Event Comment: Benefit for Pritchard. Afterpiece: By Particular Desire, and the last time of performing it. Tickets and places to be had of Pritchard at his House in Duke's, late Earl's Court, Bow Street, Covent Garden, and of Hobson at the stage Door. Ladies are Desired to send their Servants by three o'clock. Receipts: #200 (Cross); charges, #63 (Powel)

Event Comment: Last time of performing till the Holidays. By Desire. Paid for a White work'd Waistcoat #1 11s. 6d.; Salary list #305 5s. 6d.; Norton 3 chorus 15s.; Mrs Hobson a bill 16s. (Treasurer's Book). Receipts: #80 (Cross); #81 15s. (Treasurer's Book)

Event Comment: By His Majesty's Command. Benefit for Mlle Auretti. King an Princess Emilia [attended] (Cross). Tickets and places to be had of Mlle Auretti at the second house on the left hand, the Corner Panton St., in Leicester Fields, and of Hobson at the stage door. [Pit and boxes laid together and Amphitheatre on stage, as on 10 March.] Paid salary list #203 7s. (Treasurer's Book). Receipts: #280 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Benefit for Master Mattocks and Mlle L'Contri. Paid Salary List #296 10s. 6d.; Mrs Hobson a bill 3s. (Treasurer's Book). [The George Garrick Treasurer's Book breaks off at this point. It records for 165 nights, a total income of #17,296 9s. as against a total outlay of #12,055 14s. 5d. Cross, who jots down receipts in round figures, and is almost always high, indicates the income from the 164th to the 174th and last night to be #1,446, but since all except one night (11 May) were benefits, the theatre probably received only about #800 (At #63 per benefit). Total income for this season is estimated to be, therefore, #18,096 9s. It is difficult to estimate end of season expenditures. At least #789 10s. 6d. went out in the three final pay days of the season and probably another #500 went out in bills before the books were closed at Midsummer. From this it appears that the profits to the managers that year came to about #4,600.] This day is Publish'd The Actor at 3s. In One Volume (dedicated to the Managers of the British Theatre. A treatise on the art of playing, interspersed with theatrical anecdotes, critical remarks on plays and occasional observations on audiences Printed for R. Griffiths (General Advertiser). Receipts: #120 (Cross). [Income missing from Treasurer's Book.

Event Comment: Benefit for Miss Norris. Tickets of Miss Norris at Mr Jackson's Habit warehouse Tavistock St., and of Hobson at the Stage Door. Tickets deliver'd out for 30 March will be taken. [Advance publicity for Havard's Benefit, Inspector No 29: I have said in a former paper, that those who have not seen Alfred, have yet to see Mr Garrick in a character in which he excells everything that has been attempted in one of the noblest Roads of Tragedy. I shall add to it on this occaison, that those who have not yet seen Alfred will have a pleasure from it greater than they can receive from the best dramatic performance they are already acquainted with' (London Advertiser and Literary Gazette).] Receipts: #180 (Cross)

Event Comment: Benefit Delane. Tickets to be had at Delane's Lodgings, in Queen's Court, King St., Covent Garden; Places to be taken for Boxes of Hobson at the stage door of the theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Event Comment: Mainpiece: By Particular Desire. Afterpiece a new Pastoral English Opera set to Music by Mr DeFesch. Tickets to be had at DeFesch's Lodgings, the Ironmonger's in St Martin's Court, Leicester-Fields; and of Hobson at the stage door. Tickets deliver'd out for As You Like It by Mr DeFesch will be taken

