SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15926 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 131 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Being the 20th day of Mr Foote's performing. To begin at 7:00 p.m. The Orators being particularly desired in the Evening, Mr. Foote will continue his course of lectures this Day

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Orators

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: As Signora Mattei will leave England soon after the Operas are over; and as Mr Crawford will have no further concern with the Management of Operas, all the Cloaths used in the Burlettas and Dances, with many other articles, being his own Property and that of Signora Mattei's, will be sold. The particulars of which may be had of Mr Crawford at the finishing of the season

Performances

Mainpiece Title: Zanaida

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: Harlequin Sorcerer

Event Comment: Towards raising a Sum of Money for building a Wing to the Middlesex Hospital. Pit and Boxes at Half a Guinea. Gallery 5s. Upper Gallery 3s. 6d. To begin at 6:30 p.m. After the Opera will be an Assembly, with Coffee, Tea, Orgeat, and Lemonade. At Mr Almack's Great Room in King St., St James, to which every Gentleman or Lady who shall produce a Ticket that will be annexed to the Box Tickets for the Opera, will be admitted without any additional Expense. Box Tickets for this Night will admit only one Person into any part of the House, as the Tickets for the Assembly are annexed thereto. Mr Almack's room will be opened at Nine o'clock, and Ladies are desired to order their Chairs to wait in King Street, and the Coaches in St James's Square

Performances

Mainpiece Title: Ezio

Dance: Between the acts:

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Event Comment: New Comedy Never Perform'd. [Attributed to Mrs Griffith. For Contemporary account see Gentleman's Magazine, January 1766, p 19.

Performances

Mainpiece Title: The Double Mistake

Performance Comment: Parts-Ross, Shuter, Dunstall, Cushing, Weller, Miss Wilford, Mrs Walker, Smith, Dyer, Hull, Holtom, Murden, Miss Macklin, Mrs Mattocks; Prologue-Smith; Epilogue-Miss Wilford according to the Gazetteer and New Daily Advertiser; Lord Belmont-Ross; Sir Charles Somerville-Smith; Mr Belmont-Shuter; Elder Freeman-Hull; Southerne-Dunstall; Young Freeman-Dyer; Emily-Mrs Mattocks; Lady Mary-Miss Macklin; Lady Louisa-Miss Wilford; Lady Bridget-Mrs Walker (Genest, V, 106); Parts-Cushing, Weller, Holtom, Murden.

Dance: III: The Village Romps, as17651019

Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lethe

Performances

Mainpiece Title: A Variety Show

Performance Comment: Singing-; slack rope-. Sg Placido's Company will exhibit. Singing by Keen, Mrs Lampe, vaulting on slack rope by Sg Spinacuta. Dancing by Miss Ferci, and Miss Casaia. Tumbling by Sg Placido, Mr Williams, Sturpesi and Pedro. Dancing on the tight rope by Miss Ferci, Mas Placido, Spinacuta, Sga Placido, Sg Ferci, and Placido. Ferci will jump backwards and forwards over a cane, and put on and take off his hat. With several feats of activity never seen in England before. And Variety of Exhibitions. The most surprising and diverting performance on the tight rope by the Monkey. He walks and dances on the tight rope with a pole; he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia. he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia.
Event Comment: Return'd by two persons who came in the 4th inst. with an Order wrote by Mr Sarjant for Mr Barber, and went out and took the money for it at the Pitt door-6s. (Account Book). Receipts: #188 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Apprentice

Dance: II: The Garland, as17661023

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Tom Thumb

Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Author

Dance: TThe Pedlar, as17700516

Performances

Mainpiece Title: The Lame Lover

Performance Comment: Parts by Foote, Weston, Vandermere, Robson, Wheeler, Dancer, Knowles, Griffiths, Mrs Jewell, Mrs Saunders, Mrs Read, Mrs White, Miss Trowel, Mrs Gardner. With a Prologue written and spoken-Mr Gentleman; Sir Luke Limp-Foote; Circuit-Vandermere; Jack-Weston; Col. Secret-Robson; Woodford-Knowles; Mrs Circuit-Mrs Gardner; Charlot-Mrs Jewell; Mrs Simper-Mrs Saunders; Betty-Mrs Reed (Edition of 1770).
Cast
Role: Woodford Actor: Knowles

Afterpiece Title: The Virgin Unmasked

Dance: TThe Cowkeeper, as17700521

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Jubilee

Event Comment: By Command of their Majesties. Performed as an Oratorio, though only a Serenata. Words by Gay...set to music by Mr Handel for that princely nobleman the Duke of Chandos...This being too short for a whole evening's entertainment, Mr Dryden's celebrated Ode, also set by Handel, was performed after the Serenata. End of Part I Concerto on French Horn, by Ponta. End of Part II, Solo on Violincello-Janson (Theatrical Review, 18 March). Ross and Mossop engag'd for Haymarket for tragedy, also Bannister; Aickin, Baddeley, Parsons, Dibdin, Mrs Baddeley, Evans, Miss Miller, Miss Ambrose &c. (Winston MS 10). [For Summer season?]

Performances

Mainpiece Title: Acis And Galatea With Drydens Ode

Music: End Part I: Concerto on French Horn-Ponta; End Act II: Concerto on Violincello-Janson

Event Comment: Music composed by Mr Arnold...a very noble Piece of Composition; the airs are pleasing, and the chorusses majestically grand; upon the whole this is the most capital Performance in the Oratorio style Mr Arnold has produced (Theatrical Review, p. 218). Charges: #35 (Account Book)

Performances

Mainpiece Title: The Resurrection

Music: End Part I: Concerto on French Horn, as17720306 End Part II: A New Concerto on Violin by Cirri-Sga Sirmen (Theatrical Review, p. 218)

Event Comment: An Oratorio With Alterations composed by Mr Arnold. A very Pleasing Oratorio, though there is a great sameness in the songs, but the chorusses are masterly and grand. It has undergone some alterations, greatly for the better since it was first brought out. Music by Mr Arnold (Theatrical Review, p. 219).Charges: #35 (Account Book)

Performances

Mainpiece Title: Abimelech

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Performance Comment: Col. Tamper-Wroughton; Prattle-Lewes; Maj Belford-DuBellamy; Madam Florival-Mrs Lessingham; Bell-Bulkley; Emily-Mrs Mattocks.
Cast
Role: Maj Belford Actor: DuBellamy

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Performance Comment: Blurton, Miss Besford.

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Event Comment: Mrs Booth has lately erected a Monument to B. Booth, is now upwards of 90, was the famous Miss Santlowe so much admir'd as Actress and Dancer (Winston MS 10). Advanc'd Mr Barry (b:office keeper) #15; Ditto to Mr Watson (b:office keeper) #10 (Treasurer's Book). [Operating cash returned to treasury on 5 June 1773, but with a deficit of #6 5s. Barry seems not to have been hired thereafter, Archeveque taking his place the following season.] Receipts: #173 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Macheath Actor: Vernon

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance, as17720922