SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Dogget"/1) | (@(roleclean,performerclean) "Mr Tho Dogget")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4312 matches on Event Comments, 1284 matches on Performance Comments, 541 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Knight; Sir William Meadows-Powel; Eustace-Townsend; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Rees; Maid-Miss Stuart; Rosetta-Mrs Serres (1st appearance on any stage).
Cast
Role: Hawthorn Actor: Johnstone

Afterpiece Title: The Midnight Hour

Performance Comment: General-Munden; Nicholas-Fawcett; Sebastian-Macready; Matthias-Powel; Ambrose-Thompson; Marquis-Middleton; Flora-Mrs Mattocks; Cecily-Mrs Davenport; Julia-Miss Chapman.
Cast
Role: Ambrose Actor: Thompson

Dance: In I: Dance- incident to the Piece

Event Comment: Mainpiece: For the first time here (by permission of the Manager of the Theatre Royal, Hay Market). [Author of Prologue unknown.] Paid Messrs Hammersley & Co.'s Trust Account for Renters, Theatre Rent, Patent Rent, Taxes, Insurance, and other certain Charges for 12 nights Paid each night #100: #1,200. Receipts: #235 9s. 6d. (174.9.0; 59.12.0; 1.8.6)

Performances

Mainpiece Title: The Three And The Deuse [sic]

Afterpiece Title: Lodoiska

Cast
Role: Ithorak Actor: Dignum

Performances

Mainpiece Title: First Love

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Deserted Daughter

Related Works
Related Work: The Deserted Daughter Author(s): Thomas Holcroft

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: Rose And Colin

Cast
Role: Higgins Actor: Thompson

Afterpiece Title: The Secret Tribunal

Performance Comment: Principal Characters by Holman, Pope, Harley, Middleton, Hull, Macready, Powel, Claremont, Thompson, Williamson, Abbot, Miss Morris, Miss Wallis. Cast from text (T. N. Longman, 1795): Herman-Holman; Ratibor-Pope; Holstein-Harley; Ulric-Middleton; Principal Judge of the Tribunal-Hull; Duke of Wirtemberg-Macready; Badendorff-Powel; Rudolph-Claremont [in text: Williamson]; Minister of Vengeance-Thompson; Ellen Holstein-Miss Morris; Ida-Miss Wallis; Williamson, Abbot [are unassigned. Williamson, Abbot [are unassigned.

Afterpiece Title: The Shipwreck; or Treachery and Ingratitude

Song: In 3rd piece: a song-Townsend

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Secret Tribunal

Afterpiece Title: The Shipwreck

Dance: In 3rd piece: Dance, as17951026

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Prize

Song: As17951123

Performances

Mainpiece Title: Wild Oats

Cast
Role: Gammon Actor: Thompson

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Dance: End: Highland Festivity-Byrn, Holland, Mlle St.Amand

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Son-in-Law

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: ThomasApple@tree Actor: Suett

Afterpiece Title: The Children in the Wood

Related Works
Related Work: The Children in the Wood Author(s): Thomas Morton
Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Catharine and Petruchio

Cast
Role: Baptista Actor: Thompson
Role: Landlord Actor: Thompson

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Prize

Cast
Role: Ithorak Actor: Dignum

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp.
Cast
Role: Thomas Actor: Burton

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize; or, 2

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Follies Of A Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Afterpiece Title: The Prize

Afterpiece Title: The Children in the Wood

Related Works
Related Work: The Children in the Wood Author(s): Thomas Morton

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Bowden; Hodge-Knight; Sir William Meadows-Powel; Eustace-Townsend; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Simmons; Maid-Mrs Lloyd; Rosetta-Mrs Addison (of the Private Theatre Royal in Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Hawthorn Actor: Bowden

Afterpiece Title: The Prisoner at Large

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prisoner

Related Works
Related Work: The Prisoner Author(s): Thomas Attwood

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prisoner

Related Works
Related Work: The Prisoner Author(s): Thomas Attwood

Ballet: The Triumph of Love. As17961001

Related Works
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Ratcliffe-Thompson; Lord Mayor-Powel; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Fawcett.
Cast
Role: Ratcliffe Actor: Thompson

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Thomas Butler

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Dance: As17961019

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Shipwreck

Song: In II: a song-Master Welsh

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Performance Comment: Atall-Lewis; Careless-Holman; Clerimont-Macready; Finder-Farley; Sir Harry Atall-Thompson; Dr Bolus-Davenport; Rhubarb-Wilde; Mr Wilful-Powel; Supple-Simmons; Sir Solomon Sadlife-Quick; Wishwell-Mrs Mattocks; Lady Dainty-Mrs Knight; Clarinda-Miss Chapman; Sylvia-Miss Mansel; Lady Sadlife-Miss Wallis.
Cast
Role: Sir Harry Atall Actor: Thompson
Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): Thomas Arne

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.
Cast
Role: Alberto Actor: Thompson

Afterpiece Title: Oscar and Malvina