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Event Comment: By Particular Desire. Paid salary list #305 15s. 6d.; Mrs Hobson a bill 14s. 9d.; Paid Mr Mattocks as per order #1 1s.; Paid Mr Cartony for 12 yds. silver lace #9 12s.; Bought 12 lbs. Lampwicke #1 (Treasurer's Book). Next Monday will be reviv'd a Comedy (not acted these 30 years) call'd Friendship in Fashion, written by Otway. Receipts: #160 (Cross); #162 6s. (Treasurer's Book). Daily Advertiser: To Mr W-d, Sir, After the many defeats you have already suffer'd in the Mimical War between us, to which Ireland as well as England have been laughing witnesses; I was greatly surpris'd to hear that you again intended to provoke my future vengeance, by dressing at me in the character of Malagene, which you are to perform in the reviv'd play Friendship in Fashion. Whatever you may think, Mr W-d, these public exhibitions of particular persons by no means become the dignity of the stage, & though a disorder in my Finances may occasionally have urged me to some Pleasant attacks in this way, yet give me leave to say, I never was abandoned enough to think 'em justifiable...Your intended attack on me...as the character you are to represent is...indeed not that of the most nice Morality; who knows but that...some may cry, "Tis he from head to Foot." As you are sensible this would be doing me great Injustice, & in my present circumstances might be particularly injurious to me, I expect you will alter the Design

Event Comment: Benefit for ye Author. An apology made for Mrs Pritchard's hoarseness (Cross). Paid Calthorpe, makes 85 nights, #52 10s.; Paid Mrs Hobson for a tub 5s.; Norton 6 chorus #1 10s. (Treasurer's Book). Receipts: #180 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Benefit for the prisoners confined in the Marshalsea Prison, Southwark. Being their first application of this kind. Tickets to be had at The Marshalsea Prison, and of Hobson at the stage door. Receipts: #170 (Cross)

Event Comment: Benefit for Sowdon. Ladies send servant by three. Tickets at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and of Hobson at the stage door. Receipts: #230 (Cross)

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Event Comment: Benefit for Pritchard (Treasurer). Tickets and places to be had of Pritchard, at his house next the chapel in Great Queen St., Lincoln's Inn Fields, and of Hobson at the stage door. Mainpiece: By Particular Desire. The Triumphal Entry of the King will be as usual. Receipts: #200 (Cross)

Event Comment: BBrooks dead and remov'd from Salary list. Smith in his place. Paid Solomon Samuel for a suit of crimson velet and a blue damask'd waistcoat silver lac'd #4 4s. Salary list 4 days #203 7s. Norton 6 Chorus #1 10s. Mrs Hobson a bill 16s. (Treasurer's Book). Receipts: #180 (Cross); #173 7s. (Treasurer's Book)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Event Comment: Mainpiece: 32nd Night [i.e. in continuation, erroneously, of the reckoning for the preceding season, when it was acted 28 times]. With new Music, Scenes, Dresses, and Decorations. The Music (with a few Exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. "Covent-garden is the National Theatre. I was there on 10th Dec. and saw an opera called The Woodman. It was the very day on which the life story of Madam Billington, both from the good as well as from the bad sides was announced [i.e. Memoirs of Mrs Billington, and An Answer to the Memoirs of Mrs Billington, both anonymous, both predated 1792]...She sang rather timidly this evening, but very well all the same. The first tenor [Incledon] has a good voice and quite a good style, but he uses the falsetto to excess. He sang a trill on high C and ran up to G. The 2nd tenor [Johnstone] tries to imitate him, but could not make the change from the falsetto to the natural voice, and apart from that is most unmusical...But the cast is entirely used to him. The leader is Herr Baumgartner [sic], a German who, however, has almost forgotten his mother-tongue. The Theatre is very dark and dirty, and is almost as large as the Vienna Court Theatre. The common people in the galleries of all the theatres are very impertinent; they set the fashion with all their unrestrained impetuosity, and whether something is repeated or not is determined by their yells. The parterre and all the boxes sometimes have to applaud a great deal to have something good repeated. That was just what happened this evening, with the Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went on for nearly a quarter of an hour, till finally the parterre and the boxes won, and they repeated the Duet. Both the performers stood on the stage quite terrified, first retiring, then again coming forward. The orchestra is sleepy" (Haydn, 273-74). Receipts: #194 11s. (191.8; 3.3)