SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Miss Hamoir"/1) | (@(roleclean,performerclean) "Mr and Miss Hamoir")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14277 matches on Performance Comments, 5655 matches on Event Comments, 4862 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Tragedy written by Mr Hume was receiv'd with very great Applause Indeed Mrs Barry Seem'd inspir'd She never Appeard to moor Advantage uncommon Applause (Hopkins Diary). New Scenes, Dresses, and Decorations. Paid 4 Day's salary list #348 5s.; Tallow chandler's 6th bill #44 14s. Mr Reddish's draft #10 10s.; Mr Racket for Women's cloaths #12; Mr Dibdin Draft #70 (Treasurer's Book). [Westminster Magazine for March gives a long, and unfavorable review of the new tragedy, concluding Home's genius lies not in the tragic way.] Receipts: #237 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Performance Comment: Parts by: Reddish, Aickin, Palmer, Clinch, Jefferson, J. Aickin, Wright, J. Bannister, Miss Mansell, Mrs Barry. Prologue-Palmer; Epilogue-Mrs Barry; Alonzo-Reddish; Alberto-Clinch; King of Asturia-Aickin; Costolo-J. Aickin; Velasco-Jefferson; Sebastian-Palmer; Messenger-J. Bannister; Orisminda-Mrs Barry; Teresa-Miss Mansell; Hamet-Wright (Genest, V, 351-52).
Cast
Role: Teresa Actor: Miss Mansell

Afterpiece Title: The Anatomist

Performance Comment: M Le Medicin-Baddeley; Crispin-Dodd; Old Gerald-Parsons; Young Gerald-Wheeler; Martin-W. Palmer; Doctor's Wife-Mrs Bradshaw; Angelica-Miss Platt; Beatrice-Mrs Love.
Cast
Role: Angelica Actor: Miss Platt
Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Performance Comment: Parts by King, Reddish, Moody, Packer, Waldron, Everard, Mrs Hopkins, Weston, Aickin, Baddeley, Wright, Miss Pope, and Mrs Abington. Prologue-Smith; Epilogue-Mrs Abington; Nightshade-King; Charles Manlove-Reddish; Jack Nightshade-Weston; Gregory-Moody; Manlove-Aickin; Stapleton-Packer; Dibble-Baddeley; Frampton-Waldron; Frederick-Wright; Servant-Everard; Lucy-Miss Pope; Mrs Stapleton-Mrs Hopkins; Laetitia-Mrs Abington.
Cast
Role: Lucy Actor: Miss Pope
Related Works
Related Work: The Choleric Man Author(s): Richard Cumberland

Afterpiece Title: Hob in the Well

Cast
Role: Betty Actor: Miss Platt.
Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Cast
Role: Queen Actor: Miss Sherry
Role: Imogen Actor: Miss Younge.

Afterpiece Title: The Cady of Bagdad

Performance Comment: Principal Characters by Dodd, Davies, Hurst, Bannister, Mr Waldron, Mr Wrighten, Miss Abrams, Mrs Baddeley. [Cast from Songs (G. Kearsley, 1778): Omar-Dodd; Abdallah-Davies; Black Aga-Hurst; Mouaffac-Wrighten; Cady of Bagdad-Bannister; Dyer's Daughter [not in Songs, but see17780221]-Mr Waldron; Cacafatadri-Mr Wrighten [i.e. doubled Mouaffac]; Selima-Miss Abrams; Zemroude-Mrs Baddeley.
Cast
Role: Selima Actor: Miss Abrams

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Performance Comment: Principal Characters by Lewis, Johnstone, Aickin, Farren, Wilson, Munden, Marshall, Thompson, Farley, Evatt, Cross, Mrs Wells, Miss Brunton, Mrs Mattocks. [Cast from text (G. G. J. and J. Robinson, 1791): Count Conolly Villars-Lewis; MacDermot-Johnstone; Mr Dorimont-Aickin; Edmund-Farren; Sir Paul Peckham-Wilson; Sir Samuel Sheepy-Munden; Picard-Marshall; Exempt-Thompson; Footmen-Farley, Evatt, Letteney, Blurton; Bailiffs-Cross, Lee; Lucy-Mrs Wells; Lydia-Miss Brunton; Lady Peckham-Mrs Mattocks; Prologue-Bernard [in the Character of a News-hawker]; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Lydia Actor: Miss Brunton

Afterpiece Title: The Picture of Paris

Event Comment: Afterpiece: A New Dramatic Masque. Admission 5s., 3s., 2s., 1s. No Money under the full Price will be taken; and the Advance Money will he returned to those who chuse to go out before the Overture to the Entertainment begins. Edition of 1736: Invented by Mr Pritchard. Musick composed by Mr Arne. Scenes painted by Mr Hayman

Performances

Mainpiece Title: The Unhappy Favourite

Cast
Role: Rutland Actor: Mrs Thurmond

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

Performance Comment: Jupiter-Winstone; Neptune-Turbutt; Priest of Aurora-Salway; Terra-Mrs Cross; Phoebus-Mrs Cantrell; Phaeton-Cross; Clymene-Mrs Clive; Ethiopian-Essex; Moors-Pelling, Villeneuve, Davenport, Rector; Seasons-Villeneuve, Duke, Mrs Walter, Mrs Pelling; Turkish Dancers-Delamayne, Mrs Walter; Turk-Salway; Harlequin-Le Brun; Morocco Servant-Poitier; Colombine-Miss Mann; Her Maid-Mrs Pritchard; Captain of the Galley-Este; Innkeeper-Turbutt; Barber-Grey; Porter-Leigh; China Woman-Mrs Ferguson; Lodging Woman-Mrs Bennet; Harlequin's Good Genius-Miss Cole; Adonis-Denoyer; Venus-Mlle Anne Roland; Followers of Adonis-Pelling, Rector, Davenport, Mrs Davenport, Mrs Villeneuve, Miss Cantrell; Hours-Pelling, Rector, Davenport, Mrs Davenport, Mrs Villeneuve, Miss Cantrell .
Event Comment: Benefit Mrs Walter and Mrs Pelling. Mainpiece: Written by the late Mr Congreve. [Tickets of Mrs Walter at Mr Hook's, Carpenter, in Stanhope Street; of Mrs Pelling at Mr Dagley's, Silversmith, near Castle Tavern, DL.]

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Cynthia Actor: Miss Holliday

Afterpiece Title: Colombine Courtezan

Dance: I: Minuet in Modern Habits by Rector and Mrs Anderson. II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c

Performance Comment: II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c .
Event Comment: Mainpiece: Not Acted these Thirty Years. All the Characters New Dress'd. Afterpiece: A New Dramatick Pantomime Entertainment. With New Cloaths, Scenes, Machines, and other Decorations. An Exact Representation of the Hermitage, as in the Royal Garden at Richmond. And Entire New Musick, compos'd by Mr Jones. [Author not known. Apparently not published.] Daily Advertiser, 2 Feb.: When one of the Changes [on 1 Feb.] by Chance miscarried, a second Attempt was generally desir'd, which, when executed, was so pleasing, a general Clap continu'd for more than the Space of a Minute

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performance Comment: Cupid-Master Hamilton; Sylvania-Haughton; Sylvans-Vallois, Delegarde, LeSac, H. Fayting; Harlequin-Lun Jr; Colombine-Mrs Hamilton; Father to Colombine-Norris; Mr Ashley-W. Giffard; Dr Fleet-Wetherilt; Clerk-Snow; Drawer-Edward;Lookout-Miss Wilson; High Priest-Stitchbury; Priests-Kelly, Nichols, Richardson; Priestesses-Mrs Chambers, Miss James, Miss Wilson; Silvio-Yates; His Man-Penkethman; with a Grand Ballet-Haughton, Mlle Roland; Followers-Vallois, Delagarde, LeSac, H. Fayting, Mrs Bullock, Mrs Woodward, Miss Oates, Miss Gerrard.
Event Comment: A new Musical Entertainment. Written by Mr Rolt, and set to Musick by Mr Arne. To begin at 6:30 p.m. Pit and Boxes 5s. Gallery 3s. Originally announced for 4 Feb.; postponed to 11 Feb. because of the illness of Mrs Arne, and again. Mr Arne is obliged to inform the Publick...his new English Opera is called Eliza and the performance stopped by a Prohibition from the Lord Chamberlain (Daily Advertiser, 21 March)

Performances

Mainpiece Title: Eliza

Performance Comment: Britannia-Mrs Arne; Liberty-Miss Scott; Peace-Miss I. Scott; Shepherdess-Miss I. Young; Genius of England-Miss Poitier; Neptune-Champness; Shepherd-Sadler (Edition of 1754).
Cast
Role: Liberty Actor: Miss Scott
Role: Peace Actor: Miss I. Scott
Role: Shepherdess Actor: Miss I. Young
Role: Genius of England Actor: Miss Poitier
Event Comment: Mainpiece: Not acted these 4 years. [See 22 Oct. 1760.] Lord Townly by Mr Powell, 1st time great applause. Mr Castle hiss'd in Count Basset (Hopkins). Mr Powell's first appearance in Lord Townly-The last scene he felt greatly, and in a few times performing will play the part well (+Hopkins Diary-MacMillan). Receipts: #231 19s. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Powell, first time; Sir Francis Wronghead-Yates; Manly-Havard; Squire Richard-Mas. Burton; Count Basset-Castle; Lady Wronghead-Mrs Hopkins; Lady Grace-Miss Plym; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Lee; Poundage-Clough; Trusty-Mrs Bennet; John Moody-Burton; Lady Townly-Mrs Yates.
Cast
Role: Lady Grace Actor: Miss Plym
Role: Miss Jenny Actor: Miss Pope
Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon; Or, Liberty Restored

Performance Comment: Timolean-Reddish; Dinarchus-Aickin; Timophanes-Palmer; Olinthus-Cautherly; Lycander-Wright; Ghost-Hurst; Orthagoras-Davies; Eschylus-Inchbald; Pheron-Wheeler; Egon-[?]; Senators-Wrighten, Follet; Cleone-Miss Hayward; Eunesia-Miss Younge; In V a Solemn Sacrifice-; the Vocal Parts-Champnes, Fawcett, Davies, Mrs Scott, Mrs Wrighten; [With a New Occasional Prologue-Reddish; Epilogue-Miss Younge.
Cast
Role: Lycander Actor: Wright
Role: Cleone Actor: Miss Hayward
Role: Eunesia Actor: Miss Younge
Role: Epilogue Actor: Miss Younge.

Afterpiece Title: The Author

Performance Comment: Vamp-Weston, 1st time; Young Cape-J. Aickin; Arabella-Miss Ambrose; Cadwallader-King; Mrs Cadwallader-Mrs Abington; Governor Cape-Bransby; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-J. Burton.
Cast
Role: Arabella Actor: Miss Ambrose
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Performance Comment: As17960530, but Sally (1st time)-Miss Leak.

Afterpiece Title: The Merry Wives of Windsor

Performance Comment: Sir John Falstaff-Palmer; Fenton-Trueman; Shallow-Waldron; Slender (1st time)-Russell; Mr Page-Packer; Mr Ford-Wroughton; Sir Hugh Evans (1st time)-Dodd; Dr Caius-Wewitzer; Host of the Garter-Moody; Bardolph-Hollingsworth; Pistol-R. Palmer; Nym-Webb; Robin-Master Kean; Simple-Burton; Mrs Page-Miss Pope; Mrs Ford (1st time)-Mrs Goodall; Mrs Ann Page (1st time)-Miss Heard; Mrs Quickly-Mrs Hopkins.
Cast
Role: Mrs Page Actor: Miss Pope
Role: Mrs Ann Page Actor: Miss Heard

Afterpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Aickin; Patie (1st time)-Miss DeCamp; Roger-Dignum; Symon-Moody; Glaud-Suett; Bauldy-Dodd; Peggy (1st time)-Miss Leak; Jenny (1st time)-Miss Mellon; Mause-Mrs Booth; Madge-Miss Tidswell.
Cast
Role: Patie Actor: Miss DeCamp
Role: Peggy Actor: Miss Leak
Role: Jenny Actor: Miss Mellon
Role: Madge Actor: Miss Tidswell.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop
Event Comment: [In mainpiece the playbill assigns Margarita to Mrs Powell, and Clara to Miss Heard, but Mrs Powell "being suddenly indisposed, Miss Heard was her substitute" (Morning Chronicle, 30 Sept.). It is not stated who acted Clara.] Receipts: #245 2s. (150.3.6; 92.18.6; 2.0.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Duke-Clarke; Don Juan-Packer; Sanchio-Holland; Alonzo-Surmont; Michael Perez-Bannister Jun.; Leon-Kemble; Cacafogo-Dowton; Lorenzo-Trueman; Margarita-Miss Heard; Altea-Miss Tidswell; Clara-; Estifania-Miss Mellon (1st appearance in that character); Old Woman-Mr Suett; Maid-Mr Grimaldi.
Cast
Role: Sanchio Actor: Holland
Role: Margarita Actor: Miss Heard
Role: Altea Actor: Miss Tidswell
Role: Estifania Actor: Miss Mellon

Afterpiece Title: The Prize

Cast
Role: Mrs Caddy Actor: Miss Tidswell
Role: Caroline Actor: Miss DeCamp.
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 12-16 Dec. 1695, suggests that it was probably first acted not later than November 1695. The edition of 1696 mentions two songs and their performers: A lass there lives upon the green, the words by an unknown hand, set by Courteville, and sung by the Boy to Miss Cross; and Bright Cynthia's pow'r divinely great, words by Mr Cheek, set by Courtevill, sung by Leveridge. These two songs are also in Deliciae Musicae, The Fourth Book, 1696, as is a third, Celemene, pray tell me, set by Henry Purcell and sung by the Boy and Girl. The words were written by D'Urfey; and the Boy presumably was Bowen, and the Girl, Miss Cross. See Purcell's Works, Purcell Society, XXI (1917), v-vi. A Comparison Between the Two Stages (1702), p. 19: Sullen: Oronooko. Ramble: Oh! the Favourite of the Ladies. Sullen: It had indeed uncommon Success, and the Quality of both Sexes were very kind to the Play, and to the Poet: No doubt it has Merit, particularly the last Scene; but 'tis as certain, that the Comick Part is below that Author's usual Genius. Ramble: I have a particular regard for Mr Southern's Stile and agreeable Manner; there's a Spirit of Conversation in every thing he writes. Sullen: I think very few exceed him in the Dialogue; his Gallantry is natural, and after the real manner of the Town; his acquaintance with the best Company entered him into the secrets of their Intrigues, and no Man knew better the Way and Disposition of Mankind. But yet I must say, his Diction is commonly the best part of him, especially in Comedy; but in Tragedy he has once in this, and in one other, Drawn the Passions very well

Performances

Mainpiece Title: Oroonoko

Performance Comment: Edition of 1696: Prologue to Oroonoko [Sent by an Unknown Hand,-Mr Powell; Oroonoko-Verbruggen; Aboan-Powell; Lieutenant Governor-Williams; Blanford-Harland; Stanmore-Horden; Jack Stanmore-Mills; Captain Driver-Ben Johnson; Daniel-Mich. Lee; Hottman-Sympson; Imoinda-Mrs Rogers; Widow Lackit-Mrs Knight; Charlot Welldon-Mrs Verbruggen; Lucy Welldon-Mrs Lucas; Epilogue to Oroonoko [Written by Mr Congreve, edition of 1699]-Mrs Verbruggen.
Cast
Role: Sent by an Unknown Hand, Actor: Mr Powell
Role: Blanford Actor: Harland
Event Comment: FFreeholder's Magazine, Jan., p. 247: A Card. The frequenters of Drury Lane playhouse present their compliments to Mr Garrick, and take the liberty of reminding him, that as he has now no capital performer, besides himself, belonging to that house, to engage Mr Lee, if at liberty. As Mr Garrick's reputation as a player, and a fortune, are now established upon a basis sufficiently firm and solid, he need not entertain those jealous apprehensions of Mr Lee he formerly did. And as the Public have encouraged Mr Garrick so far, as to acquire an immense fortune, they esteem it incumbent upon him, in point of gratitude, to oblige them in whatever may contribute to their satisfaction and pleasure

Performances

Mainpiece Title: False Delicacy

Performance Comment: As17691018, but Col. Rivers-Aickin, first time; Sally-Miss Platt.
Cast
Role: Sally Actor: Miss Platt.
Role: Miss Marchmont Actor: Mrs Baddeley
Role: Miss Rivers Actor: Mrs Jeffries
Event Comment: Paid Mr Heath for point lace, 9s.; Mr Cropley (linen draper) 2 bills #93 12s. 6d.; 8 extra trumpets for 6 nights, #18; Wax Chandler's Bill #21 3s. 4d.; Mr Squire, Chorus, 15 nights #3 15s.; Printer's Bill #9 6s.; Mr Weston's Note & Bill to Mr Flaherty #5 6s. 6d. (Treasurer's Book). Mrs Robinson Angelica-very indifferent (+Hopkins MS Notes). Receipts: #133 11s. (Treasurer's Book)

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Love; Valentine-Reddish; Tattle-Dodd; Scandal-Palmer; Foresight-Parsons; Ben (with song)-Moody; Trapland-Hartry; Buckram-Keen; Officer-Wright; Miss Prue-Mrs Abington; Mrs Foresight-Mrs Reddish; Mrs Frail-Mrs Egerton; Nurse-Mrs Bradshaw; Angelica-a young Gentlewoman, being her first appearance.
Cast
Role: Scandal Actor: Palmer
Role: Trapland Actor: Hartry
Role: Miss Prue Actor: Mrs Abington

Afterpiece Title: The Institution of the Garter

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Performance Comment: Mask-Dodd; Musical Lady-Miss Pope; Freeman-Fawcett; Lady Scrape-Mrs Johnston; Old Mask-Baddeley; Laundress-Mrs Bradshaw; To conclude with a Country Dance-.
Cast
Role: Musical Lady Actor: Miss Pope
Event Comment: Benefit for Mrs Egerton. Afterpiece: Not acted in 3 years. [See 3 April 1769.] [Genest in Volume of News Clippings (Harvard Library) quotes Edinburg Evening Courant of 29 April: Last night between the play and the farce at Drury Lane Theatre, a disturbance arose which continued for a full hour. Mr Weston it appeared was in debt to the managers a considerable sum of money, on which account they had impounded all the cash received on his benefit night. This the comedian did not like, and therefore yesterday evening sent word that he could not play, that he was arrested and detained in a springing house, but desired that no apology should be made of his being 'suddenly ill' (the usual stage plea) as it would be an egregious falsehood. After the play Mr Vernon came forward and inform'd the audience that Mr Weston 'was suddenly taken ill' and could not perform. Weston instantly started up in the front of the upper Gallery, and inform'd the house that he was not ill, but in the custody of an officer, and if the audience would have patience he'd inform them of the whole affair. A long altercation ensued. The Managers sent on Mr Vernon repeatedly; and after much pro and con Weston came down and played his part of Sneak." The article must have referred to the 24th of April, when Weston play'd Sneak in The Mayor of Garratt. The Managers promis'd the Town a publication of the whole affair."] Paid Mr Brathwait for men's cloaths #33s. Receipts: #200 8s. Charges: #70 12s. Profit to Mrs Egerton: #129 16s. (Treasurer's Book)

Performances

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-King; Sir Jasper-Wright; Beaufort-Wheeler; Dapper-Jacobs; Quildrive-Griffith; Maria-Mrs Egerton; Old Philpot-Baddeley; Corinna-Miss Platt.
Cast
Role: Corinna Actor: Miss Platt.

Entertainment: V:(By Desire,) Cupid's Remonstrance, as17720427

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Reddish; Renault-Jefferson; Priuli-J. Aickin; Pierre-Smith; Officer-Griffiths; Duke-Bransby; Bedamor-Packer; Spinoza-Wright; Elliot-Keen; Belvidera-Miss Younge, first time.

