SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Young"/1) | (@(roleclean,performerclean) "Mr Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4631 matches on Event Comments, 4128 matches on Performance Comments, 1200 matches on Performance Title, 768 matches on Author, and 4 matches on Roles/Actors.
Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performance Comment: the young part of the company.

Dance: II: A New Dutch Dance, as17590515; III: A Hornpipe-Morris; concluding with: Country Dance-the characters

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: BBritish Chronicle, 8 Oct.: A young Lady from Jamaica, Miss Osborne, is to make her appearance at Drury Lane and Sheridan is also engag'd there

Performances

Mainpiece Title: None

Event Comment: Mainpiece: By Particular Desire. 3 of ye Young Princesses there-not in ye Bills. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Performance Comment: Bombasto, Signora Tambourina, Miss Karver, Miss Gaudry, a young Gentleman (1st appearance on the stage); Orations-Mrs Midnight; Instrumentals-the best performers With a band of originals, viz. Mynheer Broomsticado; Solo-Sg Twangdillo; and a Rhapsody on the Death of a late Noble Commander-Mrs Midnight.

Afterpiece Title: The Contest of Love and Glory

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."

Performances

Mainpiece Title: The Female Minor

Event Comment: Tickets deliver'd out for the 2nd of January will be taken. [Full value from these tickets amounted to #33 7s. (Box 74; Pit 99). House receiv'd half value paid 14 Jan. by Mrs Young "for the benefit of a Gentleman under Misfortune." Sg Maranesi and his wife (as a team) receiv'd a pay increase of 6s. 8d. per day from 29 Dec. 1760, and Mrs Burden received an advance in her salary of 1s. 8d. per day from the same date (Account Book).] Receipts: #114 1s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Agis

Performance Comment: Actors only: Garrick, Holland, Havard, Davies, Packer, Mrs Pritchard, Mrs Davies, Mrs Cibber; Vocal Parts by Lowe, Champnes, Fawcett, Miss Young, Miss Reed. Lysander-Garrick; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Euanthe-Mrs Cibber; Sandane-Mrs Davies; Agis-Packer; Amphares-Havard (Winston MS 9).

Afterpiece Title: Polly Honeycombe

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: This day Publish'd Price 1s. Samson an Oratorio, as it is performed at the Theatre Royal in Covent Garden. Altered and adapted to the stage from the Samson Agonistes of Milton. @171 tickets at 10s. 6d. #89 15s. 6d.@232 tickets at 5s. #58@320 tickets at 3s. 6d. #56@723 present.@Receipts: #203 15s. 6d.@ Paid renters #10. Paid Younger a Bill for writing parts #2 12s. 11d. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17610206

Event Comment: Benefit for Sga Gambarini. At the Great Concert Room, Dean St., Soho Tickets: Pit, half a guinea. Gallery 5s. Composed by Geminiani, who being lately returned to England, has lent the aforementioned composition in favour of this Benefit. Also a new Ode The Argument Britannia rising from the waves like the morning sun, pointing out her young Monarch, and predicts? the glory and felicity of his reign. The music composed by Sga Gambarini

Performances

Mainpiece Title: The Inchanted Forest

Event Comment: Author's night. Full Prices. A company of young fellows were apprehended at a public house in the Strand where they were assembled to perform the tragedy of Othello. On examination three of the principal performers were committed to Bridewell (Gentleman's Magazine, 1761, p. 601)

Performances

Mainpiece Title: Hecuba

Afterpiece Title: Lethe

Dance: NNew Dutch Comic Dance, as17610925

Event Comment: Benefit for Roberts, Widow Lampe, Miss Young. Afterpiece: For the last time this season

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Dragon of Wantly

Dance: III: The Taylors, as17620107

Music: II: A Piece upon the Welch Harp-Evans

Event Comment: Benefit for Holtom, Buck, Young. No Building on Stage. Tickets deliver'd for the Prophetess will be taken. Being positively the last time of performing it (Beggar's Opera) this season

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Jealous Farmer Deceiv'd

Dance: II: The Pleasures of Spring, as17620212

Performances

Mainpiece Title: Two Gentlemen Of Verona

Afterpiece Title: The Witches

Performance Comment: As17621216, but The Principal Witches-Miss Young; Misers' Servants-+Moody, _Clough.

Performances

Mainpiece Title: The Lyar

Performance Comment: Foote, Castle, Davis, Mrs Brown, Weston, Pierce, Mrs Parsons, a young Gentlewoman.

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: "By a set of young gentlemen."
Event Comment: Benefit for Miss Polly Young

Performances

Mainpiece Title: Demofoonte

Dance: As17650105

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme, Mrs Stephens, White, and Gardner will be taken. Tickets sold at the Doors will not be admitted. Tickets and places to be had of Sarjant at the stage door. None admitted behind the Scenes

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Oracle

Dance: IV: The Sicilian Peasants, as17641001; End: a Hornpipe-Miss Pitt

Event Comment: DDaphne and Amintor deferred, Miss Young Ill

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Lecture On Heads

Performance Comment: Delivered by a Young Lady who never appeared in Public.

Performances

Mainpiece Title: Almena

Performance Comment: Principal parts-Vernon, Champnes, Kear, a Gentleman (first appearance on any stage), Mrs Vincent, Miss Young, Mrs Dorman, Miss Wright. [See17641123.]See17641123.]

Afterpiece Title: The Hermit

Dance: I: A Comic Dance-Sg Giorgi, Sga Giorgi; II: Hearts of Oak-Aldridge, Miss Baker

Performances

Mainpiece Title: Heroic Love; Or, The Cruel Separation

Afterpiece Title: The Choice

Performance Comment: Parts-Love, Havard, Packer, Mrs Love, Mrs Yates; Epilogue-; Sir Wm. Loveworth?-Yates; Young Loveworth?-Havard; Woodvil?-Packer; Clarissa?-Mrs Yates; Mrs Woodvil?-Mrs Love; Epilogue-Mrs Yates. See17650323.
Cast
Role: Young Loveworth? Actor: Havard