SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Master Burton"/1) | (@(roleclean,performerclean) "Mr and Master Burton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4596 matches on Event Comments, 3810 matches on Performance Comments, 1500 matches on Performance Title, 21 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ARIADNE). See the proud Chief by Chorus. 'Tis liberty by Mrs Bland; Arm, arm, ye brave by Meredith (JUDAS MACCABAEUS). We come in bright array by Chorus. Ye sacred priests by Sga Storace. O filial piety and No cruel father by Kelly. O Baal by Chorus. Lord, what is man? by Mrs Crouch (ANTHEMS). Glory to God by Kelly and Chorus (THE MESSIAH). PART II. When the ear heard by Quartet and Chorus (FUNERAL ANTHEMS). Dead March (SAUL). My faith and truth by Miss Leak and Master Welsh. Gentle Airs by Harrison. Fixed in his everlasting seat by Chorus. Concerto on the violin by Giornovichi. Disdainful of danger by Meredith, Dignum, Mrs Bland. Prophetic visions by Master Welsh. As from the power by Sga Storace and Chorus. PART III. When his loud voice by Chorus (JEPHTHA). Hark! 'tis the linnet by Mrs Crouch. The mansion of peace by Harrison. The Prince unable by Sga Storace. The many rend the skies by Chorus. These as they change by Meredith. Balmy hope by Miss Leak. Fair Rosale by Master Welsh. Gloria Patri by Chorus (JUBILATE) .

Performances

Mainpiece Title: A Grand Selection Of Music Chiefly From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ESTHER). He smote all the first born by Chorus (ISRAEL IN EGYPT). Sin not O King! by Mrs Bland (SAUL). Call forth thy powers by Kelly (JUDAS MACCABAEUS). Fix'd in his everlasting seat by Chorus (SAMSON). What though I trace by Mrs Crouch (SOLOMON). Pleasure my by Harrison (TIME AND TRUTH). Fall'n is the foe by Chorus (JUDAS MACCABAEUS). Praise the Lord by Sga Storace (ESTHER). Lord in thee by Kelly and Chorus (TE DEUM). PART II. When the ear heard [singer not listed] (FUNERAL ANTHEMS). He deliver'd the poor by Chorus. Dead March (SAUL). The Soldier tir'd by Sga Storace. My faith and truth by Miss Leak and Master Welsh (SAMSON). The praise of Bacchus by Dignum; Bacchus ever fair by Meredith and Chorus (ALEXANDER'S FEAST). Like a bright Cherub by Sga Storace, Mrs Bland, Harrison (GIDEON). Prophetic visions by Master Welsh (OCCASIONAL ORATORIO). Let their celestial concerts all unite by Chorus (SAMSON). PART III. Awake the trumpet by Chorus (SAMSON). Tears such as tender Fathers by Meredith (DEBORAH). Donald by Sga Storace (Scotch Air). The many rend the skies by Chorus (ALEXANDER'S FEAST). The Mansion of Peace by Harrison. From mighty Kings by Mrs Crouch; Sound an alarm by Kelly and Chorus (JUDAS MACCABAEUS). Queen Mary's Lamentation by Miss Leak. May balmy peace by Master Welsh. From the censer by Chorus (SOLOMON) .

Music: In Part II concerto on the violin by Giornovichi

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beu-Benson; Oliver-Whitfield; Jaques de Bois-C. Kemble; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Sylvius-Bland; William-Burton; Charles-Phillimore//Rosalind (with the Cuckoo Song)-Mrs Goodall; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Miss Pope (1st appearance in that character). Prologue, Epilogue as17940421.
Cast
Role: Orlando Actor: Barrymore
Role: Sylvius Actor: Bland
Role: William Actor: Burton
Role: , King of Scotland Actor: Bensley
Role: Donalbain Actor: Master De Camp
Role: Fleance Actor: Master Gregson
Role: Bloody Child Actor: Master Harlowe
Role: Crowned Child Actor: Master Chatterley

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: Characters by Barrymore, Dignum, Bannister Jun., Suett, Benson, Caulfield, Maddocks, Lyons, Cooke// Mrs Powell, Mrs Bland, Mrs Booth, Master Menage, Miss Menage. [Cast adjusted from text (No pub., 1794): Sir Rowland-Barrymore; Lord Alford-Dignum; Walter-Bannister Jun.; Apathy-Suett; Gabriel-Benson; Oliver-Caulfield; Servant-Maddocks; Ruffians-Lyons, Cooke//Lady Helen-Mrs Powell; Josephine-Mrs Bland; Winifred-Mrs Booth; Boy-Master Menage; Girl-Miss Menage.) hathi.
Cast
Role: : Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Role: Boy Actor: Master Menage

Song: In Act V of mainpiece a song by Mrs Bland

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Lord Sands Actor: Baddeley
Role: Sir Henry Guilford Actor: Bland
Role: Brandon Actor: Banks
Role: Patience Actor: Mrs Bland
Role: , King of Scotland Actor: Bensley
Role: Donalbain Actor: Master De Camp
Role: Fleance Actor: Master Gregson
Role: Bloody Child Actor: Master Harlowe
Role: Crowned Child Actor: Master Chatterley

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940425, but Miss De Camp in place of Mrs Powell; Master Welsh of Master Menage .
Cast
Role: : Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Role: Boy Actor: Master Menage
Event Comment: The Publick is respectfully requested to observe that no Play Bills can be depended upon for this Theatre except those signed by C. Lowndes [and see 16 Sept.]. Powell: Mountaineers rehearsed at 10. Receipts: #252 2s. (209.5.6; 42.15.6; 0.1.0)

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble; Donalbain-Master DeCamp; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Whitfield; Rosse-Barrymore; Fleance-Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Caulfield; Hecate-Bannister; Witches-Moody, Dodd, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: King of Scotland Actor: Bensley
Role: Donalbain Actor: Master DeCamp
Role: Fleance Actor: Master Gregson

Afterpiece Title: My Grandmother

Cast
Role: Waiter Actor: Bland

Song: The Original Music of Matthew Locke and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead

Performance Comment: Sen=.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead.
Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .
Cast
Role: Page Actor: Master Welsh
Role: Rowland Actor: Phillimore
Role: Kathlane Actor: Mrs Bland.

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Hymen Actor: Master DeCamp
Role: Cupid Actor: Master Welsh

Afterpiece Title: Tit for Tat

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble; Donalbain-Master DeCamp; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Whitfield; Rosse-Caulfield; Fleance-Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Trueman; Hecate-Bannister; Witches-Moody, Dodd, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: King of Scotland Actor: Bensley
Role: Donalbain Actor: Master DeCamp
Role: Fleance Actor: Master Gregson

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland

Song: The Original Music of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen. Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performance Comment: Sen=. Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage.
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Performance Comment: Principal Characters by Lewis, Quick, Munden, Fawcett, Middleton, Claremont, Davenport, Thompson, Farley, Abbot, Blurton, Master Curties; Mrs Mansel, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1795), and playbill of 17 May 1800: Tanjore-Lewis; Alderman Arable-Quick; Project-Munden; Jack Arable-Fawcett; Capt. Arable-Middleton; Sir Frederick Faintly-Claremont; Meanwell-Davenport; Promptly-Thompson; Vickery-Farley; Cecilia-Miss Mansel; Lady Project-Mrs Davenport; Emmeline-Miss Wallis; unassigned-Abbot, Blurton, Master Curties; Prologue-Harley; Epilogue-Lewis. [Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]

Afterpiece Title: Rosina

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: Harlequin Captive

Performance Comment: As17960301but Dubois_; Gipsies-_Garman; Whitmell_; Butler_; Nicolini_; Furies-_Wells, Master _Gregson; Master_ DeCamp; Chorus of Knights and Ladies-Mrs _Bland; unassigned-_Keys, W. _Banks.
Cast
Role: Furies Actor: _Wells, Master _Gregson
Role: Chorus of Knights and Ladies Actor: Mrs _Bland
Role: Ormandine Actor: Caulfield
Role: Ormandine's Servant Actor: Boimaison
Role: Ariel Actor: Master Welsh
Role: Crop Actor: Burton
Role: Landlord Actor: Phillimore
Role: Postboy Actor: Master DeCamp
Role: Landlady Actor: Mrs Booth

Performances

Mainpiece Title: The Smugglers

Performance Comment: Characters by Aickin, Dignum, Suett, Wewitzer, Bannister Jun., Phillimore, Master Welsh, Miss DeCamp, Miss Leak, Miss Mellon. Cast from text (C. Dilly, 1796): Captain Pendant-Aickin; Valentine-Dignum; Shingle-Suett; Sample-Wewitzer; Trim-Bannister Jun.; Beacon-Phillimore; Edward-Master Welsh; Stella-Miss DeCamp; Phillis-Miss Leak; Margery-Miss Mellon.
Cast
Role: Edward Actor: Master Welsh

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Performance Comment: Sylvester Daggerwood (with Jacky and the Cow, by permission of Dibdin, who has written the accompaniments)-Bannister Jun.; Fustian-Suett; Apewell [with Imitations (see17960607]-Caulfield.

Afterpiece Title: The Critic

Performance Comment: Dangle-Dodd; Sneer-Benson; Sir Fretful Plagiary (for that night)-Bannister Jun. (1st appearance in that character); Signor Ritornello-Fairbrother; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Mrs Maddocks; Italian Girls-Miss Leak, Miss Granger, Miss DeCamp; [Tragedians:] Don Ferolo Whiskerandos-Bannister Jun. [i.e. doubled Sir Fretful Plagiary]; Nieces-Miss Heard, Miss Mellon; Justice's Lady-Mrs Heard; Confidant-Miss Tidswell; Tilburina-Miss Pope.

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.
Event Comment: Ballet [1st time; by Giacomo Gentili; music by Vittorio Trento]: With new Scenes and Decorations. In the course of the Ballet will be introduced Groups of Flying Cupids. Receipts: #598 2s. (511.7.6; 83.0.0; 3.14.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: My Grandmother

Ballet: End: The Triumph of Love. Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini

Performance Comment: Corida-Mlle Parisot (by permission of the Proprietor of the king's Theatre); Olympio-Gentili; Aristea-Sga Bossi? DelCaro; Cupid-Master Menage; Discord-Master Chatterley; Nymphs-Mrs Brooker, Mrs Brigg, Mrs Haskey, Mrs Barrett, Miss Bourk, Miss Daniels, Mrs Byrne, Mrs Thompson; Shepherds-Roffey, Whitmell, Thompson, Wells, Banks, Garman, Butler, Nicolini.
Cast
Role: Cupid Actor: Master Menage
Role: Discord Actor: Master Chatterley
Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross. MSS: Larpent MS 1139 (as licensed for the hay in Aug. 1796, but, although advertised for performance on 31 successive nights, not acted there), and Larpent MS 1142 (as licensed for dl); not published; synopsis of plot in Morning Herald. 7 Nov.]: The Overture and Musick by Reeve. Books of the Songs to be had in the Theatre. Receipts: #320 4s. (213.14.6; 104.10.0; 1.19.6)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Charity Boy

Performance Comment: Characters by Bannister Jun., Dignum, Wathen, Suett, Sedgwick, Maddocks, Caulfield, Cooke, Denman, Master Welsh, Webb, Miss DeCamp, Miss Leak, Mrs Bland. Cast from Songs (J. Barker, 1796): Will Circle-Bannister Jun.; Rivers-Dignum; Chattles-Wathen; Lawyer Busy-Suett; Glum-Sedgwick; Bailiff-Maddocks; Robin-Caulfield; Wheelwright-Cooke; O'Whiskey-Denman; Caesario-Master Welsh; Old Beggar-Webb; Isabella-Miss DeCamp; Fanny-Miss Leak; Rachel-Mrs Bland.
Cast
Role: Caesario Actor: Master Welsh
Role: Rachel Actor: Mrs Bland.
Event Comment: Afterpiece [1st time; CO 2, by Samuel James Arnold]: The Overture and Musick by Dr Arnold. Books of the Songs to be had in the Theatre. Receipts: #224 7s. 6d. (121.19.0; 99.9.0; 2.19.6)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Afterpiece Title: The Shipwreck

Performance Comment: Characters by Dignum, Bannister Jun., Suett, Dowton, Caulfield, Master Welsh, Phillimore, Miss Leak, Miss DeCamp, Mrs Bland. Cast from text (G. Cawthorn, 1797): Selwyn-Dignum; Harry Hawser-Bannister Jun.; Stave-Suett; Michael Goto-Dowton; Shark-Caulfield; Dick-Master Welsh; Plunderer-Phillimore; Angelica Goto-Miss Leak; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland.
Cast
Role: Dick Actor: Master Welsh
Role: Sally Shamrock Actor: Mrs Bland.

Performances

Mainpiece Title: The Heir At Law

Performance Comment: As17970715 but Zekiel Homespun-Wathen in place of Munden; Prologue-_ [and thereafter]. [Epilogue as17970715 .and thereafter]. [Epilogue as17970715 .
Cast
Role: Phoebe Actor: Mrs Bland
Role: Rosina Actor: Miss Andrews.

Afterpiece Title: The Children in the Wood

Performance Comment: As17970819, but 2nd Child Children-Master _Chatterley, Miss Benson; added: Gabriel-R. Palmer; Oliver-Caulfield; Helen-Miss Heard; Winifred-Mrs Booth.

