SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Sheridan"/1) | (@(roleclean,performerclean) "Mr Sheridan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4290 matches on Event Comments, 1206 matches on Performance Comments, 530 matches on Performance Title, 312 matches on Author, and 0 matches on Roles/Actors.
Event Comment: About this time Mr Theo: Cibber Mr Maddocks the wire Dancer, & several other Theatrical performers, with & number of other Passangers embark'd on board the Dublin, Captain White, in order to go to Ireland but the Ship was lost & every Soul perish'd (Cross). As Mr Sparks & others complain'd of Mr Wilkinson for taking them off, it [Diversions of ye Morning] was intended to be omitted this Night, But the Audience call'd so violently for it, that we were oblig'd to let him do it--he took off Foote & Sheridan, & wou'd have left out Sparks but ye Audience wou'd not be satisfied without it--when they first call'd Mr Foote went forward & said as some of the performers had complain'd it was to be omitted; as for being taken off himself he had no Objection to it, as he was always glad to contribute to their Entertainm[en]t &c. (Cross). Mainpiece: Not acted these 2 years [see 14 Oct. 1756]. Receipts: #130 (Cross); #139 10s. (Winston MS 8)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: CCatherine Talbot to Elizabeth Carter, 18 April: These oratorios of Handel's are certainly (next to the hooting of owls) the most solemly striking music one can hear....In this last oratorio he has literally introduced guns, and they have a good effect.--Deutsch, Handel, p. 640, who identifies the guns as kettle-drums. But Winton Dean, Handel's Dramatic Oratorios, p. 471, identifies them as the outsize drums from the Tower of London. See Sheridan's The Critic on off-stage gun shots: This hint I took from Handel. Recced of Mr Handell for rent of his 10 Oratorio's #210.--Account Books, Egerton 2268. [Actually there were twelve nights of oratorios.

Performances

Mainpiece Title: Judas Macchabaeus

Event Comment: Benefit for the Widow and Three Orphan Children of the late Mr Benson. [Address by John Taylor, Poems, I, 62.] "Benson [who committed suicide on 19 May] was remarkable for a very retentive memory, which enabled him on the slightest notice to become a substitute for almost any performer who might be suddenly disabled from appearing" (European Magazine, June 1796, p. 397). The house was a very good one, but it has been said that Sheridan went to the Treasury and carried off the money, so that Benson's widow and children never got a sixpence" (Genest, VII, 245). Receipts: #678 10s. 6d. (319.8.0; 66.3.6; 2.19.0; tickets: 276.6.0; odd money: 13.14.0) (charge: #212 15s.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Sultan

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

Performances

Mainpiece Title: Hamlet

Performance Comment: As17431214, but Hamlet-Sheridan (1st appearance on English Stage); Queen-Mrs Pritchard.
Cast
Role: Hamlet Actor: Sheridan

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17431210, but Richard-Sheridan.
Cast
Role: Richard Actor: Sheridan.

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17430923, but Townly-Sheridan; Lady Townly-Mrs Pritchard; Manly-Quin; Lady Wronghead-Mrs James.
Cast
Role: Townly Actor: Sheridan

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Macbeth

Performance Comment: As17440209, but Macbeth-Sheridan; Lady Macbeth-Mrs Pritchard; 2nd Murderer-Bencraft; The Vocal Parts-Mrs _Clive.
Cast
Role: Macbeth Actor: Sheridan

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sheridan; Bajazet-Delane; Moneses-Giffard; Arpasia-Mrs Cibber; Axalla-Havard; Prince of Tanais-Blakes; Dervise-Winstone; Omar-Turbutt; Stratocles-Woodburn; Haly-Green; Azama-Ray; Selima-Mrs Giffard; With the Usual Prologue-.
Cast
Role: Tamerlane Actor: Sheridan

Afterpiece Title: The Fortune Tellers

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17450212, but Richard-Sheridan; Norfolk-Mozeen; Blunt-Usher.
Cast
Role: Richard Actor: Sheridan

Afterpiece Title: The Dragon of Wantley

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17450406 but Horatio-Sheridan; Sciolto-A Gentleman; Lothario-Mozeen.
Cast
Role: Horatio Actor: Sheridan

Afterpiece Title: Chrononhotonthologos

Song: I: a Cantata-Lowe

Dance: II: Muilment; III: Sga Bettini

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan, first appearance there in 10 years; King-Sparks; Horatio-Ridout; Ghost-Ryan; Rosencraus-Wignel; Guildenstern-White; Marcellus-Anderson; Bernado-Bencraft; Queen-Mrs Elmy; Ostrick-Cushing; Francisco-Holtom; Pl. King-Redman; Pl. Queen-Mrs Bambridge; Laertes-Dyer; Gravediggers-Shuter, Stoppelaer; Polonius-Arthur; Ophelia-Mrs Vincent.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17540920, but Richard-Sheridan; King Henry-Ryan; Richmond-Ridout; Catesby-Wignell; Tressel-a Gentleman who never appeared before; Norfolk-Gibson; Oxford-_.
Cast
Role: Richard Actor: Sheridan

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17541016, but Townly-Sheridan; Jenny-Mrs Green; Poundage-Stoppelaer; Myrtilla-Mrs Baker; Lady Townly-Mrs Woffington.
Cast
Role: Townly Actor: Sheridan

Afterpiece Title: The Lover His Own Rival

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17540923, but Shylock-Sheridan; Nerissa-Mrs Vincent; Portia-Mrs Woffington.
Cast
Role: Shylock Actor: Sheridan

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Sheridan; Hippolitus-Smith; Lycon-Ridout; Ismene-Mrs Baker; Phaedra-Mrs Woffington.
Cast
Role: Theseus Actor: Sheridan

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Sheridan; Macduff-Ryan; King-Gibson; Banquo-Sparks; Malcolm-Anderson; Donalbain-Bennet; Seyward-White; Lenox-Ridout; Hecate-Arthur; First Murderer-Bencraft; Second Murderer-Marten; Witches-Dunstall, Collins, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Woffington; With the Original Music-; The Vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Mrs Chambers, Miss Young, Mrs Vincent; And the Dances-and Decorations incident to the play.
Cast
Role: Macbeth Actor: Sheridan

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Sheridan; Capulet-Sparks; Montagu-Redman; Escalus-Anderson; Benvolio-Gibson; Paris-Hurst; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennet; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-Mrs Bellamy; Masquerade Dance- proper to the play; And an additional scene will be introduced representing the Funeral Procession of Juliet-; Which will be accompanied with a Solemn Dirge-; The vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers.
Cast
Role: Romeo Actor: Sheridan

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Venice Preservd Or A Plot Discovered

Performance Comment: Pierre-Sheridan; Priuli-Gibson; Bedamar-Anderson; Jaffier-Murphy; Duke-Marten; Renault-Ridout; Belvidera-Mrs Bellamy.
Cast
Role: Pierre Actor: Sheridan

Afterpiece Title: The Schoolboy

Dance: Granier, Madam Camargo

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Sheridan; Portius-Ryan; Marcus-Dyer; Juba-Smith; Sempronius-Sparks; Lucius-Anderson; Syphax-Ridout; Decius-Stevens; Lucia-Mrs Baker; Marcia-Mrs Bellamy.
Cast
Role: Cato Actor: Sheridan

Afterpiece Title: Miss in Her Teens

Dance: Poitier Jr, Mlle Capdeville

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Performance Comment: Coriolanus-Sheridan; Cominius-Ridout; Menenius-Shuter; Sicinius-Bennet; Brutus-Stevens; Plebians-Barrington, Dunstall, Collins, Stoppelaer, Costollo; Tullus-Ryan; Volusius-Sparks; Galesus-Gibson; Minucius-Anderson; First Senator-Redman; Second Senator-Wignell; Aedile-Hurst; Officer-Holtom; Titus-Cushing; Herald-White; Gentlewoman-Miss Helme; Volumnia-Mrs Bellamy; Veturia-Mrs Woffington; In the First Act will be introduced a Military Entry after the Manner of a Roman Ovation- (playbill and $Hogan, p. 160).
Cast
Role: Coriolanus Actor: Sheridan

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Easy-Sheridan; Foppington-Cibber; Morelove-Ridout; Lady Easy-Mrs Elmy; Lady Graveairs-Mrs Hamilton; Edging-Mrs Green; Lady Betty-Mrs Woffington.
Cast
Role: Easy Actor: Sheridan

Afterpiece Title: The Mock Doctor

Dance: As17550104