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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr William Babell"/1) | (@(roleclean,performerclean) "Mr William Babell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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16382 results for: Keyword - Mr William Babell
We found 11048 matches on Author, 4559 matches on Event Comments, 2673 matches on Performance Comments, 577 matches on Performance Title, and 0 matches on Roles/Actors.

16176
07 June 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: Principal Characters-Lewis, Quick, Pope, Munden, Fawcett, Haymes, Davenport, Farley, Williamson, Rees, Ledger, Follett, Hawtin, Findlay, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Townsend (1st time); [For cast see17960123] Epilogue-Mrs Mattocks.
Cast
Role: Principal Characters Actor: Lewis, Quick, Pope, Munden, Fawcett, Haymes, Davenport, Farley, Williamson, Rees, Ledger, Follett, Hawtin, Findlay, Mrs Mattocks, Mrs Davenport, Miss Leserve, Mrs Townsend

Afterpiece Title: Harlequins Treasure 0

Cast
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland

Afterpiece Title: Harlequins Treasure 1

Cast
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland

Afterpiece Title: Harlequins Treasure 2

Cast
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

16177
09 June 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

16178
12 November 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

16179
26 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Robinson Crusoe or Harlequin Friday

16180
07 January 1797 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

16181
09 February 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoild Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

16182
05 June 1797 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): William Reeve

Entertainment: Vaudeville. In 3rd piece: (for that Night only) a Leap through a Wheel of Fire@Works and a Hoop of Daggers-Simpson

16183
09 March 1798 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

16184
23 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Raymond and Agnes

Related Works
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): William Reeve

Dance: In III: Hornpipe in Fetters, as17971025; Afterpiece to conclude: Spanish Fandango-; Finale- as17971009

16185
06 June 1798 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Related Works
Related Work: British Fortitude and Hibernian Friendship; or, An Escape from France Author(s): William Reeve

Afterpiece Title: The Round Tower

Related Works
Related Work: The Round Tower; or, The Chieftains of Ireland Author(s): William Reeve

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

16186
18 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: At Kings The Heir At Law

Afterpiece Title: The Children in the Wood

16187
17 September 1798 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Botheration or A Ten Years Blunder

Song: In V: a Dirge, set to music by Shield. Vocal Parts-Mrs Martyr, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Miss Wheatley, Linton, Street, Gray, Lee, Platt, Dyke, Curties; Incidental to afterpiece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, The Monument, St. Paul's, Wigs and Crops, Debating Clubs, Boarding Schools, Squares, Inns, Gardens, Fields, Soldiers, Sailors, and Volunteers)-Johnstone

16188
14 March 1799 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Oscar and Malvina

Related Works
Related Work: Oscar and Malvina; or, The Hall of Fingal Author(s): William Shield

Song: As17990309

16189
19 April 1799 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

16190
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son in Law

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

16191
28 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Mock Doctor

Song: Vocal Parts, as17991213, but _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Jacobs, Ms _Butler, Ms _Saunders, Ms _Gawdry, Ms _Benson, Ms _Coates

16192
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Lodoiska

16193
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: Londons Tryumph

16194
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

16195
29 October 1661 @ The City, London

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: Londons Triumphs

16196
22 January 1662 @ The Red Bull Theatre

Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Performances

Mainpiece Title: The New Made Nobleman

16197
May 1663 @ no theater listed

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

16198
10 December 1663 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

16199
30 May 1664 @ The Red Bull Theatre

Event Comment: A facsimile of a bill announcing A Trial of Skill at this playhouse, 30 May 1664, is in Rariora, ed. John Eliot Hodgkin (London, n.d.), III, 53-54. See also William VanLennep, The Death of the Red Bull, Theatre Notebook, XVI (1962), 133-34

Performances

16200
November 1664 @ The (first) Drury Lane Theatre

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment