SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Reddish"/1) | (@(roleclean,performerclean) "Mr Reddish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4241 matches on Event Comments, 1438 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The School For Wives

Performance Comment: Torrington-Parsons, first time; Leech-Bransby; Miss Leeson-Miss P. Hopkins; General Savage-King; Connolly-Moody; Leeson-Palmer; Capt. Savage-Brereton; Spruce-Lamash; Ghastly-Burton; Belville-Reddish; Mrs Belville-Miss Younge; Lady Rachel-Mrs Hopkins; Mrs Tempest-Mrs Greville; Miss Walsingham-Mrs Abington; Crow-Wright; Wolf-Carpenter; Maid-Mrs Millidge.
Cast
Role: Belville Actor: Reddish

Afterpiece Title: Bon Ton

Dance: In: The Savage Hunters, as17751118

Performances

Mainpiece Title: The School For Rakes

Performance Comment: Capt. Lloyd-King; Frampton-Reddish; Sir William-Hurst; Col. Evans-Palmer; Willis-Dodd; Robert-Baddeley; Mrs Winifred-Mrs Hopkins; Harriet-Miss P. Hopkins , first time; Lord Eustace-Davies , first time.
Cast
Role: Frampton Actor: Reddish

Afterpiece Title: The Waterman

Dance: End: The Savage Hunters, as17751118

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Reddish; Jaques-Jefferson; Duke Senior-Hurst; Duke Frederick-Bransby; Oliver-Packer; Amiens (with songs)-Vernon; Corin-Waldron; LeBeau-Everard; Silvius-R. Palmer; William-Messink; Adam-Moody; Caelia-Mrs Baddeley; Cuckoo Song-Mrs Baddeley; Phoebe-Mrs Davies; Audrey-Mrs Bradshaw; Rosalind-Miss Younge.
Cast
Role: Orlando Actor: Reddish

Afterpiece Title: Bon Ton or High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).
Cast
Role: Macduff Actor: Reddish

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: Paid Mr Roberts, shoemaker, 2 Bills #21 2s. 10d.; Mr Thomson Smith, #23 14s. 6d.; Mr Reddish on Acct to Mr Scarr, per order #15; Rec'd of Mr C. Roberts 3 quarter's Rent to Midsummer last #7 10s. Receipts: #184 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Performance Comment: Parts-Barry, Reddish, Aickin, Palmer, J. Aickin, Inchbald, Mrs W. Barry, Mrs Barry. Prologue-Reddish; Epilogue-Mrs Barry; Tancred-Barry; Arnolph-Reddish; Orbassan-Aickin; Catanio-Palmer; Loredan-J. Aickin; Aldamon-Inchbald; Sophia-Mrs W. Barry; Almida-Mrs Barry (Genest, V, 205).

Afterpiece Title: The Lyar

Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Reddish; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-J. Aickin; Lewson-Cautherly; Charlotte-Mrs Reddish; Lucy-Miss Platt; Mrs Beverley-Mrs Baddeley; With a New Occasional Address to the Town by way of a Prologue-Reddish; The Original Epilogue-Mrs Abington. By Particular Desire.

Afterpiece Title: The Captive

Dance: I: Cunning Love, as17710204

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentines Day

Dance: II: The Grand Garland Dance, as17760311

Event Comment: Benefit for Reddish. Mainpiece: By Desire. Farce (adapted by Thomas Ryder from Vanbrugh's Mistake) never acted there

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17670917, but Richard-Reddish, 1st time; King Henry-Burton; Buckingham-Aickin; Norfolk-Hurst; Lady Anne-Mrs Reddish.
Cast
Role: Richard Actor: Reddish, 1st time
Role: Lady Anne Actor: Mrs Reddish.

Afterpiece Title: Like Master Like Man

Dance: End: The Wake, as17680220

Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Reddish (that night only); Sir Harry Sycamore-Parsons; Giles-Bannister; Ralph-Dibdin; Fairfield-Jefferson; Mervin-Fawcett; Patty-Mrs Baddeley; Fanny-Miss Pope; Theodosia-Miss Radley; Lady Sycamore-Mrs Bradshaw; With a New Occasional Prologue-Reddish.

Afterpiece Title: No Wit Like a Womans

Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

Event Comment: The Wedding Ring defer'd. Bannister ill. Paid Mr Reddish to Mr Settree, per order #33 4s. (Treasurer's Book). Receipts: #268 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycomb

Event Comment: Last time performing Mainpiece till Benefits. Full Prices. Paid the Lecturer of St Martin's one year #2 2s.; Mr Reddish, per Mr G. G. #6 6s. (Treasurer's Book). Receipts: #161 9s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Pigmy Revels

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: A Peep behind the Curtain

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Event Comment: Prelude and Mainpiece By Command of their Majesties. Jane Shore is oblig'd to be deferr'd on Account of Mrs Yates's being incapable of performing. [MacMillan's note from Kemble "Mr Smith Kitely -dull enough" does not appear in the Folger, Hopkins Diary.] King and Queen Present. Rec'd from Mr Reddish on Acct #50. Paid Printer's Bill #14 12s. 6d. (Treasurer's Book). [This weekly payment throughout the season averaged #9 6s., for a total payment of #353 8s. No further itemization of it will be made.] Receipts: #284 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Event Comment: Afterpiece: By Particular Desire. Reddish made his first appearance on the Irish Stage (Smock Alley) in the character of Etan (Genest, X, 458)

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: Etan-Reddish, 1st time; Timurkan-Havard; Hamet-Cautherley, 1st time; Zamti-Holland; Mirvan-Packer; Octar-Bransby; Morat-Burton; Orasmin-Ackman; Zimventi-Keen; Mandane-Mrs Hopkins.
Cast
Role: Etan Actor: Reddish, 1st time

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Marriage hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques