SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon"/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary Benefit for Vernon Paid Mr Barthelemon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15926 matches on Event Comments, 2665 matches on Performance Comments, 704 matches on Performance Title, 131 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Melini. Pit and Boxes 5s. Gallery 2s. 6d

Performances

Mainpiece Title: Don Calascione

Event Comment: Benefit for Messrs Usher, Simson, and Geo. Burton. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Lying Valet

Song: II: Highland Lad-Master Mattocks

Dance: III: Black Joke, as17500420 IV: Swedish Gardeners, as17491219

Event Comment: Benefit for Marten and Miss Young. Charges #60. Deficit to each #14 3s. 9d., covered by income from tickets: Marten #62 17s.; Miss Young #57 2s. Advanced to Servandoni #5 5s. N.B. The Opera Rosamond cannot be performed on account of Miss Falkner's Indisposition. Receipts: #31 12s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob

Dance: III: Scotch Measure, Highland Reel-Froment

Song: IV: Rise Glory rise (From Opera Rosamond)-Lowe

Event Comment: Benefit for Mas. Maltere, Miss Foulcade, Mrs L'font & Goodwin. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Anatomist

Dance: II: Wooden Shoe-Master Malter, two Miss Foulcades; III: Dutch Sailor-Mas. Maltere; IV: Les Fantasies de la Dance, as17500428 but-Miss Foulcade; V: Louvre & Minuet-Maltere, Miss Foulcade

Event Comment: Benefit for Anderson, Dupre and Mrs Gondou. Charges #60. Deficit to each of the beneficiaries #14 9s. 8d., covered by income from tickets: Anderson #47 13s.; Dupre #42 14s.; Mrs Gondou #28 6s. Receipts: #16 11s

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Hob

Event Comment: Benefit for Dickinson, Harrison, Champnes

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Lethe

Dance: I: Swedish Gardeners, as17491219; II: (By Desire) Hornpipe-Harrison; III: Punch Dance-Harrison; IV: Black Joke, as17500420

Ballet: V: Drunken Peasant. Peasant-Harrison; Clown-Master Shawford

Performance Comment: Peasant-Harrison; Clown-Master Shawford.
Cast
Role: Clown Actor: Master Shawford.
Event Comment: Benefit for Collins and Oates, Sr. Charges #60. Deficiency to Collins #14 8s. 9d., to Oates #34 8s. 9d., covered by income from tickets: Collins #47 7s.; Oates, Sr #88 3s. Receipts: #11 2s. 6d

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for Lawrence, Vaughan, and Green. Charges #70. Deficit covered by income from tickets: Lawrence #61 7s.; Vaughan #71 1s.; Green #57 9s. Each in addition receiv'd #10 for his attendance this season. [They were Box-Keepers.] Receipts: #17 7s

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Hobson. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: A Duke and no Duke

Song: I: The Reasonable Lover (by Desire)-Master Mattocks

Dance: II: Hornpipe-Mathews; III: Swedish Gardeners, as17491219; V: Black Joke, as17500420

Event Comment: Benefit for Evans and Condell (Box-Keepers) and Page (House-keeper). Charges Evans #35; Condell #20; Page #3 3s. 6d. (taken up by Rich), plus 1!2 value of his tickets or #18 4s. Evans covered his Charges by #105 5s. from Tickets; Condell by #43 16s. from tickets; Page by #36 8s. These Box-Keepers also rec'd #10 each for attendance this season. Receipts: #12 14s

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Stage Coach

Event Comment: Benefit for the prisoners confined in the Marshalsea Prison, Southwark. Being their first application of this kind. Tickets to be had at The Marshalsea Prison, and of Hobson at the stage door. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: A Duke and no Duke

Dance: Grandchamps, Mlle Auretti, Mathews

Event Comment: Benefit for Bennet, Driscoll, Ross, Banks, Trott (Lobby door-keeper). [Fifteen had tickets. See below. The House amounted to #214 6s. and took half, distributing the rest according to the tickets delivered.] @Tickets Box Pit Gallery Value 1!2 Value@Bennet 8 83 67 #21 3s. #10 11s. 6d.@Driscol 1 87 83 #21 12s. #10 16s.@Ross 7 35 34 #10 8s. #5 4s.@Ruby 164 79 35 #56 7s. #28 3s. 6d.@Bancks 5 176 180 #45 13s. #22 16s. 6d.@Elliot ... 23 58 #9 5s. #4 12s. 6d.@Barr 7 - ... #1 15s. 17s.@Barnard 2 19 20 #5 7s. #2 13s. 6d.@Mrs Hales ... 20 20 #5 #2 10s.@Hanmore 4 8 16 #3 16s. #1 18s.@Griffiths 1 12 18 #3 17s. #1 18s. 6d.@Cautherly 5 11 20 #4 18s. #2 9s.@Martin ... 2 13 #1 12s. 16s.@Mason 1 5 6 #1 12s. 16s.@Elrington 10 ... ... #2 10s. #1 5s.@Total 215 560 570 #194 15s. #97 7s. 6d.@ 1,345 tickets given out. Advanced to Servandoni #5 5s. Receipts: #19 11s

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Lowe. Tickets three shillings. To begin at half past six (Daily Advertiser)

Performances

Mainpiece Title: Henry And Emma

Song: The whole collection of favorite songs- from the opera; by particular desire Rise Glory Rise from the opera Rosamond-

Event Comment: Benefit for Miss Charlotte Skinner. Tickets to be had at Miss Skinner's Lodgings, No 4, Angel Court, Windmill St., Haymarket (Daily Advertiser). A Concert. As no money can be taken, only those given tickets by Miss Skinner can be admitted. As this Advertisement was sent too late to be altered in the Daily Advertiser, it is hoped that the Advertisement inserted in that Paper for this Entertainment will not be regarded, as to any Money being taken for places. To begin at 6 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for a Citizen's Widow & 8 Children (Cross). Servants allowed to keep places on the stage, which will be formed into front and side Boxes (General Advertiser). The Stage being build, & Crowded, broke down, but luckily nobody was hurt (Cross). Tickets as of notice on 28 Nov. Receipts: #280 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in Her Teens

Dance: I: Comic Dance, as17501117; End of Play: Comic Dance-McNeil, Mad Camargo. [the Dance which was inserted in Way of the World; see17501115]

Event Comment: Benefit for ye Author (Cross). Tickets delivered for the third night will be taken (General Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for Signora Galli

Performances

Mainpiece Title: La Forza Damore

Event Comment: Benefit for Quin

Performances

Mainpiece Title: Othello

Event Comment: Benefit for Mrs Cibber. Play By Command of Prince & Princess of Wales. Play taken from the French of M de Voltaire. Never acted there before.' Pit and boxes to be laid together, where the Ladies and Gentlemen will be admitted as at the Oratorios. And for the better accommodation of the Ladies the Stage will be form'd into an amphitheatre (with particular care to keep it warm) where servants will be allowed to keep places, as also in the Pit. Ladies send servants by three o'clock

Performances

Mainpiece Title: Zara

Dance: As17500926

Event Comment: Benefit for Miss Bellamy. Ladies send servants by 3 o'clock. Tickets of Miss Bellamy at her house in King St., James's Square, and at stage door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Signora Frasi

Performances

Mainpiece Title: La Forza Damore

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Benefit for Ryan. Performance Cancelled. [See Cross note for dl.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Song: IV: Miss Falkner

Dance: GGrand Scots Ballet, as17500926

Event Comment: Benefit for Ryan. Tickets for 21st of March will be taken

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Song: IV: Miss Falkner

Dance: GGrand Scots Ballet, as17500926