Event Comment: Not performed for 12 years. [See 5 Nov. 1746.] Mossop, Palmer, Miss Macklin, Mrs Davies, Miss Pritchard played parts for first time. Receipts: #100 (Cross).; #114 10s (Winston MS 8)

Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Mrs Hunter. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 7th and by L'Estrange will be taken

Event Comment: [As mainpiece the playbill announces the 6th night of Better Late than Never (see 29 Dec.), but it was not acted. Kemble Mem. and Account-Book both list the substitute play, the former stating that "Mrs Jordan being ill, Mrs Goodall acted Viola."] Receipts: #122 5s. (84.18; 33.14; 3.13)

Event Comment: Benefit Mrs Cowley. Tickets for benefit of Barcock taken also

Event Comment: At the particular Desire of several Ladies of Quality. Benefit Mrs Hervey and Miss Pattison. Written by Mr Farquhar

Event Comment: MMasque with a Prologue, for ye Benefit of Mrs Foster, Grand Daughter to Milton & his only surviving Descendant (Cross). [For Prologue, see Gentleman's Magazine April 1750.] Rec'd cash #76 6s., plus #71 4s. from tickets. Total #147 4s. 6d. Paid for 1!2 year New River Water #1; Paid 1!2 year's scavanger's tax to Lady Day #3 14s. 6d.; Norton 4 Chorus #1 (Treasurer's Book). Tickets deliver'd for the 4th will be taken. Receipts: #150 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Benefit for Anderson, Miles, Mrs Gondou. There will be no Building on the stage. Tickets sold at the door will not be admitted

Event Comment: Two days ago a Letter [price 1s.] came out to Miss Nossiter in which Mrs Cibber is abu'd & tother greatly extoll'd. The Author has also fell foul upon Mr Murphy author of Gray's Inn Journal. It is wrote by one Morgan an Irish Gent: High words has pass'd at ye Bedford Coff. H. between him and Murphy & 'tis thought a Duel will be ye Consequence (Cross). [See The Authorship of a Letter to Miss Nossiter, Shakespeare Quarterly, January 1952, p. 69.

Event Comment: Benefit for Weston and Mrs Daly. Tickets to be had of Mrs Daly at Mr Allen's in Great Suffolk St., near the Haymarket; and of Mr Weston, in Monmouth Court, Hedge Lane, Charing Cross

Event Comment: Benefit for Mrs Bulkley. Afterpiece: Never Perform'd There. Charges #64 5s. Balance to Mrs Bulkley #26 13s. 6d. plus #90 18s. in tickets (Box 252; Pit 186). Receipts: #90 18s. 6d. (Account Book)

Event Comment: [Lady who played Mrs Oakly identified as Mrs Hunter by Hopkins MS Notes.

Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Event Comment: Benefit for Waldron and Mrs Greville. Mainpiece: Not acted these 3 years. [See 23 April 1772.] Mrs Greville Sir Harry Wildair very bad (Hopkins Diary). Receipts: #58 4s. Charges: #65 19s. Deficit to Waldron and Mrs Greville: #7 15s. (Treasurer's Book)

Event Comment: Benefit for Mrs Wells. Morning Herald, 22 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Mainpiece: Not acted these 2 years [not acted since 24 Apr. 1779]. Receipts: #172 2s. 6d. (64/16/0; 26/7/6; 0/6/0; rickets: 80/13/0) (charge: #108 4s. 2d.)

Event Comment: Benefit for Mrs Barnes. Morning Herald, 15 Apr.: Tickets to be had of Mrs Barnes, No. 21, Crown-street, Westminster. Receipts: #134 11s. 6d. (69/3/6; tickets: 65/8/0) (charge: #105)

Event Comment: Benefit for Mrs Hunter. Tom Thumb [announced on playbill of 19 May] is unavoidably obliged to be changed, on account of Mrs Kennedy's Indisposition. Receipts: #170 17s. 6d. (77/15/6; tickets: 93/2/0) (charge: #105)

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Event Comment: [In afterpiece the playbill assigns Euphrosyne to Mrs Crouch, but "illness prevented, and Mrs Bland...undertook the part" (Thespian Magazine, Nov. 1792, p. 125). Mrs Crouch is also listed as one of the Bacchants.] Receipts: #225 8s. 6d. (167.5.6; 57.7.0; 0.16.0)

Event Comment: [For Mrs Cary see 4 and 10 Oct.]

Event Comment: Benefit for Mrs Pope. 1st piece: Not acted these 5 years. Morning Chronicle, 15 Mar.: Tickets to be had of Mrs Pope at her house, Half Moon-street, Piccadilly. Receipts: #412 14s. (255/19; 6/18; tickets: 149/17)

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Event Comment: Benefit Mrs Sandham and Mrs Pullen. Afterpiece: A Pastoral Ballad of one Act. [Author not known. Apparently not published.

Event Comment: Benefit for Chapman, Mrs Dyer, Miss White, and Miss Sledge. Tickets deliver'd out by Mrs White, Mrs Leppie, Mrs Viviez, and Mrs Hitchcock will be taken