Event Comment: Benefit for Mrs Brooks. Public Advertiser, 22 July: Tickets to be had of Mrs Brooks at Woodmason's, No. 66, Pall-mall

Event Comment: The Play and Farce designed for this Evening [The Constant Couple and The Romp, both advertised on playbill of 23 Sept.] are changed on Account of Mrs Jordan's Indisposition. Receipts: #170 4s. (124.19; 44.8; 0.17)

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Event Comment: [In mainpiece the playbill assigns Yarico to Mrs Billington, but "The Director is extremely sorry to be under the Necessity of making such frequent Apologies for unavoidable Disappointments [see 18, 20 Feb.]; Mrs Billington being this Afternoon taken extremely ill, it is hoped Miss Chapman will be honoured this Evening with the usual Indulgence of the Public, in the Part of Yarico" (printed slip on BM playbill, cg, Vol. VI).] Receipts: #196 9s. (185.6; 11.3)

Event Comment: Benefit for Mrs Billington. Public Advertiser, 9 May: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #290 16s. 6d. (196.14.6; 4.10.0; tickets: 89.12.0)

Event Comment: Benefit for Mr and Mrs Bernard. 2nd piece [1st time in London; M. INT 2, by John Bernard, 1st acted at Bath, 18 Apr. 1786. Music by William Boyton. Larpent MS 732; not published]: By Permission of the Bath Managers [William Keasberry and William Wyatt Dimond]. Receipts: #189 15s. (76.9; 1.16; tickets: 111.10)

Event Comment: Benefit for Mrs Ward. Tickets delivered for the 26th will be admitted. Public Advertiser. 11 May: Tickets [for 26 May] to be had of Mrs Ward, No. 12, Catherine-street, Strand. Mainpiece: Never performed there. Afterpiece: Not acted these 2 years. Receipts: #234 13s. 6d. (29.3.0; 15.2.0; 1.0.6; tickets: 189.8.0) (charge: #108 0s. 4d.)

Event Comment: Benefit for Mrs Martyr. Tickets sold at the Doors will not be admitted. [Prologue by John Wolcot (European Magazine, May 1790, p. 386).] Gazetteer, 15 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent-garden. Receipts: #293 7s. 6d. (136.14.0; 13.8.6; tickets: 143.5.0)

Event Comment: [Extra night] Benefit for Lee Lewes. [Mrs Saunders is identified in Diary, 19 Nov. 1790.] Receipts: none listed

Event Comment: By Desiire of the Cherokee Chiefs [see 12 Nov.]. Afterpiece: Not acted these 7 years. [European Magazine, Dec. 1790, p. 468, says that this was Mrs Ferguson's 1st appearance in London; she was from the Richmond theatre.] Receipts: #205 5s. (202.8.6; 2.16.6)

Event Comment: Benefit for Mrs Pope. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Pope at her house in Half Moon-street, Piccadilly. Receipts: #306 12s. (190.13.6; 10.0.6; tickets: 105.18.0)

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Event Comment: Account-Book: Tickets delivered by Alfred, Appleby, Benson, Banks, Cooke, Daglish, Mrs Edwin, Mrs Gawdry, Master Gregson, Miss Jacobs, Jones, Lyons, Maddocks, Pilsbury, Walker, Whitmill will be admitted. Receipts: #459 9s. 6d. (53.2.6; 46.6.0; 7.5.0; tickets: 352.16.0)

Event Comment: [Mainpiece in place of The Pirates, advertised on playbill of 6 Dec. In mainpiece the playbill retains Miss Farren as Miss Herbert, but she was absent, and "Mrs Powell was her substitute" (Thespian Magazine, Jan. 1793, p. 171).] Receipts: #150 4s. 6d. (105.2.6; 41.10.0; 3.12.0)

Event Comment: [Mainpiece in place of The Pirates; afterpiece of The Virgin Unmask'd, both advertised on playbill of 8 Dec.] 'Mrs Goodall is a very good substitute for Mrs Jordan [who had not yet appeared this season] in Letitia Hardy" (Thespian Magazine, Jan. 1793, p. 171). Receipts: #115 4s. (69.0; 37.8; 8.16)

Event Comment: [In mainpiece the playbill assigns Madge to Mrs Wells, but "We cannot quit this article without noticing the Margery [sic] of Mrs Davis, who gave all the innocent simplicity of the character without 'o'er stepping the modesty of nature'" (Thespian Magazine, Mar. 1793, p. 220. And see 28 Dec. 1792.] Receipts: #237 6s

Event Comment: Benefit for Mrs Jordan. Morning Herald, 22 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #461 8s. (195.17.6; 30.16.0; 5.6.0; tickets: 229.8.6) (charge: #158 13s. 4d.)

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Event Comment: Benefit for Mrs Goodall and Mrs Bland. [In mainpiece the playbill retains Kemble as Beverley , but "Kemble being ill, Whitfield played Beverley" (Thespian Magazine, June 1793, P. 3).] Morning Herald, 4 May: Tickets to be had of Mrs Goodall, No. 13, Russel-street, Covent-Garden; of Mrs Bland, No. 12, St. Albans-street, Pall-Mall. Receipts: #432 4s. (74.19.0; 40.1.6; 7.8.0; tickets: 309.15.6) (charge: #169 10s. 8d.)

Event Comment: Benefit for Dignum and Mrs Powell. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 May.] Morning Herald, 23 May: Tickets to be had of Dignum, No. 25, New North-street; of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #510 1s. (54.13.6; 26.7.6; 3.17.0; tickets: 425.3.0) (charge: #160 5s. 10d.)

Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Event Comment: 2nd piece [1st time; INT 1, author unknown. MS: Larpent 993; not published]. [Mrs Stuart, who was from the Crow Street Theatre, Dublin, is identified in European Magazine, Nov. 1793, p. 390.)

Event Comment: By Desiire of the Cherokee Chiefs [see 12 Nov.]. Afterpiece: Not acted these 7 years. [European Magazine, Dec. 1790, p. 468, says that this was Mrs Ferguson's 1st appearance in London; she was from the Richmond theatre.] Receipts: #205 5s. (202.8.6; 2.16.6)

Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)