SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Richard Cross"/1) | (@(roleclean,performerclean) "Mr Richard Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6750 matches on Event Comments, 2923 matches on Performance Comments, 2144 matches on Author, 1450 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751212, but Richard-Garrick, first time in 5 years; Catesby-Packer; King Henry-Reddish; Lady Anne-Mrs Siddons, first time; Prince Edward-Miss P. Hopkins.
Cast
Role: Richard Actor: Garrick, first time in 5 years
Role: Richard III Actor: Smith

Afterpiece Title: The Devil to Pay

Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17930930, but Richard-A Gentleman (1st appearance [Litchfield]); Duke of Norfolk-Dignum; Sir R. Ratcliff-Maddocks; Sir R. Brackenbury-Cooke//Elizabeth-Mrs Powell; Duchess of York-Mrs Hopkins .
Cast
Role: Richard Actor: A Gentleman

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17610421 but Richard-Holland; Buckingham-Davies; Lord Mayor-Baddeley.
Cast
Role: Richard Actor: Holland
Role: King Richard Actor: Garrick.

Afterpiece Title: High Life below Stairs

Entertainment: M$Mr Foote's Epilogue to the Minor-Master Summers, a child 4 years old

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc or The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Related Works
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross
Event Comment: MMr Garrick Richard. The Play dress'd in the habits of the times (Cross Diary)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17621005, but Richard-Garrick; Norfolk-Blakes; Lieutenant-Moody; Catesby-Packer; Ratcliffe-Castle.
Cast
Role: Richard Actor: Garrick

Afterpiece Title: Miss in Her Teens

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: Benefit for Incledon. 1st piece: As originally performed in 3 acts. Not acted these 7 years [acted 28 Oct. 1789]. 2nd piece [1st time; M. INT 1, attributed to John Cartwright Cross. MS: Larpent 1021; not published]. Morning Chronicle, 19 Apr.: Tickets to be had of lncledon, No. 15 , Charlotte-street, Bloomsbury. Receipts: #396 12s. 6d. (122/12/6; 6/0/6; tickets: 267/19/6)

Performances

Mainpiece Title: Robin Hood

Performance Comment: Robin Hood (for that night only)-Bowden (1st appearance on this stage these 7 years); Little John-Quick; Allen o'Dale (1st time)-Townsend; Ruttekin-Bernard; Fitzherbert (1st time)-Richardson; Scarlet-Davies; Bowman-Cubitt; Edwin (for that night only)-Incledon//Clorinda- Mrs Martyr; Stella (1st time)-Mrs Mountain; Annette (1st time)-Miss Barnett; Angelina-Miss Poole (1st appearance in that character) .
Cast
Role: Fitzherbert Actor: Richardson

Afterpiece Title: NAPLES BAY or The British Seamen at Anchor

Related Works
Related Work: Naples Bay; or, The British Seamen at Anchor Author(s): John Cartwright Cross

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess Or The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: King Richard Actor: Betterton
Event Comment: Receipts: #190 (Cross); #183 15s. (Powel)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Garrick; King Henry-Berry; Buckingham-Sparks; Richmond-Havard; Stanley-Winstone; Tressel-Blakes; Catesby-Usher; Lieutenant-Ray; Edward V-Miss Cole; Duke of York-Miss Yates; Ratcliff-Simpson; Blunt-Palmer; Lord Mayor-Taswell; Oxford-Bransby; Dutchess of York-Mrs James; Lady Anne-Mrs Mills; Queen-Mrs Pritchard.
Cast
Role: King Richard Actor: Garrick

Afterpiece Title: The Lottery

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17511126, but Richard-Mossop; Lieut.-Mozeen.
Cast
Role: Richard Actor: Mossop

Afterpiece Title: Harlequin Ranger

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17520930, but Richard-Garrick.
Cast
Role: Richard Actor: Garrick.

Afterpiece Title: The Devil to Pay

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17521124, but Richard-Mossop; Richmond-Palmer; Buckingham-Burton; Duke of York-Master Simson.
Cast
Role: Richard Actor: Mossop

Afterpiece Title: The Genii

Event Comment: Mainpiece: By Desire. Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17530925, but Richard-Garrick.
Cast
Role: Richard Actor: Garrick.

Afterpiece Title: The Devil to Pay

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17531218, but Richard-Mossop.
Cast
Role: Richard Actor: Mossop.

Afterpiece Title: Fortunatus

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17541001, but Richard-Garrick; Catesby-Usher (playbill). Catesby-$Marr (Public Advertiser).
Cast
Role: Richard Actor: Garrick
Role: Richard III Actor: Mossop

Afterpiece Title: The Anatomist

Event Comment: Receipts: #100 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17541024, but Richard-Mossop; Catesby-Usher.
Cast
Role: Richard Actor: Mossop
Role: Richard III Actor: Mossop

Afterpiece Title: The Genii

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17551023, but Richard-Murphy.
Cast
Role: Richard Actor: Murphy.

Afterpiece Title: The Genii

Dance: II: New Pantomime Dance-Children, as17551203

Event Comment: Mainpiece: By Particular Desire. Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17551208, but Richard-Garrick; Lieut.-Mozeen.
Cast
Role: Richard Actor: Garrick

Afterpiece Title: The Anatomist

Event Comment: Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17570913, but Richard-Garrick; Stanley-Mozeen; Lieutenant-Jefferson.
Cast
Role: Richard Actor: Garrick
Role: Richard III Actor: Mossop

Dance: TThe Italian Peasants, as17571004

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Garrick; Richmond-Palmer; Stanley-Bransby; King Henry-Havard; Tressel-Holland; Buckingham-Davies; Prince Edward-Simson; Lady Anne-Mrs Davies; Queen Elizabeth-Mrs Pritchard; Norfolk-Burton; Catesby-Packer; Lieutenant-Mozeen; Duke of York-Miss Simson; Duchess of York-Mrs Bennet.
Cast
Role: King Richard Actor: Garrick

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Boheme; King Richard-Ryan; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Lord Mayor-Bullock Sr; Queen Elizabeth-Mrs Seymour; Lady Anne-Mrs Egleton; Prince Edward-Miss Stone.
Cast
Role: King Richard Actor: Ryan

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17491002, but Richard-Lee; King Henry-Bridgwater.
Cast
Role: Richard Actor: Lee

Afterpiece Title: Miss in Her Teens

Dance: As17500201

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17690112, but Richard-Holland; Lady Anne-Mrs Stephens; Duke of York-Mas. Cape; Queen-Mrs Reddish.
Cast
Role: Richard Actor: Holland

Afterpiece Title: The Lottery

Dance: II: The Wake, as17680929; End: Double Hornpipe-Walker, Miss Ward

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17750525, but Macklin's 2nd appearance as Richard; Queen-Mrs Hopkins (from Drury Lane); Prince Edward-Harris.
Cast
Role: Richard Actor: Macklin, first time

Afterpiece Title: St Patricks Day

Dance: End: The Irish Lilt, as17741202

Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.