Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson. Larpent MS 557; not published]. 3rd piece [1st time; F 2, by James Cobb. Larpent MS 556; not published. Author of Prologue unknown]. Receipts: #222 6s. 6d. (122.18.6; tickets: 99.8.0) (charge: #105)

Event Comment: Benefit for Mrs Wilson. Public Advertiser, 1 May: Tickets to be had of Mrs Wilson, No. 13, King-street, Covent Garden. Receipts: #196 4s. 6d. (30.13.0; 22.10.6; 1.5.0; tickets: 141.16.0) (charge: #106 6s. 11d.)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Event Comment: Benefit for Dignum and Mrs Wilson. Public Advertiser, 2 May: Tickets to be had of Dignum, Little Wild-street, Drury-lane; of Mrs Wilson, No. 2, Catherine-street, Strand. Mainpiece: Not acted these 4 years. Receipts: #301 19s. 6d. (33/5/0; 15/19/0; 1/2/6; tickets: 251/13/0) (charge: #108 15s.)

Event Comment: Benefit for Mrs Wilson and Williames [who is named in the Account-Book, but not on the playbill]. [The monologue refers to a criminal, Rynwick Williams, popularly known as "The Monster," who with a knife had recently attacked many women on the streets of London (see An Authentic Account of the Barbarities..(S. Bladon, 1790); World, 5 May, et seq.).] Gazetteer, 1 and 6 May : Tickets to be had of Williames and Mrs Wilson, No. 19, Great Piazza, Covent-garden. Receipts: #225 5s. (40.13; 21.14; 2.16; tickets: 160.2) (charge: #108 2s. 3d.)

Event Comment: Benefit for Branson and Mrs Wilson. Receipts: #185 12s. (108.14; tickets: 76.18) (charge: #52 10s.)

Event Comment: Benefit for Mrs Wilson. Afterpiece: Not acted these 8 years. Receipts: #170 1s. (31.15; 14.16; 0.14; tickets: 122.16) (charge: #109 18s.)

Event Comment: Benefit Mrs Wilson. At the particular Desire of several Gentlemen and Ladies. At the New Theatre on Wind-mill Hill. Pit and Boxes laid together by Desire at 2s. each

Event Comment: [Mrs Wells was from the HAY.] Afterpiece: Never performed here. [Prologue by Miles Peter Andrews.] Receipts: #204 2s. (197/13; 6/9)

Event Comment: [Mrs James Wilson was from the Portsmouth theatre.] Receipts: #198 (148/5; 49/0; 0/15)

Event Comment: [In mainpiece the playbill retains Mrs Ward, but "An apology was made for Mrs Wilson's reading the part of Angelica, vice Mrs Ward, who was suddenly taken ill" (Diary, 22 Mar.). Afterpiece in place of The Pannel, advertised on playbill of 18 Mar.] Receipts: #234 3s. 6d. (188.12.0; 44.1.6. 1.10.0)

Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Event Comment: [The playbill lists Wilson as Justice Shallow in mainpiece, and as Father Luke in afterpiece. On the Kemble playbill his name is deleted, but the substitute name has been cut by the binder. "It is necessary to inform those who may have read a long criticism on Wilson's performance of Justice Shallow, on Tuesday evening [in Public Advertiser, 2 Nov.], that Wilson did not perform that or any other character, as he is laid up, or rather down, with a violent fit of the gout" (General Advertiser, 3 Nov.). For Fearon as Justice Shallow see 30 Apr. 1785, 29 Nov. 1786; for Booth as Father Luke see 25 Nov. 1785.] Receipts: #139 6s. (134/5; 5/1)

Event Comment: Benefit for Wilson. Mainpiece: Never acted there. Interlude [1st time; INT 1, author unknown. Larpent MS 433; synopsis of plot in London Chronicle, 5 May]. Public Advertiser, 17 Apr.: Tickets to be had of Wilson at his House in Tavistock-street, Bedford-square. Receipts: #187 1s. (87.8; tickets: 99.13) (charge: #67 5s.)

Event Comment: Benefit for Mrs Bulkley. Mainpiece: With the Triumphal Entry of Alexander into Babylon. [This was included in both subsequent performances.] Afterpiece [1st time; C 1, author unknown. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 23 Apr.]. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Bulkley, No. 10, New Ormond-street. Receipts: #195 13s. 6d. [166.16.6; tickets: 28.17.0) (charge: #73 7s.)

Event Comment: [As mainpiece the playbill announces Isabella, with Mrs Siddons as Isabella. But she was indisposed, and "the play was changed into The Winter's Tale" (World, 4 May).] Afterpiece [1st time; F 2, by Charles Stuart. Prologue by the author (Public Advertiser, 17 May)]. Receipts: #137 17s. 6d. (93.2.0; 43.7.6; 1.8.0)

Event Comment: Mainpiece [1st time; tc 5]: Altered from [The Picture, by Philip] Massinger [by Henry Bate; incidental music by William Shield. Prologue by William Pearce (see text)]. With New Dresses, Scenery, &c. Afterpiece: Written by O'Keeffe. London Chronicle, 10 Nov., prints the words of the Chorus, and also of a song sung by Quick, Poor Hillario, once so jolly, and of one sung by Mrs Martyr, Would you view the loveliest rose. Receipts: #209 16s. (205/3; 4/13)

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Massey. Tickets delivered by Painter, Kenny, Mrs Lefevre will be admitted

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Event Comment: Benefit for Wilson. Mainpiece: By Particular Desire. By the Author of the Duenna. Acted but once this season. Tickets deliver'd for the Lady's Last Stake will be Admitted. x Doors open half past 5. To begin at half past 6 o'clock