SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5377 matches on Event Comments, 2595 matches on Performance Comments, 628 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Arrived at Portsmouth

Performance Comment: Principal Characters by Quick, Incledon, Johnstone, Munden, Fawcett, Bowden, Townsend, Davenport, Claremont, Rock, Burton, Linton, Gray, Miss Hopkins, Mrs Henley, Mrs Mountain. [Cast from text (T. N. Longman, 1794): Wildfire-Quick; Magnet-Incledon; Captain Pendant-Johnstone; Piccaroon-Munden; Ferret-Fawcett; Captain Tropic-Bowden; Major Drummond-Townsend; Landlord-Davenport; Ensign Somers-Claremont; Mat-Rock; Waiter-Burton; Sea Officer-Linton; Fanny Pendant-Miss Hopkins [in text: Miss Poole]; Mrs Ferret-Mrs Henley; Louisa Bowers-Mrs Mountain; Gray [is unassigned. Gray [is unassigned.
Cast
Role: Fanny Pendant Actor: Miss Hopkins

Afterpiece Title: Two Strings to Your Bow

Performance Comment: Lazarillo-Munden; Borachio-Bernard; Octavio-Davies; Ferdinand-Macready; Don Pedro-Powel; Don Sancho-Thompson; Drunken Porter-Farley; Waiters-Cross, Ledger; Leonora-Miss Stuart; Maid-Miss Leserve; Donna Clara-Miss Hopkins.
Cast
Role: Donna Clara Actor: Miss Hopkins.

Performances

Mainpiece Title: The Town Before You

Performance Comment: Characters-Lewis, Quick, Holman, Pope, Munden, Fawcett, Bernard, Hull, Powel, Miss Wallis, Mrs Mattocks, Mrs Martyr, Miss Chapman, Miss Hopkins, Mrs Platt, Mrs Pope. Cast from text (T. N. Longman, 1795), and London Chronicle, 9 Dec.: Tippy-Lewis; Sir Robert Floyer-Quick; Conway-Holman; Asgill-Pope; Humphrey-Munden; Fancourt-Fawcett; Acid-Bernard; Perkins-Hull; Sir Simon Asgill-Powel; Slopseller-Thompson; Buckram-Williamson; Holdfast-Cross; Sir Robert's Servant-Simmons; Georgina-Miss Wallis; Mrs Fancourt-Mrs Mattocks; Jenny-Mrs Martyr; Lady Charlotte-Miss Chapman; Lady Elizabeth-Miss Hopkins; Mrs Clement-Mrs Platt; Lady Horatia Horton-Mrs Pope; Mrs Bullrush-Miss Stuart; Lady Horatia's Servant-Miss Leserve; Prologue-Mrs Mattocks; Epilogue-Miss Wallis.

Afterpiece Title: Netley Abbey

Cast
Role: Lucy Oakland Actor: Miss Hopkins

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.
Cast
Role: Lady Blanche Actor: Miss Hopkins

Afterpiece Title: Windsor Castle

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: The Telegraph

Performance Comment: ; or, A New Way of Knowing Things. Characters by Quick, Powel, Haymes, Rock, Farley, Thompson, Abbot, Davenport, Fawcett, Miss Hopkins, Miss Stuart, Mrs Davenport. [Cast from text (J. Downes, 1795): Sir Peter Curious-Quick; Deputy Feedwell-Powel; Major O'Donelly-Haymes; Cook-Rock; Drama-Farley; Coachman-Thompson; Servant-Abbot; Butler-Davenport; Fertile-Fawcett; Gardener-Wilde; Hostler-Horton [recte Burton]; Footman-Blurton; Emily-Miss Hopkins; Edging-Miss Stuart; Lady Curious-Mrs Davenport; Housekeeper-Mrs Platt; Maid-Miss Leserve.
Cast
Role: Emily Actor: Miss Hopkins

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Song: III 2nd piece: song in character-Mrs Clendining

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: New Hay at the Old Market

Performance Comment: Characters by Bannister Jun., Suett, Caulfield (with Imitations), Benson, Waldron, Waldron Jun,, Bland, Mrs Hopkins, Mrs Gibbs. Cast from text (T. Cadell and W. Davies, 1795): Daggerwood-Bannister Jun.; Fustian-Suett; Apewell-Caulfield; Carpenter-Benson; Prompter-Waldron; Manager's Servant-Bland; Mrs Beezom-Mrs Hopkins; Molly Beezom-Mrs Gibbs; unassigned-Waldron Jun.
Cast
Role: Mrs Beezom Actor: Mrs Hopkins