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

Performance Comment: Parts by Bannister, Dibdin, Legg, Kear, Griffiths, Everard, Parsons, Fawcett, Wrighten, Blanchard, Mrs Love, Mrs Wrighten. Snob-Bannister; Nipikin-Dibdin; Froth-Parsons; Grumble-Legg; Jenkins-Fawcett; Muggins-Kear; Contusion-Wrighten; Pest-Griffiths; Exciseman-Blanchard; Hone-Everard; Mrs Nipikin-Mrs Love; Alice-Mrs Wrighten (Edition of 1774 and Genest, V, 444).
Event Comment: Benefit for Bannister. Afrerpiece: Never performed there, a Musical Entertainment, which went off with great Applause the New Scene of the Regatta was properly introduc'd in the Farce (Hopkins Diary). Rec'd Stopages #10 4s. 6d.; Mr Burges one quarter's rent (land tax deducted) #4 4s.; Paid Mr Grist by order of Mr Garrick #10; Mr Johnston's Music bill #14 3s. 6d.; Mr Burges (bricklayer) #52 2s. 6d. Receipts: #82 3s. 6d. Charges: #66 18s. Profits to Bannister: #15 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Performance Comment: As17751013, but Jaques-Bannister, first time; Oliver-Packer; William-Messink; Rosalind-Miss Younge; LeBeau-; Corin-; Jaques de Bois-.
Cast
Role: Rosalind Actor: Miss Younge
Role: Orlando Actor: Reddish
Role: Celia Actor: Miss Jarratt
Role: and a Song Actor: Mrs Scott.

Afterpiece Title: The Waterman

Performance Comment: Parts by Bannister, Davies, Parsons, Mrs Wrighten, and Mrs Jewell. Tom Tug-Bannister; Bundle-Davies; Robin-Parsons; Mrs Bundle-Mrs Wrighten; Miss Wilelmina-Mrs Jewell (MacMillan) to conclude with the grand scene of the Regatta.
Cast
Role: Miss Wilelmina Actor: Mrs Jewell

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Performance Comment: Edition of 1733 lists; Lycomedes-Quin; Diphilus-Aston; Achilles-Salway; Ulysses-Chapman; Diomedes-Laguerre; Ajax-Hall; Periphas-Walker; Agyrtes-Leveridge; Thetis-Mrs Buchanan; Theaspe-Mrs Cantrell; Deidamia-Miss Norsa; Lesbia-Miss Binks; Philoe-Miss Oates; Artemona-Mrs Egleton; Prologue by Gay-Quin.
Cast
Role: Deidamia Actor: Miss Norsa
Role: Lesbia Actor: Miss Binks
Role: Philoe Actor: Miss Oates
Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Cast
Role: Miss Lucy Actor: Miss Hippisley
Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Bridges; Ferdinand-King; Trincalo-Yates; Hippolito-Mrs Willoughby; Caliban-Blakes; Stephano-Shuter; Mustachio-James; Ventoso-Ray; Sycorax-Taswell; Miranda-Miss Cole; Dorinda-Mrs Green; Ariel-Mrs Clive (with Proper Songs); With Decorations-; particularly: A Dance of Aerial Spirits-Mlle Mariet, Miss Baker, Mrs Shawford, Mrs L'Font; A Dance of Winds-Macneale, Shawford, Pelling, Master Shawford; A Grand Dance of Fantastic Spirits- in the shapes of four Demons, four Monsters, and four Pigmies; Infernals-Reinhold, Bennet; The whole to conclude with the Masque of Neptune and Amphitrite-; Neptune-Beard; Amphitrite-Miss Norris.

Afterpiece Title: The Anatomist

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performance Comment: Horatius-Garrick; Publius Horatius-Barry; Tullius Hostilius-Sowdon; Valerius-King; Valeria-Mrs Ward; Horatia-Mrs Pritchard [from 1st edition but listed in order of actors named in General Advertiser]; Prologue-Barry; Epilogue-Mrs Pritchard; Vocal Parts-Beard, Miss Norris, Miss Cole [1st edition].1st edition].