SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Shore"/1) | (@(roleclean,performerclean) "Mr Shore")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4279 matches on Event Comments, 1313 matches on Performance Comments, 939 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Event Comment: Richard Shore paid #5 for space at Bartholomew Fair. See Rosenfeld, Theatre of the London Fairs, p. 6

Performances

Event Comment: At the particular Desire of several persons of Quality. Benefit a Person under Misfortunes. The person concerned will take care the whole performance shall be conducted with the utmost decency and regularity. Tickets delivered out for Jane Shore will be taken

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Damon and Phillida

Music: Kettle@Drums-Jo Baker; Handel's Water Piece-

Event Comment: Bought 3 yds white Gauze & 2yds of Lace for a veil for Mrs Pritchard in Jane Shore... 14s. Receipts: #120 15s

Performances

Mainpiece Title: The Rehearsal

Event Comment: At the Desire of Several Ladies of Quality. Boxes 5s. Pit 3s. Gallery 1s. 6d. [Usual concert formula. See letter to today's Daily Advertiser wherein Foote is threatened with being horsewhipped if he puts on his Diversions. This is part of Foote's publicity program.] Several of Miss Cymber's Friends [at the Play Jane Shore] mistaking the House for the Theatre in James St., are desir'd to observe this is facing the Opera House in the Haymarket.--General Advertiser

Performances

Mainpiece Title: The Orphan

Performance Comment: Monimia-Miss Cymber her second time on any stage; Castalio-(by desire) young Gentleman that played Hastings; parts-company that played Jane/Shore see17470324.

Afterpiece Title: Miss in Her Teens

Event Comment: No persons to be admitted behind the scenes nor any money to be returned after the Curtain is drawn up. [A customary notice throughout the remainder of the season until benefit time.] Tomorrow (not acted these two years) Jane Shore. The part of Alicia to be attempted by Miss Jane Cibber, being her first time of appearing upon that stage these two years. Receipts: #40 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Entertainment: EEpilogue upon Two Prologues-Mrs Clive

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Benefit for Cross (Wilder and Mattocks had Tickets) and Mrs Cross. N.B. The tickets are printed for Jane Shore for the 18th and will be taken this night. [Note the doubling of parts by Mozeen (Don Pedro and Conrade).] Receipts: #164 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: Devisse, Mad Auretti

Song: Master Mattocks

Event Comment: Play By Particular Desire. The tragedy of Jane Shore in which character Miss Macklin is to make her appearance, is in rehearsal at Covent Garden, and will be acted there on Friday next

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: JJane Shore is deferr'd till further notice

Performances

Mainpiece Title: The Rover

Afterpiece Title: Harlequin Sorcerer

Dance: As17561217

Event Comment: Benefit for Master Alexander. By Authority. Tickets delivered for Jane Shore for 9 May will be taken

Performances

Mainpiece Title: Cleone

Afterpiece Title: Lethe

Dance: Miss Burn

Event Comment: JJane Shore oblig'd to be deferr'd on account of Indisposition of some of the principal performers. Churchill's Rosciad published at 1s. Sold by Wm. Flexny, Gray's Inn Gate, Holborn

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Event Comment: [The playbill for 22 May had announced Jane Shore and Harlequin's Invasion for this night. Probably no performance.

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Harlequin's Invasion

Event Comment: Benefit for Miss Wright. Tickets deliver'd for Jane Shore and the Fairy Tale; and for the Benefit of Mrs Cross will be taken. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Song: Between the acts: several songs-Miss Wright

Event Comment: Benefit for Mrs Barry. House Charges #74 10s. [Profit to Mrs Barry #1 18s. 6d. Doubtless she had additional profit from tickets not listed in the Treasurer's Book.] The Indisposition of Mrs Yates obliges Mrs Barry to change her play. Tickets deliver'd for Jane Shore will be admitted. [Mainpiece advertised as for last time this season.] Paid salary list #435 19s. Chorus singers #2 10s. 6d.; Rec'd stopages #3 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Daphne and Amintor

Entertainment: End: The Cries of London, the Tombs of Westminster-Vernon

Dance: TThe Irish Lilt, as17670430

Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Tickets deliver'd for a Tragedy and Jane Shore will be taken. Charges #66 6s. Balance to Clarke #35 plus #142 13s. in Tickets (Box 274; Pit 401; Gallery 140) (Account Book). Receipts: #101 6s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Englishman in Paris

Dance: III: The Merry Sailors, as17671009

Event Comment: Doors opened (by Partiuclar Desire) at Five. Play to begin at half past Six. The King of Denmark came to the Farce after seeing Jane Shore at Covent Garden,--came in just before the Play was finished (Hopkins Diary)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Harlequin's Invasion

Dance: II: The Wake, as17680929

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Deuce Is in Him

Event Comment: Jane Shore oblig'd to be deferr'd. Gave Duke of Cumberland's Footmen by Cummins #1 1s., and Duke of Gloucester's Footmen by Bryan #2 2s. (Account Book). Receipts: #111 11s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Sorcerer

Dance: IV: A Double Hornpipe-Mas Blurton, Miss Besford

Event Comment: Jane Shore deferr'd. Mrs Yates Ill. Receipts: #124 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Election

Afterpiece Title: The Genii

Event Comment: Jane Shore oblig'd to be deferred till Saturday. Paid Tabor & Pipe 4 nights (this incl.) #2 2s. Receipts: #212 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Author

Event Comment: Mrs Barry, not being yet sufficiently recover'd of her Indisposition to undertake a Character of so much Exertion as Alicia, The Play of Jane Shore is oblig'd to be deferr'd till Saturday

Performances

Mainpiece Title: Othello

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 14 years. [See 22 Nov. 1760.] Last time of the Company's performing till Easter Holidays. On Easter Monday, the Tragedy of Jane Shore, with the (fifty-fourth Time) Druids. [In original text Douglas is call'd Norval and Norval is called Stranger, or Prisoner.

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Apprentice

Entertainment: Interlude.End: True Blue, as17750401

Dance: End Interlude: The Merry Sailors, as17741026

Event Comment: The Tragedy of Jane Shore oblig'd to be deferr'd on account of the sudden indisposition of Mrs Barry

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Druids

Event Comment: Hamlet is obliged to be deferred. [But on 11 Nov. Jane Shore is announced for this night.] Receipts: #124 3s. 6d

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A ChristmasTale

Dance: Masquerade Scene,Dancing, as17761026Singing-_