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Aickin; Malcolm-C. Kemble; Donalbain-Master Gregson; Macbeth-Kemble; Banquo-Wroughton; Macduff-Palmer; Lenox-Gibbon; Rosse-Holland; Fleance-Master Menage; Siward-Packer; Seyton-Trueman; Physician-Maddocks; Captain-Caulfield; Messenger-Evans; Hecate-Bannister; Witches-Dowton, Wewitzer, Suett; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: King of Scotland Actor: Aickin
Role: Donalbain Actor: Master Gregson
Role: Rosse Actor: Holland
Role: Fleance Actor: Master Menage

Afterpiece Title: The Adopted Child

Performance Comment: Sir Bertram-Trueman; Le Sage-Sedgwick; Record-Suett; Michael-Bannister Jun.; Spruce-Russell; Flint-Maddocks; Boy-Miss Walcot; Clara-Miss Leak; Lucy-Miss DeCamp; Jannette-Miss Tidswell; Nell-Mrs Bland.
Cast
Role: Nell Actor: Mrs Bland.

Song: Mainpiece: With Original Musick of Matthew Locke-; and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Sedgwick, Dignum, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage

Performance Comment: Sen.=-; Chorus of Witches and Spirits-Kelly, Sedgwick, Dignum, Mrs Crouch, Mrs Bland, Miss Leak, Miss DeCamp, Miss Menage.
Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Cast
Role: Page Actor: Master Standen

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performance Comment: Principal Pantomime Characters-Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley; Principal Vocal Characters-Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna; Cast from Songs (T. N. Longman, 1797): Harlequin-Bologna Jun.; Sancho-Bologna; Scaramouchillo-Follett; Don Quixotte-Dyke; Grandee-Hawtin; Inca-Townsend; Chinese Magician-Linton; Colembine-Mrs Parker; Savoyard Girls-Mlle St.Amand, Mrs Watts; Goddess of Silence-Mrs Follett; Maritornes-Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England; where after a succession of whimsical transitions, warned from the Grotto of the Goddess Pleasure by the Magic Arm-they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine; and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience. and in despair is on the point of destroying himself by Fire, when the Magic Arm appears in the flames to prevent him; the object of his choice is restored by the old Inca, his Father; and their Union and the Restoration of his Right, preceded by their Visit to the Great Wall of China, which separates that Empire from Tartary, after which is seen a Chinese and European Procession; concluding with a Representation of the reception of a British Embassy to China, with the Exchange of Presents in the Grand Hall of Audience.
Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Holland

Afterpiece Title: The Outlaws

Performance Comment: Characters by C. Kemble, Holland, Biggs, Kelly, Sedgwick, Dignum, Caulfield, Trueman, Maddocks, Hollingsworth, Sparks, Master Chatrerley, Bannister Jun., Mrs Crouch, Miss DeCamp, Mrs Sparks, Miss Leak. Cast from European Magazine, Oct. 1798, p. 258 and Larpent MS: Duke-C. Kemble; Count-Holland; Don Alvarez-Biggs; Anastro-Kelly; Cavaldo-Sedgwick; Marco-Dignum; Francisco-Maddocks; Muleteers-Hollingsworth, Sparks; Child-Master Chatterley; Jasper-Bannister Jun.; Countess-Mrs Crouch; Martia-Miss DeCamp; Dorca-Mrs Sparks; Clara-Miss Leak; unassigned-Caulfield, Trueman.
Cast
Role: Count Actor: Holland
Role: Child Actor: Master Chatterley
Related Works
Related Work: The Outlaws Author(s): Andrew Franklin

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).
Cast
Role: Fifth Grand Concerto Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performance Comment: , R. and C.] Ashley, W. Parke.
Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Performance Comment: Characters by Powell, Kemble, C. Kemble, Barrymore, Caulfield, Wentworth, Trueman, Surmont, R. Palmer, Aickin, Suett, Dowton, Cory, Holland, Russell, Wathen, Maddocks, Sparks, Ryder, Master Chatterley, Webb, Fisher, Evans, Mrs Jordan, Mrs Siddons. [Cast from text (James Ridgway, 1799), and Genest, VII, 420: Ataliba-Powell; Rolla-Kemble; Alonzo-C. Kemble; Pizarro-Barrymore; Almagro-Caulfield; Gonzalo-Wentworth; Davilla-Trueman; Gomez-Surmont; Valverde-R. Palmer; Las Casas-Aickin; Diego-Suett; Orozembo-Dowton; Old Blind Man-Cory; Centinel-Holland; Peruvian Officer-Archer [see17990525]; Attendant-Maddocks; Boy-Master Chatterley; Soldiers-Webb, Fisher, Evans, Chippendale; Cora-Mrs Jordan; Elvira-Mrs Siddons; unassigned-Russell, Wathen, Sparks, Ryder; Prologue-King; Epilogue-Mrs Jordan.
Cast
Role: Centinel Actor: Holland
Role: Boy Actor: Master Chatterley
Related Works
Related Work: Pizarro Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: Benefit for Farley, Mrs Chapman & Mrs Mills. 1st piece: Not acted these 3 years. 2nd piece [1st time; M. INT 1]. 3rd piece: With Alterations and Additions. Not acted these 20 years [acted 29 Oct. 1781.] Receipts: #313 12s. 6d. (95.13.0; 3.1.6; tickets: 214.18.0)

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Saturday Night at Sea; or, Tars at Anchor

Afterpiece Title: The Norwood Gipsies

Performance Comment: Harlequin-Bologna Jun.; Squire Breakneck-Farley; Beggar-Townsend; (with) A Beggar I am of low degree-Townsend; Natty Sammy-Simmons; Justice Smallwit-Whitmore; Deputy Paunch-Hawtin; Baker-Blurton; Captain Swagger-Coombs; Highwaymen-Dyke, Blurton [i.e. doubled Baker]; Waiters-Webb, Rees Jun.; Serjeant-Claremont; Corporal-L. Bologna; Countrymen-Abbot, Rees; Pierrot (for that night only)-Laurent (1st appearance on this stage); Hunter and Huntress-Mrs Martyr, Mrs Atkins; (with) Tantara-Mrs Martyr, Mrs Atkins; Gipsies-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; (with) O who has seen the miller's wife-Ms Iliff, Ms Castelle, Ms Leserve, Ms Burnett, Ms Norton, Ms Masters, Mt Linton, Mt Street, Mt Thomas, Mt Lee, Mt Curties; Pierrot's Wife-Mrs Watts; Mother to Columbine-Mrs Whitmore; Nurse-Mrs Lloyd; Deputy's Lady-Mrs Gilbert; Columbine-Mrs Mills.

Song: End II 1st piece: Admiral Benbow-Incledon; End 1st piece: The Group of Lovers-Munden

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: Family Distress

Performance Comment: Characters by Pope (1st appearance on this stage), Swendall (from the Theatre Royal, Edinburgh; 1st appearance on this stage), Palmer, Master Tokely, Davies, Davenport, J. Palmer, Waldron, Abbot, Lyons, H. Johnston, Mrs Davenport, Miss Leserve, Miss Chapman (1st appearance on this stage). Cast from European Magazine, June 1799, p. 404: Robert Maxwell-Pope; Harrington-Swendall; Landlord-Palmer; Harry-Master Tokely; Flood-Davies; John Hartopp-Davenport; Dempster-J. Palmer; Jew-Waldron; Dumfries-Abbot; Servant-Lyons; Walwyn-H. Johnston; Old Blind Lady-Mrs Davenport; Jane-Miss Leserve; Arabella-Miss Chapman.
Cast
Role: Landlord Actor: Palmer
Role: Harry Actor: Master Tokely

Afterpiece Title: The Village Lawyer

Event Comment: Afterpiece [1st time; M. ENT 2, by Andrew Franklin. Larpent MS 1268; not published]: With appropriate Scenery, Dresses, &c. The Music entirely new, with a Naval and Military Medley Overture, composed by Reeve. Books of the Songs to be had in the Theatre. [European Magazine, Oct. 1799, p. 255, states that this was founded on the expedition to Holland which embarked at Deal from 7th to 11th September 1799.] Receipts: #340 14s. 6d. (225.17.0; 114.13.2; 0.4.0)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performance Comment: Characters by Holland, Dignum, Palmer, Sparks, Surmont, Wewitzer, Cory, Master Tokely, Trueman, Suett, Bannister Jun., Miss DeCamp, Mrs Bland. Cast from Monthly Visitor, Oct. 1799, p. 178: Capt. Beverly-Holland; Midshipman-Dignum; O'Splash-Palmer; Sawney-Sparks; Mushroom-Surmont; Hokensoken-Wewitzer; Dutchman-Cory; Child-Master Tokely; Soldier-Trueman; Ramrod-Suett; Juniper-Bannister Jun.; Eliza-Miss DeCamp; Mary-Mrs Bland.
Cast
Role: Beverly Actor: Holland
Role: Child Actor: Master Tokely
Role: Mary Actor: Mrs Bland.
Related Works
Related Work: The Embarkation Author(s): Andrew Franklin
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Cast
Role: Mignon Actor: Burton