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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Sarjant"/1) | (@(roleclean,performerclean) "Mr Sarjant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5677 results for: Keyword - Mr Sarjant
We found 4274 matches on Event Comments, 1144 matches on Performance Comments, 529 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

151
05 May 1774 @ Covent Garden

Event Comment: Afterpiece: By Particular Desire. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. Receipts: #106 8s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Midas

152
01 June 1775 @ Covent Garden

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: St Patrick's Day

Dance: End: The Irish Lilt, as17741202

153
20 September 1775 @ Covent Garden

Event Comment: The Two Misers is unavoidably oblig'd to be deferr'd. Books of the Entertainment [The Two Misers?] to be had at the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the curtain is up. Places for the Boxes to be taken, of Mr Sarjant (only) at the Stage Door. The Doors to be opened at Half after Five o'clock. To Begin exactly at Half after Six. Vivant Rex and Regina. (Customary footnote for succeeding Playbills. It will not be repeated here. The Westminster Magazine, September, p. 459, indicates a Prelude was also given this opening night, consisting of several of the actors comparing notes on their various successes, casts of parts, droll accidents, which they had experienced during their different summer excursions. Mattocks, Dunstall, Lee Lewes, Miss Barsanti, and Hull participated. The reviewer reported the content of their reminiscences, but disliked the jumbled nature of the Prelude. Another account in the Morning Post, 21 September.] Note: For performance at hay 20 September, see Season of 1774-1775, p. 1905

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

154
16 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: Title Unknown

155
15 February 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

156
30 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

157
15 October 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

158
14 November 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

159
November 1698 @ Drury Lane Theatre

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

160
December 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

161
January 1692 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage-hater Matched

162
04 July 1672 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Citizen Turned Gentleman

163
19 January 1683 @ Drury Lane Theatre

Performances

Mainpiece Title: The City Politiques

164
November 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Deceiver Deceived

165
28 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise

166
September 1697 @ Drury Lane Theatre

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

167
09 July 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: Courtship A La Mode

168
12 February 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

169
26 August 1710 @ Greenwich

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-

170
21 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

171
12 December 1759 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

172
14 January 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

173
03 June 1685 @ Dorset Garden Theatre

Performances

Mainpiece Title: Albion And Albanius

174
April 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Rehearsal

175
May 1691 @ Dorset Garden Theatre

Performances

Mainpiece Title: King Arthur; Or, The British Worthy