SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Fletchers"/1) | (@(roleclean,performerclean) "Mrs Fletchers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23324 matches on Performance Comments, 4466 matches on Event Comments, 4200 matches on Performance Title, 1436 matches on Author, and 18 matches on Roles/Actors.
Event Comment: [Mrs Vernon is identified in Oracle, 31 Jan. Author of Address unknown.] Receipts: #227 2s. (222.9; 4.13)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17901211, but Lucinda (1st time)-Miss Francis; Rosetta-A Lady (1st appearance on any stage [Mrs Vernon]).Mrs Vernon]).
Cast
Role: Deborah Actor: Mrs Pitt
Role: Madge Actor: Mrs Wells

Afterpiece Title: The Picture of Paris

Dance: End II: The Wapping Landlady, as17901204

Entertainment: Monologue Preceding: an Occasional Address-Harley

Event Comment: [Mrs King was from the Stamford theatre.

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: My Grandmother

Performance Comment: Vapour-Farley; Gossip-Suett; Souffrance-Caulfield; Sir Matthew Medley-Davenport; Woodley-Trueman; Waiter-Chippendale; Servant-Atkins; Charlotte-Miss Gaudry; Florella-Mrs King (1st appearance on this stage).
Cast
Role: Florella Actor: Mrs King
Event Comment: The United Company. Lord Ashburnham's Diary: I went to the Play (the Rehearsal) where there was a great deal of company (Ashburnham MS 932; see 14 Dec. 1686). The play was reprinted in 1687. Cibber, Apology (ed. Lowe, I, 167): People were so fond of seeing her [Mrs Mountfort] a Man, that when the Part of Bays in the Rehearsal had for some time lain dormant, she was desired to take it up, which I have seen her act with all the true coxcombly Spirit and Humour that the Sufficiency of the Character required

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Mrs Mountfort may have played Bayes early as 1687.
Event Comment: At Mr Gibbin's and Mrs Violante's Great Booth

Performances

Mainpiece Title: Entertainments

Performance Comment: Mrs Violante.
Event Comment: Benefit Mrs Heron and Mrs Campbell. Written by Beaumont and Fletcher

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Clara Actor: Mrs Baker.
Role: Margareta Actor: Mrs Horton
Role: Estifania Actor: Mrs Oldfield

Dance: Shaw, Desnoye, Thurmond Jr, Mrs Booth, Mrs Younger, Mrs Bullock

Event Comment: Benefit for Arthur and Mrs Vincent. Charges #60. Deficit to the actors #6 12s. 6d. apiece, covered by income from tickets: Arthur #31 9s.; Mrs Vincent #43 4s. [Afterpiece a farce taken from Beaumont & Fletcher. Not Printed. In which was introduced the Judgment of Paris, a musical piece.] Mainpiece: Not acted these 7 years. Tickets to be had of Arthur in Duke's Court, and of Mrs Vincent at the Cock and Turk's Head in Bedford St., Covent Garden. Receipts: #46 15s

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Queen Elizabeth-Mrs Horton; Norfolk-Ryan; Davison-Ridout; Morton-Bridgwater; Cecil-Arthur; Gifford-Gibson; Dowglass-Mrs Vincent; Mary, Queen of Scots-Mrs Woffington, 1st time.

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

Performance Comment: Vocal parts-Lowe, Miss Falkner, Miss Young, Mrs Vincent; The Dances-Cooke, Miss Hillyard.
Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Event Comment: Benefit Boval and Mrs Moor. Written by Beaumont and Fletcher

Performances

Mainpiece Title: The Scornful Lady

Cast
Role: Abigail Actor: Mrs Willis.
Role: Lady Actor: Mrs Oldfield
Role: Martha Actor: Mrs Bicknell

Dance:

Event Comment: Benefit Mrs Bullock. Mainpiece: Written by Beaumont and Fletcher

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Margarita Actor: Mrs Porter
Role: Estifania Actor: Mrs Oldfield.

Afterpiece Title: The Stage Coach

Dance: Shaw, Thurmond Jr, Mrs Booth, Mrs Bullock, Miss Lindar; A new Scotch Dance-Mrs Bullock

Event Comment: Benefit Mrs Willis and her Daughter. At the particular Desire of several Ladies of Quality. Written by Beaumont and Fletcher

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Margaretta Actor: Mrs Horton.
Role: Estifania Actor: Mrs Oldfield.

Dance: As17210501

Event Comment: Benefit Mrs Weekly. At the Desire of several Ladies of Quality. Written by Beaumont and Fletcher

Performances

Mainpiece Title: The Scornful Lady

Cast
Role: Scornful Lady Actor: Mrs Oldfield
Role: Martha Actor: Mrs Heron
Role: Abigail Actor: Mrs Willis.

Song: As17241008

Dance: As17241230

Performances

Mainpiece Title: Philaster

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: Benefit Mrs Oldfield. At the Desire of several Ladies of Quality. Written by Beaumont and Fletcher

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: Benefit Mrs Oldfield. Written by Beaumont and Fletcher. No Persons to be admitted into the Boxes, or behind the Scenes, but by printed tickets at 5s. Two Benches of the Pit to be rail'd in, at the Price of the Boxes. [The King and the Prince and Princess present.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: Shaw, Mrs Booth, Mrs Younger

Performances

Mainpiece Title: The Tamer Tamed

Performances

Mainpiece Title: The Storm

Performances

Mainpiece Title: The Maid In The Mill

Song: Scotch Song Song in Praise of a Highland Laird-; other Scotch Songs-

Dance: Grand Dance of the Laird and his Highland Attendance-; Other Scotch dances-

Performances

Mainpiece Title: The Scornful Lady

Song: The dialogue, Thus at Height of Love We Live, set by Henry Purcell-

Performances

Mainpiece Title: The Loyal Subject

Song: As17050725

Dance: As17050725

Performances

Mainpiece Title: The Loyal Subject

Song: Ramondon, the Boy; particularly a two/part song by Purcell-

Music: An extraordinary piece for violin and flute-Gasparini, Paisible

Dance: As17051105

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: The Scornful Lady

Cast
Role: Scornful Lady Actor: Mrs Oldfield
Role: Martha Actor: Mrs Bicknell
Role: Abigail Actor: Mrs Willis.

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]