SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Storace"/1) | (@(roleclean,performerclean) "Mr Storace")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4285 matches on Event Comments, 1259 matches on Performance Comments, 754 matches on Author, 534 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: LLa Serva Padrona; or, The Servant Mistress announced but cancelled. [This entertainment was advertised as to be given by particular desire, with the addition of a new act, and a new character, as it was performed originally at the Theatre Royal in Naples. Set to music by Pergolesi. With Dancing. The Scenes and Cloaths entirely new. Boxes 5s. Pit 3s. Gallery 2s. The house to be illuminated with wax candles. The whole to be under the direction of Sg Storace and Mr Oswald. Sga Seratina being recovered from her late indisposition to perform this night. Notice, however, on the proposed day of performance appeared in the Public Advertiser: "La Serva Padrona is stopp'd by a particular order of the Lord Chamberlain, but as a great many of the Nobility and Quality are very desirous to see this entertainment, it will be soon presented at another theatre." See 29 March.

Performances

Event Comment: Benefit for Storace. The Whole adapted to the original Music of Pergolesi by Storace. Tickets 3s. The Concert included vocals by Mas. Cheney and Mrs Barthelemon, and Musical imitations by Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: Solo Concerto on Violin by Barthelemon

Song: Additional Songs by Arnold

Event Comment: Benefit for Storace. [The play a musical entertainment by Storace, between a concert of vocal and instrumental music, and the usual fireworks.] Tickets 3s. 6d

Performances

Mainpiece Title: The Coquet

Performances

Mainpiece Title: Acis And Galatea Prodigal Son

Afterpiece Title: A Miscellaneous Concert

Performance Comment: As17770319but My Heart is inditing-_;to conclude with Zadock the Priest-(from Coronation Anthems); A song-Miss Storace.
Cast
Role: A song Actor: Miss Storace.

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Characters-Morelli, Morigi, Calvesi, Fineschi, Sga Schinotti, Sga Morigi, Sga Storace. Libretto (T. Cadell, 1776) lists the parts: Il Cavaliere Giocondo, Nardone, Don Fabrizio, Pagnotta, Donna Stella, Violante, Lisetta.

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

Performances

Mainpiece Title: A Grand Selection 0 of Sacred Music From The Works Of handel Chiefly Performed At westminster abbey At The handel Commemoration 26 May 1784 Messiah

Afterpiece Title: The Coronation Anthem God save the King

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Occasional Oratorio); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus; O had I Jubal's Lyre-Miss Mahon; Ye Sons of Israel-Chorus (Joshua); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Angels ever bright and fair-Sga Storace (Theodora); He gave them Hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned=-Pearson, Chorus (Esther); He was Eyes unto the Blind-Miss Cantelo (Siroe); Second Hautboy Concerto-; Praise the Lord-Miss Mahon (Esther); Gird on thy Sword-Chorus (Saul); O come let us worship-Harrison (Coronation? Anthems); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harrison; The Horse and his Rider-Sga Storace, Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-(Saul); Funeral Anthem-; What Passion cannot Music raise or quell-Miss Cantelo (Dryden's Ode); Glory to God-Harrison, Chorus (Joshua); Where'er you walk-Sga Storace (Semele); Gloria Partri-full chorus (Jubilate).

Music: End II: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March-(Scipio); Tyrants would in impious throngs-Chorus (Athalia); Oft on a plat of rising ground-Harrison (L'Allegro); The many rend the skies-Chorus (Alexander's Feast); Tune your harps-Miss Mahon (Esther); From Harmony-Harrison, Chorus (Dryden's Ode); Ye Sacred Priests, Farewell ye limpid Springs-Sga Storace (Jephtha); From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture-(Ariadne); From wave to wave-Sale; Thy right hand O Lord-Chorus (Israel in Egypt); Pleasure my former ways resigning-Harrison; Happy if still we reign-Chorus (Time and Truth); Pious Orgies-Miss Cantelo [Judas Maccabaeus]; But bright Cecilia-Sga Storace; As from the power of sacre lays-Chorus (Dryden's Ode); God save Great George our King-Greatorex.

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned-Pearson, Chorus; He was Eyes unto the Blind-Miss Cantelo; Second Hautboy +Concerto-; So shall the Lute and Harp-Miss Mahon (Judas Maccabaeus); Gird on thy Sword-Chorus; Thanks to my Brethren, How vain is Man-Harrison (Judas Maccabaeus); Then round about the starry Throne-Chorus (Samson); Every Day will I give Thanks-Sga Storace (Chandos? Anthems); Fix'd in his everlasting Seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Tamerlane) and Dead March-(Saul); Honour and Arms-Griffiths (Samson); Fallen is the Foe-Chorus (Judas Maccabaeus); Ye Men of Gaza-Miss Cantelo (Samson); When his loud Voice-Chorus (Jephtha); O come let us worship-Harrison; The Lord shall reign-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Chorus (Israel in Egypt); God save Great George our King-.

Music: As17890306

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-(Berenice); Happy Pair-Harrison, Chorus (Alexander's Feast); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Lift up your Heads-Chorus (The Messiah); The morning Lark-Miss Mahon (Semele); He rebuked the Red Sea-Chorus (Israel in Egypt); Rendi il Sereno al Ciglio-Harrison (Sosarme); See the conqu'ring Hero comes-Chorus (Judas Maccabaeus); The Prince Unable-Sga Storace (Alexander's Feast); Immortal Lord of Earth and Skies-Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Performance Comment: O the Pleasures-Chorus (Acis and Galatea); Come ye smiling Hours-Miss Cantelo (Nabal); How excellent-Chorus (Saul); Pleasure my former Ways resigning-Harrison (Time and Truth); He smote all the First Born-Chorus (Israel in Egypt); Joys in gentle Strains-Miss Cantelo, Harrison (Athalia); Grateful Hearts enjoy the Blessing-Sga Storace (Nabal); Hallelujah!-Grand Chorus (The Messiah); God save Great George our King-.

Music: As17890306

Performances

Mainpiece Title: A gala Sponsored By brookss Club Celebration Of kings Recovery and See 15 24 Apr

Performance Comment: 11 May]. [Shortly before midnight an overture-; [was played, followed by a duet-Kelly, Sga Storace, [assisted by a Chorus; music by Mazzinghi-; An Ode by Robert Merry-Mrs Siddons; [dressed "a la Britannia, with a spear, standing on a raised stage...This being finished a Transparent Paintingv dropped upon her, and she was no more seen." The Ode was concluded at 12:30, and Rule Britannia-[ was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.). was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.).

Performances

Mainpiece Title: The Messiah Preceded By god Save The Kingcoronation Anthems

Performance Comment: Principal Vocal Parts-Reinhold, Kelly, Dignum, Mrs Crouch, Miss Hagley, Sga Storace; 1st Violin-Shaw; Conductor-Dr Arnold.

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 2

Performance Comment: As17900317but Che faro[Orfeo ed Euridice, by Gluck]-Sga Storace; The Prince unable to conceal his pain-_; Concerto on the violin-Master Bridgtower.

Performances

Mainpiece Title: Redemption 0 Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Performance Comment: As17900226, but In sweetest harmony-Sga Storace.

Afterpiece Title: Redemption 3

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Il Barbiere Di Siviglia Or The Spanish Barber

Performance Comment: Count Almaviva-Kelly (of dl); Figaro-Borselli; Don Basilio-Torregiani; Don Bartolo-Neri; Giovinetto-Benigni; Rosina-Sga Storace.
Cast
Role: Rosina Actor: Sga Storace.

Dance: End I: La Bergere des Alpes, as17900525; End Opera: Divertisement, as17900529

Performances

Mainpiece Title: At Kings The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Baddeley; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Hugo-Moody; De Courcy-Whitfield; Martin-Hollingsworth; Lady Elinor-Miss DeCamp; Adela-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Adela Actor: Sga Storace

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: At Kings The Siege Of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenburg-Palmer; Ismael-Benson; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Katharine-Mrs Crouch; Fatima-Miss Barclay; Lilla-Sga Storace; Ghita-Mrs Bland.
Cast
Role: Lilla Actor: Sga Storace

Afterpiece Title: High Life Below Stairs

Dance: In II afterpiece: a Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: Le Nozze Di Dorina And I Zingari In Fiera

Performance Comment: A Selection, in 2 acts of the most favourite Scenes from these Comic Operas. Principal Characters-Morelli, Rovedino, Kelly, Sga Storace.

Dance: As17930622

Ballet: Iphiginia in Aulide. As17930622

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection

Performance Comment: Principal Vocal Performers as17940321eader as17940312verture (OCCASIONAL ORATORIO). He smote all the first born by Chorus (ISRAEL IN EGYPT). Beold, the Lord's arm is not shortened and Lo! he is our God by Miss Leak (RESURRECTION, by Dr Arnold). Tyrants would in impious throngs by Sga Storace and Chorus (ATHALIA). Loud as the thunder by Master Welsh (SAMSON). I feel the Deity within and Arm, arm ye brave by Meredith; We come in bright array by Chorus (JUDAS MACCABAEUS). The prince unable by Sga Storace; The many rend the skies by Chorus (ALEXANDER'S FEAST). Concerto on the flute by Ashe .

Afterpiece Title: ACIS AND GALATEA

Music: End of Part I of oratorio concerto on violin by Giornovichi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Performance Comment: As17940918, but Caroline-Sga Storace.
Cast
Role: Caroline Actor: Sga Storace.
Related Works
Related Work: The Prize; or, 2.5.3.8 Author(s): Stephen Storace

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Dr Bartholo-Suett (1st appearance in that character); Basil-Aickin; Notary-Maddocks; Alcade-Cooke; Lazarillo-Bannister Jun.; Argus-Wewitzer; Tallboy-Caulfield; Rosina-Sga Storace (1st appearance in that character).
Cast
Role: Rosina Actor: Sga Storace

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.
Cast
Role: Clara Actor: Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House