SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr R"/1) | (@(roleclean,performerclean) "Mr R")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4401 matches on Event Comments, 2730 matches on Performance Comments, 549 matches on Performance Title, 24 matches on Roles/Actors, and 23 matches on Author.

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Irish Widow

Song: As17990529

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Fortune's Frolick

Dance: In III: Hornpipe in character-a Young Gentleman (1st appearance on any stage [unidentified])

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Virgin Unmask'd

Dance: TThe German Hunters, as17580916

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deuce Is in Him

Dance: End: Reviv'd The Prussian Camp-Grimaldi, Aldridge, Lauchery, Miss Baker

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: The Jubilee

Event Comment: Mrs Abington continuing ill, The Maid of the Oaks oblig'd to be deferr'd. Soon after the Farce began off off--no, more, no more, was the General Cry with much hissing--Mr King went on Two or three times to know their pleasure but they would not hear him. They Call'd for Mr Garrick he attended--but they would not hear him for a long time tho' Attempted Several times to speak--at last Somebody said hear him! hear him!--Mr G. told them that he would wait their [sic] all Night with pleasUre if they requir'd it--hear him! again was bellow'd out--he told them he waited to know their pleasure--whether they would have the Blackamoor go on or if they would have any other Farce then a great Noise ensued; as soon as they were quiet Mr G. told them that his Theatrical Life would be very Short and he should be glad to end it in peace--A man in the Pit said if you have a mind to die in Peace don't let this Farce be play'd again Mr Garrick was on and off the Stage several times nothing would content them--at Length Mr King told them that the Author had taken the Copy from the Prompter and was gone away with it.--Soon after this they withdrew So ended this troublesome Affair (Hopkins Diary). [MacMillan's note from Kemble is considerably lengthened.] Paid Mr Rowland's bill for dinners #8 9s. 3d. Receipts: #284 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Blackamoor

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Venice Preserv'd

Performances

Mainpiece Title: The Successful Strangers

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Performances

Mainpiece Title: The Innocent Mistress

Performances

Mainpiece Title: The Patriot; Or, The Italian Conspiracy

Performances

Mainpiece Title: Friendship In Fashion (reviv'd)

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Gamester

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Dance: Master Rogier, Miss Capitani

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen