SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Victor"/1) | (@(roleclean,performerclean) "Mr Victor")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4241 matches on Event Comments, 1146 matches on Performance Comments, 528 matches on Performance Title, 24 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: Alphonso King Of Naples

Performances

Mainpiece Title: The Husband His Own Cuckold

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, Ah Belinda I am pressed, in this play, appeared in Orpheus Britannica, 1698, the music by Henry Purcell, who had died some years before its appearance in this collection. A Comparison Between the Two Stages (1702), pp. 26-27, referring to the rivalry between lif and dl in reviving Shakespeare and Jonson: The Battel continued a long time doubtful, and Victory hovering over both Camps, Batterton Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with Measure for Measure

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Performances

Mainpiece Title: Parnasso In Festa

Performances

Mainpiece Title: Love And Friendship

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Don Saverio

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Performances

Mainpiece Title: Merope

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Contrivances

Dance: As17581016