Event Comment: Benefit for Shuter and Miss Haughton. Tickets at stage door. [For criticism of Shuter and Miss Haughton, see Genest, IV, p. 363, from The Present State of the Stage in Great Britain and Ireland, 1753. Nineteen of the Fifty-five pages of this pamphlet defend the stage on classicial authority and moral grounds from attacks by the religious bigots, and present an ideal picture of a manager, laying under some contribution, it would seem, the character of a manager presented ten years earlier (1743) in Queries to be Answered. The author especially likes the moral of Tate's alteration of Lear. The remaining pages give a paragraph or two of criticism to the leading actors and actresses in some of their most affecting parts (sixteen pages to Drury Lane Performers, all of whom appear in the author's eye to be either "Excellent" or "Very Good.") The remaining space is devoted to the performers at Covent Garden and at the Theatre Royal in Dublin. All those spoken of fare well in the hands of this bound-to-be pleased critic. Shuter is here commended for ability to play an Old Man convincingly though he was but 22 years old, and to play at all considering his lack of education. He possesses a great fund of drollery, and bids fair to be as great in low comedy as it is possible for man to conceive.' Miss Haughton described as an actress of promise. Seems never to have got the better of a lisp, and a Newcastle manner of pronouncing the letter 'r.'] Receipts: #290 (Cross)

Event Comment: Benefit for Miss Dulisse. Afterpiece By Particular Desire of several Ladies of Quality

Event Comment: Benefit for Vaughan and Evans (Box Keepers)

Event Comment: [Benefit for Anderson, Cushing, Delagarde. Mainpiece: By Particular Desire. Tickets deliver'd out for The Kind Impostor will be taken

Event Comment: Benefit for Mrs Mills and Miss Minors. Tickets deliver'd by Taswell will be taken. [The Present State of the Stage commends Miss Minors in characters of awkward country girls.] Receipts: #170 (Cross)

Event Comment: Benefit for Blakes. The Performance will not be interrupted by any building on the stage. Neither piece acted this season. Mainpiece: By particular desire for the first and only time of performing it this season. Tickets of Blakes at his house in Duke's Court, Bow St., Covent Garden. Receipts: #170 (Cross)

Event Comment: Benefit for Simson and Wife and Mas. Simson. Tickets of Simson in Wild Passage, Wild St., near Lincoln's Inn Fields; at Grigsbys Coffee House, behind the Royal Exchange, and at stage door. Afterpiece: By particular Desire. Receipts: #210 (Cross)

Event Comment: Benefit for Jefferson, Phebe, Dennison, and Morris (Cross); for Jefferson, Dennison, Mrs Toogood, Miss Hippisley (Public Advertiser). [Cross's Phebe seems to refer to Miss Hippisley who played the part in As You Like It.] Receipts: #104 (Cross)

Event Comment: Benefit for Mrs Vincent, Mrs Green, and Miss Vincent. Charges #64 7s. [Deficit to beneficiaries #1 2d. apiece, covered by income from tickets: Mrs Vincent #59 1s. (Box 88; Pit 129; Gallery 177); Mrs Green #36 13s. (Box 56; Pit 103; Gallery 72); Miss Vincent #30 6s. (Box 72; Pit 82).] (Account Book). Receipts: #61 6s. 6d. (Account Book)

Event Comment: Benefit for Davis and Perry. Charges #64 5s. Deficit to actors #25 7s. 6d. covered by income from tickets: Davis #77 7s. (Box 80; Pit 291; Gallery 137); Perry #53 19s. (Box 27; Pit 158; Gallery 235) (Account Book). Receipts: #38 17s. 6d. (Account Book)