeffery-Oates; Lady Pride-Mrs Willis; Philadelphia-Miss Holliday; Prudence-Mrs Grace; Widow-Mrs Shireburn.
Cast
Role: Wanton Wife Actor: Mrs Heron
Role: Lady Pride Actor: Mrs Willis
Role: Prudence Actor: Mrs Grace
Role: Widow Actor: Mrs Shireburn.

Afterpiece Title: The Mock Countess

Dance: II: Irish Trot-a Youth of Ten, scholar to Davenport; III: Dutchman and his Wife-Davenport, Miss Price; IV: Long Whitson Holiday-Davenport, Miss Price; V: Les Bergeries-Essex, Haughton, Miss Robinson

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Johnston; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Tibalt-Claremont; Paris-Toms; Montague-Davenport; Balthazar-Abbot; Peter-Rees; Friar John-Thompson; Apothecary-Simmons; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Spencer.
Cast
Role: Lady Capulet Actor: Mrs Platt
Role: Nurse Actor: Mrs Davenport
Role: Juliet Actor: Mrs Spencer.

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: Benefit for Wild. 1st piece: Not acted these 12 years. [acted 23 Feb. 1784]. 2nd piece [1st time; M. INT 1]. Morning Herald, 20 May: Tickets to be had of Wild, No. 34, Long-acre. Receipts: #274 12s. (149.10; 9.7; tickets: 115.15)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony (Emperor of Rome)-Holman; Ventidius (the Roman General)-Harley (Their 1st appearance in those characters); Dollabella-Farren; Alexas-Davies; Serapion (Priest of Isis)-Hull; Cleopatra (Queen of Egypt)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appearance in those characters).
Cast
Role: Octavia Actor: Mrs Pope

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Rosina

Cast
Role: Dorcas Actor: Mrs Pitt.
Role: Phoebe Actor: Mrs Martyr
Role: Rosina Actor: Mrs Billington.
Role: Miss Fuz Actor: Mrs Lewis
Role: Sweepers Actor: Mrs Powell, Mrs Davenett
Role: Lady Fuz Actor: Mrs Webb
Role: Rhodope Actor: Mrs Martyr.

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

Event Comment: Benefit for Wild. 1st piece: Written originally by Shakspeare [see E. K. Chambers,@William@Shakespeare, 1930, I, 539-42], and revised by Theobald. Not acted these 26 years [acted 6 May 1767. Hoy is identified in Not. Dram.]. 2nd piece [1st time; P 1, by Mark Lonsdale; music by William Reeve. Not in Larpent MS; not published]: Being partly new, and partly selected from the much admired Pantomimes of the Rival Knights, Provocation, &c. &c. Oracle, 26 May: Tickets to be had of Wild, No. 31, Long-Acre. Receipts: #188 15s. (47.5; 7.16; tickets: 133.14)

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Performance Comment: Julio-Holman; Duke Angelo-Harley; Roderick-Davies; Camillo-Munden; Shepherd-Blanchard; Don Bernard-Powel; Master of the Flock-Cubitt; Henriquez-A Gentleman (1st appearance on any stage [Hoy]); Violante-Mrs Wells; Leonora-Mrs Pope.
Cast
Role: Violante Actor: Mrs Wells
Role: Leonora Actor: Mrs Pope.

Afterpiece Title: Tippoo Saib; or, British Valour in India

Performance Comment: English Colonel-Byrne; Lieutenant-Farley; Old Corporal-Rayner; General-Cranfield; Tippoo Saib-Follett; Ghazidy Cawn-Ratchford; Indian (with a song in character)-Bannister; Colonel's Lady-Miss Francis; Indian Women-Mrs Watts, Mrs Ratchford, Mrs Invill; Orra (with a song in character)-Mrs Mountain.

Afterpiece Title: Barnaby Brittle

Performance Comment: Barnaby Brittle-Quick; Clodpole-Cross; Sir Peter Pride-Cubitt; Lovemore-Davies; Jeremy (1st time)-Blanchard; Lady Pride-Mrs Pitt; Damaris-Miss Stuart; Mrs Brittle-Mrs Mattocks.
Cast
Role: Lady Pride Actor: Mrs Pitt
Role: Mrs Brittle Actor: Mrs Mattocks.

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: Mrs Haller Actor: Mrs Siddons
Role: Countess Wintersen Actor: Mrs Goodall
Role: Annette Actor: Mrs Bland
Role: Maid Actor: Mrs Jones

Afterpiece Title: The Prize

Cast
Role: Juba Actor: Mrs Roffey
Role: Mrs Caddy Actor: Miss Tidswell

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.

Afterpiece Title: The Devil to Pay

Performance Comment: Nell-Mrs Phillips never here before; Jobson-Dove; Lady Loverule-Mrs Bambridge; Sir John-Blogg.

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: Benefit for Mr and Mrs Dunstall, Mrs Lampe and Miss Young. Mainpiece: Not acted these 3 years [see 4 Feb. 1746]. Tickets to be had at Lampe's, the Sign of the Holy Lamb, Drury Lane, near Long Acre; at Dunstall's in Hunt's Court, Castle St., Leicester Fields; and at the Stage Door. Afterpiece: Words by Shakespeare, Music by Lampe

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Worthy-Ryan; Sir Charles-Giffard; Flip-Dunstall; Beau Mizen-Cibber; Arabella-Mrs Dunstall; Rovewell-Gibson; Easy-Storer; Cribbige-Anderson; Purser-Paget; Belinda-Mrs Bland; Jenny Private-Miss Young; Jiltup-Miss Copen; Advocate-Miss Ferguson; Barmaid-Miss Haughton; Sailors-Morgan, James, Collins, Bencraft; Fair Quaker-Mrs Hale; In II, the Famous Song of Ninety Two-Beard; In III, Hornpipe-Oates.
Cast
Role: Arabella Actor: Mrs Dunstall
Role: Belinda Actor: Mrs Bland
Role: Fair Quaker Actor: Mrs Hale

Afterpiece Title: Pyramus and Thisbe

Performance Comment: Pyramus-Beard; Moonshine-Roberts; Lion-a Gentleman; Thisbe-Mrs Lampe; the whole to conclude with the Last New Dance call'd Foote's Vagaries-.
Cast
Role: Thisbe Actor: Mrs Lampe

Song: I: Duet-Mrs Lampe, Miss Young; IV: Myself I Shall adore by Handel-Mrs Lampe