SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4493 matches on Event Comments, 1799 matches on Performance Comments, 618 matches on Performance Title, 32 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Toby Fuz-Love; Patent-Packer; Carpenter-Moody; Sir Macaroni-Dodd; Wilson-Palmer; Prompter-Bannister; Housekeeper-Johnston; Shepherds-Dodd, Parsons, Hartry, Fawcett, Kear, Messink; Orpheus-Vernon; Rhodope-Mrs Baddeley; Sweepers-Mrs Bradshaw, Mrs Love; Miss Fuz-Miss Burton; Lady Fuz-Mrs Hopkins.

Dance: I: Comic Dance, as17690926

Entertainment: LLinco's Travels-King (with considerable alterations and additions) His remarks on England and the Jubilees

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Bully, song-Vernon; Lord Rake-Ackman; Justice-Bransby; Razor-Baddeley; Lady Fanciful-Mrs Abington; Belinda-Mrs Jeffries; Mademoiselle, song-Miss Radley; Lady Brute-Mrs Barry.

Afterpiece Title: The Ladies Frolick

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Jaques-Love; Duke Sen-Hurst; Oliver-Packer; Amiens (songs)-Vernon; Adam-Moody; LeBeau-Ackman; Silvius-Wheeler; Charles-Keen; Jaques de Bois-Fawcett; Corin-Hartry; William-Messink; Audrey-Mrs Bradshaw; Phoebe-Mrs Davies; Celia-Miss Rogers; Rosalind-Mrs Barry.

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego-Bannister; Mungo-Dibdin; Ursula-Mrs Dorman; Leonora-A young Gentlewoman, 1st appearance [Mrs Hunt].Mrs Hunt].

Dance: I: Comic Dance, as17710921

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Dodd; Sir William Meadows-Parsons; Hodge-King; Hawthorn-Vernon; Justice Woodcock-Hartry; Eustace-Fawcett; Deborah Woodcock-Mrs Love; Margery-Miss Pope; Lucinda-Mrs Scott, 1st time; Rosetta-A Young Gentlewoman[, 1st time [Mrs Hunt]; [In Act I: a Dance- [incidental to the Opera.incidental to the Opera.

Afterpiece Title: The Mayor of Garratt

Dance: II: The Sailors Revels-Atkins

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Beatrice-Miss Pope; Hero-Mrs Morland; Leonato-Aickin; Claudio-Cautherly; Balthasar (song)-Vernon; Don John-J. Aickin; Dogberry-Parsons; Verges-Hartry; Town Clerk-Baddeley; Ursula-Mrs Millidge; Friar-Burton; Don Pedro-Packer; Antonio-Hurst; Borachio-Ackman; Margaret-Mrs Bradshaw; In Act II a Masquerade Dance- proper to the play; To Conclude with a Country Dance-.

Afterpiece Title: The Anatomist or the Sham Doctor

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Vernon; Jobson-Love; Lady Loverule-Miss Ambrose; Nell-Miss Pope.

Dance: V: The Sailors Revels, as17711008

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego-Bannister; Mungo-Dibdin; Ursula-Mrs Love; Leonora-Mrs Hunt.
Event Comment: Paid Mr Vernon on note #36; Chorus 2 nights (this incl.) #5 1s. Receipts: #163 10s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

Event Comment: Books of the Masque to be had at the Theatre. Paid Chorus 2 nights (this incl.) #4 1s.; Mr Vernon on note #28 1s. (Treasurer's Book). Receipts: #110 14s. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Performance Comment: Johnson-Moody, first time; Sir John Loverule-Vernon; Nell-Miss Pope; Lady Loverule-Mrs Johnston.

Dance: IV: The Mountaineers, as17730930

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Jefferson; Antonio-Davies; Fabian-Waldron; Maria-Mrs Hopkins; Sir Toby-Palmer; Malvolio-King; Sir Andrew-Dodd; Sebastian-Cautherly; Clown (with Original Epilogue song)-Vernon; Viola-Miss Younge; Maria-Mrs Hopkins; Olivia (with Song)-Mrs Abington (playbill).

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Palmer; Ferdinand (With songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Ackman; Ceres-Mrs Wrighten; Ariel (With songs)-Mrs Scott; Miranda (With song)-Mrs Smith; Hymen-Fawcett; Gonzalo-J. Aickin; Alonzo-Bransby; Sebastian-Keen; Francisco-Griffith; Boatswain-Wright; Master of Ship-Wrighten; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi, Mrs Sutton.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The School For Fathers

Performance Comment: Lionel-Vernon; Sir John Flowerdale-Aickin; Col. Oldboy-Parsons; Jessamy-Dodd; Jenkins-Bannister; Diana-Mrs Wrighten; Lady Oldboy-Mrs Bradshaw; Jenny-Mrs Davies; Clarissa-Mrs Smith; Harman-Davies.

Afterpiece Title: The Register Office

Entertainment: End Act II: Hippisley's Drunken Man-Weston

Dance: End: The Mountaineers, as17730930

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-King; Bassanio-Cautherly; Antonio-Reddish; Gratiano-Dodd; Salanio-Fawcett; Gobbo-Parsons; Launcelot Gobbo-W. Palmer; Tubal-Messink; Nerissa-Mrs Davies; Portia-Mrs Abington; Jessica (with Song)-Miss Jarratt; Salarino-Keen; Duke-Wright; Lorenzo (With Songs)-Vernon.

Afterpiece Title: A Peep behind the Curtain

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Reddish; Duke Sen-Hurst; Touchstone-King; Oliver-Davies; Jaques-Jefferson; Duke Fredrick-Bransby; Amiens (With Songs)-Vernon; Adam-Moody; Silvius-Whitfield; Celia (with Song)-Miss Jarratt; Audrey-Mrs Bradshaw; Rosalind-Miss Younge; LeBeau-Everard; Corin-Waldron; Jaques de Bois-Fawcett; William-Messink; Phoebe-Mrs Davies; in V, a Dance of Forresters-Como, Giorgi; and a Song-Mrs Scott.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Note of Hand

Dance: I: The Schoolmaster-Como, Sga Crespi

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Performance Comment: Byron-Vernon; Sir Harry-Dodd; Worry-Parsons; Spy-Weston; First Gardner-Bannister; Gardners-Fawcett, Kear; Jenny-Mrs Wrighten; Narcissa-Mrs Smith, first time.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas , Israelite Man , Israelite Woman , Chorus , Simon (Brother to Judas ), Messenger , Eupolemus (Jewish Ambassador to Rome ) Principal Vocal parts-Vernon, Champness, Leoni, Mrs Wrighten, Mrs Weichsel.

Music: First Violin-Lamotte; after I: Concerto on German Flute-Florio; Part II: Violin Concerto-Lamotte

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Reddish; Jaques-Jefferson; Duke Senior-Hurst; Duke Frederick-Bransby; Oliver-Packer; Amiens (with songs)-Vernon; Corin-Waldron; LeBeau-Everard; Silvius-R. Palmer; William-Messink; Adam-Moody; Caelia-Mrs Baddeley; Cuckoo Song-Mrs Baddeley; Phoebe-Mrs Davies; Audrey-Mrs Bradshaw; Rosalind-Miss Younge.

Afterpiece Title: Bon Ton or High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Event Comment: London Journal, 21 April: The Scholars of Mr Weston...performed the Play of Tamerlane...before the Lords of the Admiralty, with great Applause

Performances

Mainpiece Title: Tamerlane

Event Comment: Acted sometime during this week.] Evening Post, 22 Nov.: We hear that last Week the Gentleman of Mr Clare's Academy in Soho Square acted the celebrated Tartuffe of Moliere, done into English by themselves, before many Persons of Distinction, with great Applause

Performances

Mainpiece Title: Tartuffe

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: Written by Shakespear. Daily Advertiser, 22 Dec.: On Saturday last was performed...As you like it; the extraordinary Applause it met with, is a strong Proof of the Merit of that immortal Author

Performances

Mainpiece Title: As You Like It

Dance: I: Les Jardiniers Suedois-Fausan, Signora Fausan; III: L'Allamande-Muilment, Mlle Chateauneuf