Afterpiece Title: The Battle of Hexham or Days of Old

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Characters by Kemble, Bensley, Palmer, Barrymore, C. Kemble, Caulfield, Whitfield, Maddocks, Benson, Packer, Trueman, Mrs Hopkins, Mrs Powell, Miss Miller, Mrs Siddons. Cast from text (C. Lowndes, 1795): Alexander-Kemble; Clytus-Bensley; Cassander-Palmer; Lysimachus-Barrymore; Hephestion-C. Kemble; Polyperchon-Caulfield; Perdiccas-Whitfield; Thessalus-Maddocks; Eumenes-Benson; Aristander-Packer; Slave-Trueman; Sysigambis-Mrs Hopkins; Statira-Mrs Powell; Parisatis-Miss Miller; Roxana-Mrs Siddons.
Cast
Role: Sysigambis Actor: Mrs Hopkins

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Cast
Role: Benedicta Actor: Mrs Hopkins

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: A Day at Rome

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Townsend, Rees, Linton, Gray, Street, Abbot, Blurton, Platt, Dyke, Whitmore, Lee, Mrs Davenport, Miss Wheatley, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts, Mrs Martyr. Cast from text (H. D. Symonds and G. Cawthorn, 1798): Rivers-Incledon; Sir Timothy Hopkins-Munden; Pisani-Fawcett; MacRusty-Townsend; Gioachino-Abbot; Lady Hopkins-Mrs Davenport; Juliana-Miss Wheatley; Mrs Blarney-Mrs Martyr; unAssigned-Rees, Linton, Gray, Street, Blurton, Platt, Dyke, Whitmore, Lee, Miss Leserve, Mrs Follett, Mrs Blurton, Mrs Watts.
Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: Londons Glory Represented By Time Truth And Fame

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: The King's Company. Pepys, Diary: We [Pepys and his wife] went to the Theatre, but coming late, and sitting in an ill place, I never had so little pleasure in a play in my life, yet it was the first time that ever I saw it, Victoria Corombona. Methinks a very poor play. Pepys, Diary, 3 Oct.. I...calling at Sir W. Batten's, where his son and his wife were, who had yesterday been at the play where we were, and it was good sport to hear how she talked of it with admiration like a fool

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: Londons Triumphs

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: Evelyn, Diary: Saw a fine Mask at court perform'd by 6 Gent: & 6 Ladys surprizing his Majestie, it being Candlemas day. Pepys, Diary, 3 Feb.: Then Mrs Pickering...did, at my Lady's command, tell me the manner of a masquerade before the King and Court the other day. Where six women (my Lady Castlemayne and Duchesse of Monmouth being two of them) and six men (the Duke of Monmouth and Lord Arran and Monsieur Blanfort, being three of them) in vizards, but most rich and antique dresses, did dance admirably and most gloriously. God give us cause to continue the mirthe!

Performances

Mainpiece Title: A Masque

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Event Comment: On 22 July 1667 Pepys implies that the theatres had been closed in June and early July, possibly because of the naval encounters with the Dutch. On 6 June, however, he records in his Diary: After dinner my father and wife to a play [Pepys, Diary]

Performances

Event Comment: The Duke's Company. See Pepys, Diary:, 9 April, for an account of Davenant's funeral on 9 April. Pepys, Diary: With Lord Brouncker to the Duke of York's playhouse, where we saw The Unfortunate Lovers, no extraordinary play, methinks

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The King's Company. Pepys, Diary: By and by comes my wife and Deb. home, have been at the King's playhouse to-day, thinking to spy me there; and saw the new play, Evening Love, of Dryden's, which, though the world commends, she likes not. Evelyn, Diary: To a new play, with severeall of my Relations, the Evening Lover, a foolish plot, & very Prophane, so as it afflicted me to see how the stage was. degenerated & poluted by the licentious times

Performances

Mainpiece Title: An Evenings Love

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Forcd Marriage Or The Jealous Bridegroom

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betrayd Or Anna Bullen