SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Rowe Esq"/1) | (@(roleclean,performerclean) "Mr Rowe Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4488 matches on Event Comments, 1171 matches on Performance Comments, 851 matches on Author, 532 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late J. Addison, Esq. N.B. The Letter from some Gentlemen of the Inner-Temple (desiring the first Part of King Henry the Fourth to be play'd soon) was receiv'd, and, in Compliment to their Request, that Play will be Acted on Tuesday next

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo-Master Trick'd

Dance: As17340919

Event Comment: At the Theatre-Royal in Lincoln's Inn Fields, this Day,will be presented a Comedy. Written by Colley Cibber, Esq., Poet Laureat. At Common Prices, viz. Boxes 4s. Pit 2s. 6d. 1st Gallery 1s. 6d. Upper Gallery 1s. [prices regularly repeated in the bills]. For the better Decorum of the Stage, no Money will be taken behind the Scenes; and 'tis humbly hop'd no Person will desire Admittance there

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Dance: Carney, Mrs Roland

Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. The Boxes to be open'd to the Pit, and No Person to be admitted but by printed Tickets at half a Guinea each. Note, That the Tickets deliver'd out for the Moor of Venice, and Great Mogul, will be taken at this Play. [Receipts: possibly #154 6s. 7 1!2d., according to Baggs.] For a comment on this occasion, see Tatler, 12 April. Whincop (pp. 175-76) states: But Mr Betterton being new past Seventy Years of Age, and lame with the Gout, seemed but to burlesque the Part of youthful Valentine

Performances

Mainpiece Title: Love For Love

Performance Comment: See17090312 but Valentine-Betterton; Ben-Dogget; Angelica-Mrs Bracegirdle; Mrs Frail-Mrs Barry; Prologue written by Congreve-Mrs Bracegirdle; An Epilogue written by Rowe,-Mrs Barry, having Betterton on her Right Hand, between herself, Mrs Bracegirdle.
Event Comment: Written by the late Mr Rowe

Performances

Mainpiece Title: Tamerlane

Related Works
Related Work: Tamerlane Author(s): Nicholas Rowe
Event Comment: At the particular Desire of several :&Persons of Quality. Written by the late Mr Rowe

Performances

Mainpiece Title: Tamerlane

Related Works
Related Work: Tamerlane Author(s): Nicholas Rowe
Event Comment: Written by the late Mr Rowe

Performances

Mainpiece Title: Tamerlane

Related Works
Related Work: Tamerlane Author(s): Nicholas Rowe
Event Comment: Benefit for Johnstone. 1st piece: By permission of G. Colman, Esq.; never performed here. [Bannister Jun.'s 1st appearance at this theatre was on 2 Feb. 1779.] 3rd piece: Not performed here these 3 years. [No play of this title had been hitherto acted anywhere. But it appears to be the same as The Sailor's Prize, for which see cg, 1 May 1795.] Morning Chronicle, 22 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #478 (208.6.6; 13.17.6; tickets: 255.16.0)

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

Performance Comment: End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett.
Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Wroughton; Count Valentia-Bannister Jun.; Seville-Maddocks; Granada-Trueman; Peasant-Aickin; Marchioness Merida-Mrs Goodall; Amanthis-Mrs Jordan; An Occasional Address by Henry Bunbury, Esq.-Mrs Jordan. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: The Children in the Wood

Song: In course 2nd piece: The Little Farthing Rushlight-Bannister Jun

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman